(Welcome to The Dark Knight Legacy, a series of articles that explore Christopher Nolan’s superhero masterpiece in celebration of its 10th anniversary.)
(The Unpopular Opinion is a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. In this edition: we sing the praises of Christopher Nolan’s somewhat misunderstood Dark Knight follow-up The Dark Knight Rises.)
“I see a beautiful city and a brilliant people rising from this abyss.” – Jim Gordon (and Charles Dickens).
How do you follow up The Dark Knight? The movie changed the face of superhero cinema, and became almost instantly iconic. Another sequel wasn’t just required, it was practically demanded by audiences. Director Christopher Nolan had several choices – he could forge ahead with a sequel that copied the layout of The Dark Knight, he could create something completely new, or he could walk away entirely.
To Nolan, the third option seemed most appealing. Despite all the success, despite all the acclaim, the director wasn’t exactly keen making a third film in his Batman series. But over time, Nolan began to form a plan. A plan that seems almost insane in our current age of never-ending superhero sagas: he would craft a conclusion. A film that would actually bring the story he started back with Batman Begins to a close. That film was The Dark Knight Rises.
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, director Brad Peyton breaks down a scene from the video game blockbuster Rampage. Plus, examine whether some blockbuster movies can hyped to the point that they can’t be anything but disappointing, and watch a Harry Potter inspired gymnastics routine by an Olympic athlete. Read More »
This week marks the arrival of the latest film from one of Hollywood’s best and biggest directors, Christopher Nolan. His new film, Dunkirk, is an even bigger event than usual for a couple reasons: first, the entire film was shot in a mix of IMAX and 65mm film, and second, it’s the first time Nolan has made a fictional film based on real events. Dunkirk, being about the infamous Battle of Dunkirk in World War II, is also the first time Nolan has stepped into the war-film genre after years in the world of comic books and science fiction. No doubt Dunkirk will have at least one or two memorable scenes or sequences, but today, I’d like to highlight the 10 best scenes of Nolan’s filmography up to Dunkirk. There are plenty of contenders that didn’t make the cut, especially from The Prestige and The Dark Knight, but let’s get on with the list.
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Christopher Nolan‘s acclaimed Dark Knight Trilogy was a testament to the superhero genre, and arguably, cinema in general. The Dark Knight is still widely considered the best Batman film of all time, and a stunning example of what genre movies are capable of — and even influenced how the Academy Awards picked its Best Picture line-up.
Their impact is thanks, in no small part, to Nolan’s adherence to film stock over digital photography. All of Nolan’s films, from The Prestige to Inception, to even Interstellar, have a steadfast, classic quality because of Nolan’s insistence on using 35mm (and sometimes larger) film. But even though he is a traditionalist, Nolan is still open and encouraging of new technologies. You can see it in his embrace of IMAX technology for his action sequences and his newest film Dunkirk. And soon, you can see it in the 4K remaster of his previous films, including The Dark Knight trilogy.
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Cool Posts From Around the Web:
Cool Stuff is your geek-a-rific Holiday Shopping Guide published all year round.
In today’s edition we take a look at an awesome three-poster screenprint for Christopher Nolan‘s The Dark Knight trilogy, the Egg Attack Darth Vader statue from Rogue One: A Star Wars Story, a limited edition fine chine tea set replicating Mrs. Potts and Chip from Disney’s live-action Beauty and the Beast, Gentle Giant’s very cute Rocket and Groot statue from the Guardians of the Galaxy animated series and a highly detailed Robocop 3 action figure which talks and comes with a remote control.
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Almost five years ago, what should have been an escape to the movies for a group of people in Aurora, Colorado turned into a nightmare when a gunman opened fire in a theater showing The Dark Knight Rises. He killed 12 people and injured more, leaving a scar on the suburban community. Now a new impressionistic movie loosely based on that incident gives us a portrait of a community that is made all the more haunting by the tragedy that we know is awaiting them.
Dark Night debuted at last year’s Sundance Film Festival nearly a year ago. The understated drama from Memphis director Tim Sutton doesn’t try to obviously pull at your heartstrings, so much as try to show just how much violence like this can disrupt our everyday lives.
Watch the Dark Night trailer after the jump. Read More »
Posted on Tuesday, August 30th, 2016 by Angie Han
The Dark Knight Rises is arguably the weakest installment of Christopher Nolan‘s Batman trilogy, but star Joseph Gordon-Levitt thinks there’s one thing the movie got very, very right. In a recent interview, the actor praised the last act of the movie, calling it the “perfect ending.” Read More »
Movie mash-ups are a dime a dozen on the web, and sometimes even though they can be good fun, they bring together two movies that fit together pretty easily. But did you ever think that a mash-up of Christopher Nolan‘s gritty, grounded Dark Knight Trilogy and Edgar Wright‘s fantastical, energetic Scott Pilgrim vs the World would make the perfect combo?
The YouTube channel Inventor Headquarters has taken footage from all three films in The Dark Knight Trilogy and spiced them up by editing them in the style of the trailer for Scott Pilgrim vs the World, complete with little animated fighting effects and onomatopoeias. This could be the most fun thing you watch today. Read More »
Before you head off to see the first nationwide showings of Batman v Superman: Dawn of Justice tonight, why not revisit all the contemporary DC Comics movies leading up to this point from the past decade? Starting with Batman Begins in 2005 and running all the way through Suicide Squad later this year, this retrospective covers the good (The Dark Knight), the bad (Superman Returns) and the ugly (Green Lantern). Watch the DC Comics movies retrospective after the jump. Read More »
In 1993, at only 19 years old, an aspiring comic book artist named Gabriel Hardman got what appeared to be a big break: the chance to pencil Marvel’s War Machine. But not long after completing the assignment, Hardman chose to ditch comics, move to Hollywood and try to make it as a storyboard artist.
By any measure of success, there’s no doubt that Hardman “made it.” Over the next two decades, he worked on a variety of beloved and/or critically acclaimed projects; ranging from Austin Powers: International Man of Mystery (1997) to Interstellar (2014). But at the same time, while on that upward trajectory, he storyboarded a handful famous flops. Including three films which have been the focus of How Did This Get Made? episodes: Wild Wild West, Spider-Man 3 and Green Lantern.
Interestingly enough, it took a frustrating experience on one of those three films to lead Hardman back to the career he had previously left. And, since then, he has regularly toggled between working in comics (such as Invisible Republic and Heathentown) and working on films (such as Inception and The Dark Knight Rises). To learn more about this unexpected journey, we spoke with Gabriel Hardman about some of the ups and downs in his career.
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