RoboCop is now available to stream on Amazon Prime, but it’s not the version that most people are used to seeing.
Paul Verhoeven‘s classic action thriller from 1987 is certainly an R-rated movie, but what you might not know is there’s a much more bloody and violent version that originally received an X-rating from the Motion Picture Association of America. Somehow, this version has ended up as the default version on Amazon Prime right now. Read More »
Paul Verhoeven, director of RoboCop, Starship Troopers, Elle and more, has a new film: Benedetta. Set in the 17th century, Benedetta follows a lesbian nun who was prone to visions and displayed the stigmata – supernatural wounds that mimic the injuries inflicted on Jesus during the crucifixion. You can see the first official Benedetta image below.
Read More »
A new RoboCop sequel? I’d buy that for a dollar. In a new interview, Ed Neumeier, who co-wrote the original RoboCop, revealed that he’s working on a “continuation” of the the first film for MGM. Neumeier was vague on the details, but revealed the film would go back to “the old RoboCop we all love.”
Read More »
Posted on Wednesday, November 16th, 2016 by Jacob Hall
I used to think about Starship Troopers every single day because it’s one of my favorite movies and I quote it often and I find its satiric look at a fascist future society both hilarious and chilling. It put a babyfaced Neil Patrick Harris in a Nazi SS uniform. It’s director Paul Verhoeven‘s scathing masterpiece.
But now I think about it every hour or so, not just because it’s being remade as version that will be more faithful to Robert Heinlein‘s original novel, but because the current state of American politics has me pondering Verhoeven’s cynical, authoritarian vision of the future (see: his other genre masterpiece, RoboCop). And it turns out that Verhoeven is inviting comparison himself, explaining that Starship Troopers without the satire “would fit very much in a Trump Presidency.”
Read More »
Posted on Monday, September 19th, 2016 by Jacob Hall
Paul Verhoeven has a unique talent for getting a rise out of audiences. RoboCop is a goofy action movie…that is also about the inner rot eating away at American culture. Starship Troopers is a wild science fiction action movie…that is also a vicious parody of fascism and military propaganda. Basic Instinct is a sexy psychological thriller…that leaves you feeling disgusted with yourself on just about every level. And Showgirls is…well, it’s Showgirls.
Excluding 2012’s crowdsourced experiment Tricked, Elle is Verhoeven’s first feature film since 2006’s exceptional World War II drama Black Book and it certainly looks like he’s up to his old tricks. Here’s a thriller that looks standard on the outside, but promises all kinds of provocative nastiness on the inside. The trailer and the talent involved is more than enough to grab my interest, but I’ll be honest: I’m dreading this movie as much as I’m looking forward to seeing it.
Watch the Elle trailer after the jump.
Read More »
Posted on Friday, February 5th, 2016 by Jacob Hall
It takes a village to make a movie. A director needs a producer or two with good heads on their shoulders. The cinematographer needs a team of dedicated electricians. Grips and script supervisors and production assistants and caterers and countless other professionals all contribute to the finished product. A film crew is an army and in some cases, a family.
But what happens when a director opens the doors to his village and lets the population explode? Paul Verhoeven‘s Tricked looks like a very traditional thriller, but it’s actually an ambitious and bizarre experiment. Only four pages of the screenplay were crafted by Verhoeven – the rest were cobbled together by crowdsourcing, allowing countless other writers to submit thousands of their own pages. So what does a movie written by a literal mob of contributors look like? The new trailer gives us a clue.
Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we talk goat testicles, bask in the glory of a scruffy looking Tim Roth, fantasize about a life outside the fabric store, go down the thunder road of gore and violence with the peeps behind V/H/S, and catch up with Paul Verhoeven.
Read More »
We’ve featured plenty of work from artist Matt Ferguson, from his Lord of the Rings poster set to his Star Wars trilogy collection and his art show in Brooklyn this past spring. Now we have one more cool piece to add to his impressive line-up, and it pays tribute to Paul Verhoeven’s contemporary action classic, RoboCop.
See the full Robocop print and find out where you can get one after the jump! Read More »
Cool Posts From Around the Web:
When it comes to modern sci-fi movies, RoboCop has to be one of the best. Part machine, part man, the 1987 film by Paul Verhoeven is a satirical, violent masterpiece. At its center is the gorgeously designed, iconic lead character who returned for two much lesser sequels, and was redesigned for a reboot released earlier this year.
So how did RoboCop come to be? What’s the story behind the silver and chrome character? A new book called RoboCop: The Definitive History hits shelves Tuesday. Written by Calum Waddell, it has all the answers. To celebrate its release, we’ve got a set of amazing RoboCop behind the scenes photos like the one above. Check them out below. Read More »
It’s Cannes time, which means the marketplace is opening in France, and producers, sales agents, distributors, and other money-traders are converging to make deals to produce and exhibit new films. Two of the first big filmmakers who will be selling their new projects at the festival are Paul Verhoeven and Gaspar Noé. We’ve got what little info is available on their new projects, after the break. Read More »