A24, the indie film distribution company responsible for films like Moonlight, Eighth Grade, Midsommar, Swiss Army Man, and dozens more, has announced a cool new project called A24 Public Access. It’s a six-week screening series in which the company will take some of its best films on the road this summer and project them onto billboards in cities across America in which the films are set. Best of all, the screenings are free. Find out which films are playing in which cities below. Read More »
(Welcome to Movie Mixtape, where we find cinematic relatives and seek out interesting connections between new releases and older movies that allow us to rethink and enjoy what’s in our theaters as well as the favorites on our shelf. In this edition: James Ponsoldt’s The Circle.)
So far on Movie Mixtape, we’ve danced with a beast and tangoed with Scarlett Johansson’s ghost, and now we’re dipping our toes in a dystopia that feels a bit closer to our home screens.
Based on the Dave Eggers novel, The Circle sees entry-level tech employee Mae Holland (Emma Watson) swimming through the hipster-bait open office of a Hooli-esque search engine company. Her life perks up as she rises through the ranks of the company, but success is a matter of compromising. Mae has to trade away something that most of us trade away everyday by using Facebook and Twitter and Instagram: her private life. At the heart of the company is its rock star founder Eamon Bailey (Tom Hanks) who wants to help society by making it more open and free.
Yes, the whole thing is one big trigger for introverts. It’s also a case of too-good-to-be-true revealing its price tag.
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Last week, the fantastic adaptation of Me and Earl an the Dying Girl hit theaters in a limited run, and this week the lively Dope also arrives on the big screen. Both are spectacular coming of age tales from two very different sides of the spectrum, but they both have wonderful young characters, engaging relationships, and are special in their own ways.
And with these two magnificent coming of age movies hitting the big screen recently, we thought it was a good time to look back at some of the great films to come out of this subgenre. But since everyone has gushed over films like Stand by Me, The Breakfast Club and Say Anything for years, I decided to put a more modern focus on coming of age films by counting down my picks for the Top 25 Best Coming of Age Movies of the Past 25 Years. That means you won’t find anything on here from before 1990. Do your favorite movies make the cut?
Check out my list of the Top 25 Best Coming of Age Films of the Past 25 Years after the jump! Read More »
World’s End/Shaun of the Dead director Edgar Wright has in past years posted his favorite movies of the year online. Wright, being a real film geek, always has some great cinematic recommendations. This year Digital Spy cornered Wright at a late November junket to get his top 10 list on video. Of course, recording the list early means Edgar had yet to see many of the December Awards-bait films. But after the jump you can watch Edgar read off his early list of favorite 2013 movies. It will be interesting to see which films get added and get pushed off the list when Wright updates his list on his blog in January.
Updated: Wright has offered a revision to the list, factoring in that he’s now been able to see some of the stuff that wasn’t yet available when he was pressured to make a list in November.
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Posted on Monday, December 30th, 2013 by Angie Han
Thanksgiving was over a month ago, but now seems as good a time as any to thank the cinema gods for the fantastic films we got in 2013. With the usual caveats that this is more of a personal “favorites” list than an objective “best of” list, and that there are plenty of great films that weren’t included for the simple and shameful reason that I never got around to seeing them, here are the movies that made me laugh, howl, jump, and/or weep over the last twelve months.
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Posted on Saturday, December 28th, 2013 by David Chen
I think one sign of a film score’s success is how well it stands apart from its film. While the relationship should always be symbiotic, I’m always on the lookout for film scores I can add to my listening rotation. This year, there were a bunch of tracks that moved me deeply and/or received a ton of play either on my computer or through my headphones. The art of film music remains alive, well, and encouragingly diverse.
After the jump, check out my top 5 film scores of 2013, as well as a few great Honorable Mentions that barely missed the cut. Feel free to share your favorites in the comments below.
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Posted on Monday, December 23rd, 2013 by Angie Han
If you’re both 1) desperate for some distraction from the holiday hubbub and 2) eager to get a leg up on the rest of your office for the annual Oscar pool, here’s a way to kill two birds with one stone.
Over thirty screenplays for some of 2013’s top films have just been made available, legally and for free, through the studios. Highlights include John Ridley‘s 12 Years a Slave, Richard Linklater, Ethan Hawke, and Julie Delpy‘s Before Midnight, Terence Winter‘s The Wolf of Wall Street, and many more.
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Posted on Wednesday, December 18th, 2013 by Angie Han
In an age when the phrase “teen drama” suggests hardscrabble dystopias or lovelorn werewolves, what’s extraordinary about The Spectacular Now is how ordinary it is. The leads are two kids that could be from any town in America, and their romance is neither epic nor star-crossed. Stories like this one surely play out dozens of times a day all over the world.
But despite that ordinariness, or more likely because of it, The Spectacular Now is also one of the best teen dramas of recent years. Under the direction of James Ponsoldt (Smashed), The Spectacular Now is a pitch-perfect depiction of adolescence, warm and funny and sad without ever veering into forced sentimentality.
It’s a tough balance to pull off, and during a recent press stop in New York I got the opportunity to ask him how he managed to get it right. We also talked about why the kids in The Spectacular Now drink so much, how he took advantage of Kyle Chandler‘s Coach Taylor image, and which Arrested Development star he’d love to work with. Hit the jump to read the full interview. (Some spoilers for The Spectacular Now follow.)
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Cool Posts From Around the Web:
Way before Blockbuster said goodbye, the battlefields of streaming video were getting bloody. Studios fought and signed exclusive deals with Netflix, Hulu and others to release both catalog titles, and new releases, on one service or the other. The future has been happening for a while.
One of the (relatively) newer streaming services to enter the game was Amazon. While the company’s streaming service through Prime has a good amount of titles, as well as a growing crop of originally programming, Amazon just signed its first exclusive deal with a film production company. That company is A24 Films, the team behind The Spectacular Now, Spring Breakers and The Bling Ring. Upcoming A24 Films will only stream on Amazon. Read More »
Dave chats with composer Rob Simonsen about creating the beautiful music for The Spectacular Now. Check out more of Rob’s work at his official website. Buy his album on Amazon or iTunes.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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