Ethan Peck initially turned to Leonard Nimoy's Spock for guidance, but he feels at home in the character in Strange New Worlds season 2.

'On the second day of filming, I developed an upset stomach.'

'The culture [at the time] had not embraced the femme or the bimbo as valid feminist archetypes yet.'

Another wacko Nicolas Cage performance isn't enough to elevate this dull movie.

Never question director Martin Brest's dedication to his craft.

A devastating masterpiece.

'We're coming back to a very altered landscape...'

It's called dedication to the craft!

Awkwafina and Sandra Oh, come on down!

Michael Bay movies are just as strenuous to make as they are to watch.

'It was a timewarp for a couple of seconds.'

Robert Downey Jr. breaks from his Tony Stark persona with a tempered, complex portrayal of Oppenheimer's antagonist, Lewis Strauss.

Matchbox Twenty's 'Push' is the unofficial anthem of Kendom in Barbie, and Rob Thomas is fine with that.

Barbie may have been a co-production with Mattel, but Greta Gerwig's film is not afraid to lampoon its parent company.

Who will it be?

If any film is going to open with credits that sound like they came from an Honest Trailers video, it's this one.

Robbie Amell getting an injury on the Resident Evil set was unfortunate, but it's very much in keeping with something his character Chris Redfield would do.

That's one expensive bee.

'Why don't we pay homage to the movie that we can say is Latin cinema?'

'I think what I was looking for is to bring something very unexpected...'

Barbie scores the biggest opening weekend of 2023 so far, and Greta Gerwig sets a new box office record for female directors.

Rob Marshall wanted Melissa McCarthy to really lean into a shimmy during a big musical number, but she had to inform him of the consequences.

Managing expectations.

'I was unprepared for how great it was.'

Christopher Nolan is back in a big way with Oppenheimer, which has already grossed $174 million worldwide and has solidly sold out IMAX showings.

When it comes to accessing real emotions for the sake of a performance, nothing is off limits for Michael Imperioli.

Looking for another Barbenheimer connection? You'll find one, of all places, in the French literary scene of the late 19th century.