During /Film’s visit to Pixar Animation’s campus, we learned all about the unique story process that was utilized for the studio’s upcoming modern fantasy adventure Onward. While we learned how the story was written and drawn before heading into animation, we also heard from director Dan Scanlon about the personal nature of this narrative and how it informed both the story of the nervous and introverted 16-year old elf (Tom Holland) and the creation of the fantasy world that has lost the magic it once had. Read More »
This Spring brings the release of Pixar Animation’s Onward, a modern fantasy adventure about Ian and Barley (Tom Holland and Chris Pratt) two teenage elf brothers who magically get the opportunity to spend just 24 hours with their late father, thanks to a magic spell, a wizard’s staff, and a special stone. But when the spell to bring their father back for a day goes slightly wrong, they’re quickly thrust into a race against time to find a bit more of the magic that used to make their world so special, all so they can get just a little more time with their dad.
Last Fall, /Film visited the campus of Pixar Animation of Emeryville, California to learn more about Onward, starting with how the story for this fantasy adventure first came together. As with all animated movies, the journey began years before, but this one stretched even further back, all the way to the Fall of 2013. And as with all stories, it started with a completely blank slate before becoming something touching, personal and magical. Read More »
Brahms: The Boy II brings back the uncomfortably innocent-looking doll who wreaked havoc on the life of a nanny named Greta (Lauren Cohan) in The Boy in 2016. At least that’s what it seemed like until the third act of the film pulled the rug out from under audiences and revealed something much more twisted at play. And when it comes to the sequel arriving in theaters in February, it looks like Brahms may be tied to something even more sinister than the first movie revealed.
/Film visited the set of Brahms: The Boy II when production was underway in Victoria, British Colombia, the western Canadian province northwest of Washington. While on set, we learned how Brahms begins a new tale of horror with a new family who is is just trying to forget a traumatic event that has left them shaken to their core. And things are only going to get worse for them after they meet Brahms. Read More »
Next month brings the sequel to the satisfying and surprising horror movie The Boy. Director William Brent Bell and writer Stacey Menear are back for Brahms: The Boy II, and so is the creepy doll that terrified everyone in the first movie.
/Film was lucky enough to be invited to visit the set of the horror sequel last year to meet Brahms and visit his historical home, and we’ll have more on that later this week. But during that visit, we learned about an impressive visual effect that was utilized in the film’s climax, and it’s almost as surprising as the twist ending of the movie itself. Find out more below, but beware of spoilers for The Boy. Read More »
Earlier this year, I visited the set of Birds of Prey, which promises to be a very different kind of DC Comic Book movie. The film is a spin-off adventure for Margot Robbie’s Harley Quinn, but it also sees the formation of a new, all-female team of superheroes, along with an edgy, irreverent tone.
During our visit, I was able to speak to producers Sue Kroll and Bryan Unkeless, who screened some early footage for us before diving into the film’s unique energy, what director Cathy Yan brings to the project, and why Batgirl didn’t make the cut.
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Birds of Prey was pitched as an “R-rated girl gang film” led by Harley Quinn, which is still an accurate description of the upcoming comic book movie. In Birds of Prey, directed by Cathy Yan and written by Christina Hodson, Margot Robbie‘s Harley Quinn teams up with several other crime-fighting women to take down Black Mask, a crime lord who controls Gotham City.
But there’s more to Birds of Prey than simply empowered girl gangs. With women in front of the screen and behind the screen, Birds of Prey takes on a deeper approach to female-led stories, including the most prominent issue today: the Me Too movement. In an interview with /Film’s Peter Sciretta during a visit to the set of Birds of Prey, Cathy Yan reveals how her pitch evolved to become a Me Too superhero movie.
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Suicide Squad was by no means a box office failure, but it’s safe to assume no one considers it much of a success. Reviews were scathing, and the general consensus seems to be that it’s the worst of DC’s recent movies. Now here comes Birds of Prey, a film that brings back Suicide Squad‘s Harley Quinn, as played by Margot Robbie, but seems to be standing on its own two feet.
During /Film’s visit to the Birds of Prey set, director Cathy Yan spoke about the Birds of Prey and Suicide Squad differences, and how the upcoming movie forges its own path while not completely discounting the events of Suicide Squad.
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On March 12, 2019, I visited the set of Birds of Prey on the Warner Bros Studio Lot in Los Angeles. While on set, a group of journalists had the opportunity to sit down with Harley Quinn herself, Margot Robbie, to talk about the making of this new DC movie. She’s not only the star of the film, but a producer, and we talked about everything from the comic book inspirations, the evolution of Harley Quinn, the choice of characters, and much more.
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Ever since her inception, Harley Quinn has been tied to a man, at some point or another. In her debut in Batman: The Animated Series, she was introduced as the Joker’s henchman and lover, and despite the character’s wild popularity, she’s never really been able to escape that label.
But in Birds of Prey, Margot Robbie‘s Harley Quinn finally gets to step out from under the shadow of her “Mistah J.” Newly single and ready to mingle, Harley doesn’t attach herself to a new man, but finds a group of similarly empowered crime-fighting women to build herself a girl gang. And although Harley takes the spotlight in Birds of Prey — which is clear in the subtitle itself, And the Fantabulous Emancipation of One Harley Quinn — that girl gang is the core of the the upcoming Warner Bros. comic book movie.
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Even as superhero movies became more and more prominent and popular, the idea of an R-rated superhero flick seemed impossible. These were movies marketed to the widest possible audience, after all. But little by little, R-rated comic book adaptations have been trickling in. Deadpool was a smash-hit, followed by Logan, which earned itself an Oscar for Best Adapted Screenplay. And this year, Joker defied all expectations and raked in a billion dollars. Now, Birds of Prey, a semi-sequel to Suicide Squad, might follow suit. While no Birds of Prey rating has been awarded to the film yet, the production didn’t censor itself. And according to star Margot Robbie, that was liberating.
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