Every week in /Answers, we attempt to answer a new pop culture-related question. With Jigsaw reviving the Saw series after a lengthy hibernation period, this week’s edition asks “Which dormant or failed movie series do you want to see make a comeback?” Read More »
Motion capture is quite the filmmaking tool these days. It takes us to new and extraordinary worlds of fantasy and adventure, introducing us to characters we thought the world of movies could never allow us to meet. So in celebration of War for the Planet of the Apes, let’s explore some incredible protagonists and antagonists who proved how amazing mo-cap can be. From beasts to aliens to even regular humans, this tech allows actors to become just about anything.
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For collectors of pop culture artwork, there’s a treasure trove of fine prints available to buy every single week. It’s enough to empty one’s bank account over and over again. This week we have some stunning new artwork from artists Matt Taylor, Matt Ryan Tobin and Matt Ferguson. No, they haven’t all joined forces for some kind of Matt-centric gallery, but they just happen to have some great pieces paying tribute to Tarzan of the Apes, A Princess of Mars The Fly and Star Trek Beyond.
Check out all of the new Matt Taylor, Matt Ryan Tobin and Matt Ferguson artwork after the jump. Read More »
“Reshoots” is a dirty word in entertainment journalism, often used as an indicator of a disastrous film production. But the truth of the matter is, reshoots can be a good thing. The purpose of reshoots is to make a movie better, not worse. Let’s take a look at the purpose of reshoots, and why they don’t necessarily signal disaster for films like Star Wars: Rogue One and Suicide Squad.
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Cool Posts From Around the Web:
Finding Nemo director Andrew Stanton has been outspoken about sequels. Like fellow Pixar brain trust member Brad Bird, he has made his feelings known that we need more original stories and that money shouldn’t be a reason to make a follow-up. So when Stanton announced that he was directing a Finding Nemo sequel titled Finding Dory, some were surprised. Cynical film journalists were quick to write it off as a filmmaker running back to his successful franchise after the box office disappointment of his live-action debut, John Carter. But the truth is that the idea for Finding Dory came to Stanton before John Carter even hit theaters. It was something that kept him up at night.
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This is a comic book story, not a movie story, but it’s a good one. It’s the sort of thing that happened in the comics industry of decades past, but would probably never happen today. The tale comes to you now thanks to a reminder by the tremendous artist Walt Simonson, who worked on Marvel’s Star Wars comic in the ’70s and ’80s.
In the late ’70s, Marvel had a John Carter comic book series; it was a good attempt to turn the Edgar Rice Burroughs property into the sort of pulp success story that Conan had been for Marvel. John Carter lasted just over two years, and when canceled there was still an issue’s worth of art in Marvel’s files. Though a “use every part of the buffalo” business approach, all that John Carter art, with as few changes as possible, was turned into a two-issue Star Wars comic story. Read More »
Before Disney brought John Carter to movie theaters, resulting in one of the biggest box office bombs in recent memory, the film was in development at Paramount Pictures. Sky Captain and the World of Tomorrow director Kerry Conran was attached to direct the adaptation of Edgar Rice Burrough‘s classic sci-fi novel John Carter of Mars, but it never came to fruition before the rights lapsed and ended up at the House of Mouse.
But for anyone who has ever wondered what this first iteration of John Carter of Mars might have looked like, a presentation reel has surfaced online with some very impressive designs that would have been awesome to see on the big screen. Watch the John Carter pitch reel after the jump! Read More »
John Carter wasn’t the franchise-launching film that Disney hoped for, and now we know for certain that it will be Disney’s only effort to exploit the Mars-set stories of Edgar Rice Burroughs. The studio no longer has the rights to the John Carter character, as that package has been regained by Edgar Rice Burroughs, Inc., the publishing company created by the author in 1923. With the John Carter rights back in hand, the company hopes to get the character out to a new studio for more films. Read More »
Posted on Monday, June 9th, 2014 by Angie Han
Any way you slice it, John Carter was a big fat flop. Which means our chances of ever getting a sequel are essentially zero. But there was a time when Disney was hoping the film would launch a full-fledged franchise. And now, thanks to director Andrew Stanton, we have some idea of where it might have gone. Hit the jump to see what he’s revealed.
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March 9, 2012. One year ago was the day Andrew Stanton‘s epic Disney adventure John Carter opened in theaters. For some, it was the culmination of a lifelong dream. For most it was a non-event as the film grossed only $30 million opening weekend, not even enough to take the top box-office spot. The day marked the beginning of the end for the film that reportedly cost $250 million, as it grossed only $76 million domestically and $282 million worldwide. Disney reportedly lost about $200 million on the movie.
But John Carter has its fans. Many of them are online and one of them is author Michael D. Sellers. He wrote a book called John Carter and the Gods of Hollywood, which examines why the film failed and why it took so long to make it to the big screen. This very website is quoted numerous times, which makes sense, because we wrote one or two articles about John Carter leading up to release.
Sounds like a cool book, right? To celebrate the one year anniversary of the film, Amazon is offering the book to Kindle users for free. Read More »