Nearly 14 years after the premiere of ABC’s mega-hit drama LOST, showrunners Damon Lindelof and Carlton Cuse reunited at the John Ansin Ford Amphitheatre in Los Angeles this past weekend for We Have to Go Back: The LOST Concert 2018. They were on hand to introduce composer Michael Giacchino, arguably the most valuable player of the entire series. Giacchino conducted many of the show’s most memorable songs over the course of the evening and even debuted a brand new track from the upcoming film Bad Times at the El Royale.
We’ve compiled some of the highlights from the event into a video below. Watch as surprise guest cast members read sections from the show’s script, Lindelof and Cuse talk about their unorthodox practice of writing Giacchino’s name into the episode scripts, and much more. Read More »
Michael Giacchino has made a name for himself as one of Hollywood’s hardest working film composers, and maybe he can add hardest-working director to his resume. The Oscar-winning composer of Up will finally make his directorial debut with a short film that will be playing at this month’s Fantastic Fest in Austin.
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(Welcome to The Disney Discourse, a recurring feature where Josh Spiegel discusses the latest in Disney news. He goes deep on everything from the animated classics to the theme parks to live-action franchises. In this edition: )
When Pixar Animation Studios began making features, they wanted to differentiate themselves in more ways than one from other animation companies. In the mid-1990s, it was daring to make a full-length computer-animated feature, but Pixar knew there was another trend of modern animation that they should boldly sidestep. To quote Monty Python and the Holy Grail: no singing.
The Disney Renaissance of the 1990s was marked by Broadway-style songs in Beauty and the Beast, The Little Mermaid, The Lion King and more. For a while, Pixar’s filmmakers would compromise with Disney, to the point where a song or two played over the soundtrack in their early films, such as Toy Story and A Bug’s Life. Nearly a quarter-century later, Pixar is the standard-bearer of American animation, only slightly delving into the musical genre with last year’s Coco. Though Pixar’s cautiously utilized songs in their films, they’ve had a very strong association with music, akin to Disney and its relationship with the late Howard Ashman, even if they intended to avoid such associations. With Pixar, many of their recent films have been defined and enhanced by the work of Oscar-winning composer Michael Giacchino.
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John Williams‘ Jurassic Park music is iconic. And while no one can come close to capturing the magic of Williams’ music, Michael Giacchino is a great composer in his own right. Giacchino is handling the music for the new Jurassic World sequel, and you can hear his Fallen Kingdom theme below.
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, Emilia Clarke takes you on a tour of the set of the final season of Game of Thrones. Plus, composer Michael Giacchino posted a video form behind the scenes of a scoring session for Incredibles 2, and the cast of the comedy sequel Super Troopers 2 roast each other. Read More »
Are you ready to go back to the Island? If you’re in Los Angeles this September, LOST composer Michael Giacchino will be conducting a live performance of his legendary score for the acclaimed ABC drama, and you can be there in person to see it. Get all the details about the LOST concert below. Read More »
In this edition of Sequel Bits:
- Alicia Vikander is down for a Tomb Raider sequel
- Watch a video of Jurassic World: Fallen Kingdom being scored
- Incredibles 2 tie-in comics will explore the lives of Parr family
- The Rampage producers are already talking about Rampage 2
- Behold the first poster for Netflix’s Godzilla anime sequel
- Steven DeKnight says Bumblebee is “fantastic”
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Coco isn’t a musical, but its music is as central to it as the elements of family, memory, life, and death. Music is what carries Miguel (Anthony Gonzalez) along on his quest to find his idol Ernesto de la Cruz (Benjamin Bratt) in the Land of the Dead, music is what unites Miguel and his ragamuffin skeleton companion Hector (Gael Garcia Bernal), and what ultimately tears apart and unites his family.
Music — and the fantastic original songs from the Pixar animated film — is the warm, beating heart of Coco. Because music plays such an essential role, the music team behind Coco made sure to embed the songs and score as deeply into Mexican culture as they could. This amounted to years of research and 5o (!) Mexican musicians participating in the vibrant, effervescent soundtrack.
I spoke to composer Michael Giacchino, who has had a busy year composing scores for a whopping three blockbusters (Spider-Man: Homecoming, War for the Planet of the Apes); orchestrator Germaine Franco, who participated in the movie’s pivotal song “Remember Me”; and cultural consultant Camilo Lara, who brought to the film a connection to the plethora of Mexican music genres as well as a signature Dr. Seuss-style hat.
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Cool Posts From Around the Web:
Pixar’s latest film Coco hits theaters this week and I sat down with director Lee Unkrich (Toy Story 3), producer Darla K. Anderson and writer/co-director Adrian Molina to talk about how the story came about. Along the way, we touch on the abandoned film project that Lee was working on with screenwriter Michael Arndt, how The Book Of Life affected this production, the evolution of the idea from the initial spark to the finished film, how Adrian Molina got involved in the project, how Lee Unkrich went from editor to director and how he edits his own films, how Darla got a credit as “Digital Angel” on the original Toy Story, hiding easter eggs in an international setting, and working with Michael Giacchino.
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Justice League hits theaters this weekend, and Pixar’s Coco arrives just before Thanksgiving next week. So the folks at Mondo are celebrating by honoring the movies that came before them with a couple new vinyl soundtrack releases.
Danny Elfman‘s theme for Batman makes a small resurgence on the Justice League soundtrack from the composer, and now his outstanding score for Batman Returns is getting a vinyl release at Mondo. On top of that, Pixar’s delicious Ratatouille soundtrack is also getting a limited edition vinyl soundtrack. Check out both of the outstanding Mondo releases below. Read More »