Damon Lindelof is heading back to the big screen.
The creator of Lost and The Leftovers has largely worked in TV over the past few years, but now he’s co-written a new action thriller called The Hunt that will be produced by Jason Blum‘s Blumhouse, a company known for giving filmmakers low budgets but tons of control over their work.
Read more about the new Damon Lindelof Blumhouse movie below.
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(This is part two of a larger interview. You can read part one right over here.)
The Leftovers isn’t playing it safe in its third and final season. Co-creators Damon Lindelof and Tom Perrotta‘s series has grown more ambitious over its three chapters and this season can get pretty bonkers, to say the least.
As out there as The Leftovers can get, it somehow manages to stay grounded. The surreal touches and bizarre turns tend to carry an emotional weight, striking deep into the heart of the characters. Last season’s “International Assassin” is a great example of that.
Lindelof takes some big swings with season 3. He recently told us about some of the risks the writers took, how the music has evolved over the series, and what he’s learned from the experience of The Leftovers.
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Posted on Thursday, June 4th, 2015 by Angie Han
Margot Robbie finds herself at the center of her own post-apocalyptic love triangle in the first trailer for Z for Zachariah. But being that she may literally be the last woman on earth, the stakes are a bit higher than your usual Team Peeta vs. Team Gale shenanigans.
The trouble starts when Ann (Robbie) makes the startling discovery that another person (Chiwetel Ejiofor) has survived the mysterious catastrophe that left her alone. The two of them forge a bond, but it’s disrupted when yet another person (Chris Pine) enters the mix. Watch the first Z for Zachariah trailer after the jump. Read More »
When you think post-apocalyptic movies, you probably think about action. You think zombies, or destruction. You probably don’t conjure up water wheels, a turkey dinner, and romance. But that’s what you get with Z for Zachariah. Directed by Craig Zobel (Compliance), the film is almost an anti-post-apocalyptic movie as it’s much more concerned with human relationships than anything else going out around them. With a cast including Chiwetel Ejiofor, Margot Robbie and Chris Pine, that’s both a blessing and a curse. Read more of our Z for Zachariah review below. Read More »
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Posted on Monday, January 20th, 2014 by Angie Han
Warner Bros.’ Tarzan has found its Jane. Margot Robbie is in talks to play the female lead in the big-budget Edgar Rice Burroughs adaptation, opposite Alexander Skarsgard as Tarzan. David Yates is directing.
Meanwhile, she’s also entered talks to star in Craig Zobel‘s Z for Zachariah, replacing previously cast star Amanda Seyfried. In that one, she’ll be starring alongside Chris Pine and Chiwetel Ejiofor. Hit the jump for more details on both of her upcoming projects.
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In a post-apocalyptic world, one girl believes she’s the last human alive. Then she sees some smoke on the horizon, and a man appears. She and the man fall in love, assuming they’re all that’s left. Then another man emerges. That’s the plot of Robert C. O’Brien‘s ’70s sci-fi novel, Z For Zachariah, which is about to get the big screen treatment.
Directed by Craig Zobel (of the amazing Compliance), produced by Tobey Maguire and adapted by Nissar Modi, Amanda Seyfried will play the young girl, Chiwetel Ejiofor the man she falls in love with and Chris Pine the mysterious stranger. Filming should occur later this Summer. Read More »
A cornerstone story aspect of the thriller, codified on film by Alfred Hitchcock, is fear of persecution. Hitch was famously afraid of police, and a constant element in his films was the horror of being pursued and/or persecuted for an infraction real or imagined. The Law — the “capital-L” version — can seem like an unfathomable force that guides our behavior, and the persuasive power of that force can make one feel incredibly vulnerable.
The power of that particular perception of Law is at the heart of Compliance, too. The indie became notorious at Sundance this past January for expanding on real-life stories in which an anonymous caller impersonated police officers and talked business managers into strip-searching and violating employees. The instigating factor would be a reported infraction of the law, with the caller reasoning that the fastest way to deal with the situation was for the manager to do some of the work of the cops before officers were able to arrive. Inevitably, the caller would push the situation deep into scary territory, and those on the other end of the line would comply.
The real-life stories are chilling, in part because it is horrifying to consider that anyone would follow the instructions of someone who purports to be a law officer without attempting to verify the caller’s identity. Compliance seems to exploit that horrifying behavior quite well, and now you can get a glimpse of just how weird things get in a new trailer for the movie. Read More »
Craig Zobel‘s Compliance made me want to walk out of the theater. Not as a reaction to the film’s quality, however. On the contrary, Compliance is actually quite accomplished. Actually, it’s so effective it made me want to walk out because the real life events portrayed were so enraging, so unbelievable, so easily avoidable and painted such a bad light on humanity that I could almost not stomach sitting in the theater.
In the film, a man posing as a police officer calls a local fast food restaurant and accuses an employee named Becky (Dreama Walker) of stealing from a customer. The man asks her manager Sandra (Ann Dowd) to at first detain, and later search her employee. From there things devolve to almost unbelievable and upsetting depths. I say “almost unbelievable” because the film is based on true events that happened at a Kentucky McDonald’s in 2004. (In the film, however, McDonald’s isn’t mentioned for obvious reasons.)
At the first public screening of Compliance, Zobel was screamed at by audience members and accused of misogyny. Other Q&A’s also featured awkward and uncomfortable questions/comments as people wrestled with the disturbing events in the film. Read more about the film and its purpose after the jump. Read More »
Sundance has announced the 12 projects they have chosen for the 2010 January Screenwriters lab. Why should you care? Well because the Sundance Institute Feature Film Program has hand picked some of the most original filmmakers of the last 28 years.
Here are some of the films that have come out of the program: Quentin Tarantino‘s Reservoir Dogs, Paul Thomas Anderson‘s Hard Eight, Kimberly Peirce‘s Boy’s Don’t Cry, Darren Aronofsky‘s Requiem for a Dream, John Cameron Mitchell‘s Hedwig and the Angry Inch, Peter Sollett‘s Raising Victor Vargas, Miranda July‘s Me and You and Everyone We Know, Ryan Fleck‘s Half Nelson, and most recently Cary Fukunaga‘s Sin Nombre and Alex Rivera‘s Sleep Dealer.
So, what 12 projects have been chosen for this year’s Summer labs? Find out after the jump.
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