The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch a trailer for a remake of Toy Story 3 in real life made entirely with practical toys and set pieces. Plus, a video essay explores three different versions of Minority Report and how they establish the philosophy of the story world, and Dark Phoenix stars Sophie Turner and Jessica Chastain answer the web’s most searched questions about them. Read More »
Did you know that if Tom Cruise stops running, he dies? Well not exactly, but if he runs less, his movies do worse at the box office. Really. It’s science.
A study from the folks at Rotten Tomatoes have figured out that the amount that Cruise runs in his movies correlate with how good the movies are — and how well they do at the box office.
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(Welcome to 21st Century Spielberg, an ongoing column that examines the challenging, sometimes misunderstood 21st century filmography of one of our greatest living filmmakers, Steven Spielberg. First up: A.I. and Minority Report.)
“What if Peter Pan grew up?” pondered the tagline of Steven Spielberg’s 1991 fantasy Hook. It was an intriguing premise: what would happen if the perpetual child – the boy who refused to get older – embraced the cold, stark, finite nature of adulthood? Of course, the compelling concept of this tagline is all but forgotten in the runtime of Hook, where the adult Peter Pan quickly reverts to childhood in order to save the day. Still, what a notion!
Sometimes, life imitates art. In the 21st century, Steven Spielberg, the perpetual child – the pop culture impresario who found a way to turn childhood and nostalgia into a lucrative, highly entertaining art form – did something remarkable.
In the 21st century, Steven Spielberg grew up.
Every week in /Answers, we answer a new pop culture-related question. In this edition, we celebrate the release of Annihilation by asking “What is your favorite hard science fiction movie?” For our purposes here, we’re defining “hard science fiction” as sci-fi that bases its concepts in actual science or builds it’s narrative around far-reaching concepts and ideas. Read More »
“Reality is that which, when you stop believing in it, doesn’t go away.” – Philip K. Dick
Philip K. Dick remains one of the most influential science fiction writers to ever work in the medium. Writing works both philosophical and strange, the prolific author often wrote about just what it means to be human. With Dick’s work so iconic, it only makes sense that Hollywood (and others) have tried again and again to turn his stories into feature films. Some of the films succeed, but often they do so by altering the original nature of the stories. And they almost always jettison Dick’s prose, which can often leave readers scratching their heads. Dick’s work has also influenced countless other movies, which may not be straight adaptations of his work but are clearly borrowing elements – think The Matrix, Gattaca, Source Code, Eternal Sunshine of the Spotless Mind; the list is actually pretty endless.
With Blade Runner 2049 now in theaters, and a new anthology series, Philip K. Dick’s Electric Dreams, scheduled to hit Amazon sometime next year, it’s time for a primer on the wild world of Philip K. Dick adaptations – the good, the bad, and the films that just don’t make much of an impact at all. .
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Every week in /Answers, we attempt to answer a new pop culture-related question. Tying in with the upcoming re-release of Close Encounters of the Third Kind, this week’s edition asks “What is your favorite scene from a Steven Spielberg movie?”
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Posted on Friday, September 18th, 2015 by Fred Topel
The movie Minority Report left me with a lot of questions. Or actually, it left me with frustrating answers to their questions. The movie asks: If you can catch someone before they commit a crime, should you still imprison them? It’s supposed to be a moral conundrum, but the way the movie frames it, it’s simple. No, you never have to imprison anyone, because Precrime is 100% effective. The movie states that most criminals don’t even bother anymore because they know they’ll get caught. The only crimes predicted are crimes of passion, and once you stop those, they’re not going to try again. So with John Anderton (Tom Cruise) on the case, it’s the prison system that was unnecessary. He’ll always prevent every crime, even if the same person comes up 100 times.
Fox’s Minority Report TV series shows that there were complications the film didn’t explore. Now that the precogs are free, Dash (Stark Sands) is trying to save people from his psychic visions of their death, but he never gets there in time. So Precrime was only 100% effective under Anderton. Other people aren’t as reliable. It also suggests that telling someone you’re going to catch them won’t necessarily stop them from perpetrating a crime. I got deep into this with series writer Max Borenstein, with producer Kevin Falls sitting in, after the Minority Report panel for the Television Critics Association. Read More »
It’s September, and that means new television is just around the corner. The Late Show with Stephen Colbert really kicked things off, but it’s not until later this month that the new fall 2015 TV shows really swing into full gear. What will audiences latch onto this season?
Well, we’re not sure what’s going to land and stick around, but we’ve come up with a list of 16 Most Anticipated New Fall 2015 TV Shows, ranging from the return of The Muppets on ABC to the small screen versions of movies like Limitless on CBS to cable offerings such as Ash vs the Evil Dead and even a couple new Netflix shows.
Check out the full list after the jump! Read More »
Cool Posts From Around the Web:
A few months ago we saw the first Minority Report promo, showing off Fox’s new series that picks up the story of Steven Spielberg’s feature film. Now there’s a new one, which has more details on the sci-fi crime series.
Ten years after the events of the film, cops still use high-tech tools to fight crime and solve cases, but the predictive precog program is gone. One detective, Lara Vega, played by Meagan Good, runs across the mysterious Dash (Stark Sands) while trying to solve a case. Dash is one of the three former precogs, now living as far off the grid as he can manage. His twin brother, Arthur, now played by Nick Zano, is missing, and Dash is having distressingly incomplete precognitive visions without him.
Fox is still keeping Arthur in hiding, even after adding Zano to the cast. (Sands had previously played both precog brothers.) But this new Minority Report featurette reveals a bit more of the show’s approach to science fiction, crime, and adventure. Read More »
Posted on Thursday, August 6th, 2015 by Fred Topel
The cast and producers of Fox’s Minority Report TV series gave a panel for the Television Critics Association today. It is the first series ever adapted from a Steven Spielberg-directed movie, and takes place 10 years after the film. Pre-crime has been abolished, per the film, and the movie’s three precog characters now live in hiding. We’ve got loads of new info on the show, as well as the first poster, below. Read More »