One of the staple cartoons for teens and adults in the 1990s was Beavis and Butt-Head on MTV. Created by and starring Office Space and Idiocracy writer/director Mike Judge, the series focused on two dimwitted, aimless losers as they clumsily made their way through school, their fast food jobs, and life. Now the series is making a comeback with Comedy Central ordering two new seasons with an option to create new spin-offs and specials with the show’s characters. Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, find out about the big differences between the Best Picture nominated Jojo Rabbit and Christine Leunens’ novel on which it’s based, Caging Skies. Plus, watch how kids react when parents show them 90s cartoons like Rugrats, Hey Arnold, Beavis & Butt-Head, and more. Finally, Nick Offerman takes a look back at some of his movie famous characters, especially Parks and Recreation.
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The upcoming sixth season of Silicon Valley will be its last. That frees Mike Judge up to create new TV shows and movies. Of course, since he’s the creator of ‘90s animated classics like Beavis and Butt-Head and King of the Hill, there’s always talk about Judge returning to those.
Judge was at WarnerMedia’s party for the Television Critics Association representing the final season of HBO’s Silicon Valley. While we spoke with Judge about wrapping up his current show, we also asked about the status of potential revival project.
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Right now Nickelodeon is enjoying a dip back into the nostalgia of the ’90s with the programming block known as The Splat and the developing of projects such as the NickToons movie and a TV movie based on Legends of the Hidden Temple. Now it looks like MTV has been bitten by the nostalgia bug as the network is preparing to debut MTV Classic.
In what is a full-on revamp of VH1 Classic, the new channel will put a focus on the 1990s original programming that helped make the network a success in that decade and into the 2000s. This includes Beavis and Butt-Head, Daria, Cribs, Punk’d and much more, but there’s plenty of other awesome retrospective programming coming to this new channel as well. Find out about all the shows you’ll be able to see on MTV Classic and other nostalgic programming in the works after the jump. Read More »
Posted on Friday, July 8th, 2016 by Angie Han
If there are two things Hollywood loves right now, it’s 1990s nostalgia and reviving dormant properties. In that light, it’s probably just a matter of time before someone, somewhere, makes another attempt to bring back the iconic animated comedy Beavis and Butt-Head. Series creator Mike Judge, for one, thinks it could happen. Although this time, there could be a twist: Judge speculates that it could return as a live-action series. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 30 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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In July it was revealed that Mike Judge‘s Beavis and Butt-head would be returning to MTV after a thirteen year absence. And we’ve heard rumblings of a big screen return for years now, most recently as a possible live-action adaptation (ick). I am happy to report that Beavis and Butt-head will be returning to the big screen, in 3D. Details after the jump.
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Entertainment Weekly has out first (or last?) glimpse of the 12-minute Lost epilogue “The New Man in Charge” that will be included on the Series Finale DVD/Blu-ray set. Actor Michael Emerson reveals that “Ben is going around to Dharma installations and closing some down. There are some good surprises.” And yes, ”it does answer questions.'”
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For part one of /Film’s exclusive interview with writer/director Mike Judge for his new film Extract, click here.
In the second part of my interview with Mike Judge, he shares a couple of candid, behind-the-scenes tales about dealing directly with the global corporations that he skewers in his live-action films. No other work captures both this modern satire and the writer/filmmaker’s view of where our world is headed better than 2006’s Idiocracy. The $30 million sci-fi satire was infamously dumped into a handful of theaters to die by 20th Century Fox; a surprising outcome since Judge’s King of the Hill—the Emmy-winning and second longest running animated program in television history—airs on the Fox Network. In fact, King of the Hill‘s grand finale airs this Sunday, and continues its run in syndication and as a contextually welcome addition to [adult swim].
We also discussed how actor Ben Affleck came aboard his latest film—a midlife crisis dramedy entitled Extract—as a shaggy, drug peddlng bartender named Dean. With a cast that includes Jason Bateman in the lead, SNL‘s Kristen Wiig, David Koechner, Mila Kunis, and Juno‘s great J.K. Simmons, it will come as a surprise to anyone sans Satan and Shannon Tweed that KISS‘s Gene Simmons steals the picture as a sociopathic ambulance-chasing attorney. Judge included. And, of course, no interview is complete without peering in on the irreversibly clueless futures of his most famous cretin-creations and voices, Beavis and Butt-Head. Judge shares a few premises for a possible and much anticipated sequel to 1996’s Beavis and Butt-Head Do America. One idea would see the two dumbasses thrown enormous –head first into our post 9/11 world gone mad.
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Renowned American writer/animator/director Mike Judge and hype often seem like complete strangers. As noted in the press, Judge’s friendly, calm demeanor is devoid of Hollywood pretension; his preference for living and working in Austin, Texas posits him by choice away from the center of the pop-cult radar. But when one surveys his vast body of work that, since the early ’90s, has had the functionality of an assembly line yet is packed the witty punch and subversive observation of the greatest comedy, it can easily bowl over.
Speaking with him, the inherent voices of his animated characters—notably the polar opposites that are Beavis and Butt-Head and Hank Hill—hint at the mental arsenal that has perfectly illustrated the damaged, stubbornly resilient fault lines of a national landscape. Personal aside: Judge’s impact on many young people can be demonstrated by the following; on summer vacations, I’d swim in MTV marathons of Beavis and Butt-Head, then go to the beach with a tie-in towel sprinkled with “Uh-huh-huh”s and “Heh heh heh”s. Upon returning to middle school, I’d face a bully who, by eighth grade, had deliberately morphed into an uncanny, doomed facsimile of Butt-Head. It was a ubiquitous combination of “This rules!” and “This sucks!” set to the sights and sounds of the very music Judge championed and skewered on the show beyond compare.
Judge’s contributions to live-action comedy are equally successful, and sometimes financially so. Released to little fanfare in 1999, Office Space eventually became both the perennial example of the DVD cult phenom and synonymous with modern cubicle hell. His high concept follow-up, Idiocracy, experienced a famously aborted theatrical release; in less than three years, Idiocracy is now celebrated and oft-quoted by many peoples as nothing less than faux-low brow prophecy and a sci-fi omelet of chuckling eugenic fatalism.
With his latest, Extract, Judge has written and directed a rare and original comedic defense of the modern-day boss that exudes newer shades of adult drama. As nicely played by Jason Bateman, Judge’s boss is overloaded with sexual frustration, a petty lawsuit, lazy employees, and an accidentally massive intake of weed. The smart, unobtrusive film, one of the funnier of 2009, enters a marketplace overrun by superheroes and spectacle to deliver laughs that are charmingly huge yet reserved, absurd yet realistic. Some might feel that its subject matter is too common-man, too anti-escape. But Judge creates works that are built to last and unconcerned with being hip. In addition, he continues to propel the dumbass dick joke towards Art Americana. Mike Judge discussed where his nascent interest in nuts humor originates, his layman’s knowledge of bongs, and many other things with /Film.
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