Donald Trump’s Space Force idea sounded like (and still sounds like) a joke, so making a Space Force comedy series only seems fair. Netflix will launch Space Force to series soon, reuniting Steve Carell and The Office creator Greg Daniels in the process. The show will be a workplace comedy focusing on the people who have been tasked with making Trump’s goofy-as-hell Space Force idea a reality.
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch a new take on Hamlet that takes the famous Shakespearean soliloquy from the play and gives it to a Stormtrooper on Tatooine from Star Wars. Plus, The Sopranos creator David Chase and star Edie Falco reflect on the series 20 years later, and the trailer for Glass gets recut with the focus put on Anchorman: The Legend of Ron Burgundy character Brick Tamland. Read More »
Too many biopics fall prey to hero worship. In trying to celebrate someone’s life, many biographical films end up lacking humanity, nuance, and, more often than not, hard truths. It plagues bio films, especially the agreeable kind that score all the Oscars. But in the case of Adam McKay‘s Vice, he didn’t make the average biopic. He’s certainly not looking up to Dick Cheney, the former Vice President, but looking down on him with a big ‘ol unforgiving microscope.
The drama is an epic that moves at a remarkable speed, covering a large ensemble and chunks of information without ever feeling like CliffsNotes. Similar to The Big Short, McKay pulls off a remarkable juggling act with some serious topics and major tonal shifts. Vice is a gracefully dense piece of work.
Below, read what the Academy Award-winner had to say about researching George W. Bush Jr’s vice president, Christian Bale‘s comedic chops, deleted scenes, and what he thinks Cheney would make of his damning portrait.
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Robert Zemeckis and Steve Carell attempted to welcome audiences to Marwen over the holiday weekend, and audiences replied: “Thanks, but no thanks.” As holiday box office results reveal, Welcome To Marwen is on track to be one of the biggest box office bombs of 2018. The dramedy, which features a bunch of creepy CGI dolls, will have some company at the bottom of the box office heap. Mortal Engines, the Peter Jackson-produced YA adaptation about cities on wheels, is set to lose more than $120 million.
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Plenty of shows from years past are making comebacks with reunions and revivals, but the one that’s in the most demand won’t have one of the key parts of the series if it happens.
Steve Carell has become a huge movie star since his stint on The Office as bumbling, offensive Dunder-Mifflin manager Michael Scott, and he simply doesn’t want to come back to the network series. But it’s not because he’s too busy with movies, and it’s not even because he thinks bringing Michael Scott back in today’s social climate would be difficult (though he does think that). Instead, Steve Carell simply doesn’t want to try to capture lightning in a bottle again and come up short. Read More »
It takes a special kind of talent to make a film as shockingly bad as Welcome to Marwen, and Robert Zemeckis is up for the challenge! What the hell happened to Zemeckis, a director responsible for several legitimately great movies? The filmmaker has always embraced cinematic innovation, pushing the envelope by adopting new technologies – for better and worse. Welcome to Marwen definitely falls into the “worse” category, and in many ways, it feels like the terrible, terrible film Zemeckis has been building towards these last few years.
Here, Zemeckis once again takes viewers on a journey into the Uncanny Valley, employing computer-rendered characters that never seem convincing, and are always distracting. He’s done this several times already – Beowulf, The Polar Express and A Christmas Carol – but Marwen is the absolute pits; the bottom-of-the barrel, be all, end all nightmare destination Zemeckis has been dragging us all towards for the last 11 years. It makes the dead-eyed zombie people of Polar Express look downright cuddly.
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It’s hard to picture Dick Cheney bursting into song, but it almost happened in Adam McKay‘s Vice. McKay’s dark comedy biopic about the former Vice President makes a wide variety of stylistic choices to tell its tale, and at one point, one of those flourishes involved a full-blown musical number. In the end, though, director Paul Thomas Anderson convinced McKay to leave it on the cutting room floor. More on the deleted Vice musical number below.
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What are we to make of Robert Zemeckis‘ Welcome to Marwen? The film is based on a rather tragic, depressing true story, but every trailer so far has made Marwen look like a wacky, over-the-top comedy. Steve Carell plays a man who finds solace creating dolls after surviving a brutal attack. Also, the dolls come to life with creepy uncanny valley faces, and dance around. Folks, I just don’t know. Watch the latest Welcome to Marwen trailer below, and see for yourself.
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, Steve Carell turns down doing a reboot of The Office despite some pretty eager arguments to the contrary. Plus, run through a bunch of Easter eggs from the Harry Potter spin-off Fantastic Beasts: The Crimes of Grindelwald, and Oscar Isaac breaks down some of his most iconic characters from his career so far. Read More »
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It’s been 10 years since Steve Carell hosted Saturday Night Live, and in recent years, the actor hasn’t dabbled in comedy much. Instead, he’s spent time taking on more dramatic roles, so it was nice to see him get back into sketch comedy, even if the episode didn’t give him a whole lot to work with. But that’s not to say there aren’t some good laughs, even though most of the sketches don’t bring much to the table overall.
Let’s run through the best and worst sketches of the Steve Carell hosted Saturday Night Live below.
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