In honor of Steven Spielberg‘s new newspaper drama The Post, we’ve combed through the archives, pounded the pavement, dusted off the typewriter and put together a list of some of the best newsroom movies fit to print. It’s a list comprised of both crusading, truth-seeking journalists and career opportunists willing to bend the truth as long as it makes for a great story. The connective tissue holding these films together is the ever-present newsroom, where typewriters sing and the truth lives or dies when a story goes to the presses.
Posted on Tuesday, June 4th, 2013 by Russ Fischer
This BBC doc on Joel and Ethan Coen is hardly new — it was created in 2000, during the production of O Brother, Where Art Thou?. But seeing the brothers in action is rare enough that even a 13-year old behind the scenes look is going to count as new for many people. There’s even some interview footage with cinematographer Roger Deakins, who almost as reclusive as the Coens.
The films of Joel and Ethan Coen are so fully formed, and so specific to a recognizable point of view, that viewers seem to want an explanation for the origin of that sensibility. It’s a fool’s errand to some extent; explaining anyone’s artistic work tends to be, and the Coens are more reluctant than most to discuss “reasons.” The ready affability of the brothers in this interview even mocks any attempt to paint them as weird, aloof geniuses. And given that the doc opens with some explicitly outlandish myth-making, it’s worth keeping in mind that there could well be some low-level mythologizing going on throughout. But the Coens’ work is so good that such legend-building is pretty natural.
There’s great stuff here, notably the contradiction between what seems to be a very easygoing shoot, and the rigorously structured production that allows it to be that way. Then, of course, there’s the communication between the brothers, which is so ingrained that it barely even looks like communication at all. And the idea that Fargo was shot just because it was the cheapest script they happened to have laying around at the time is the sort of thing that will make some other filmmakers bang their heads on a table in frustration.
Check out the doc below. Read More »
Posted on Friday, July 8th, 2011 by Germain Lussier
Nope. Not even three previews could come close to showcasing all the awesome stuff that’ll be at Gallery 1988 in Los Angeles Friday night (yes, tonight) as Crazy 4 Cult 5: I’m Too Old For This Sh*t finally opens to the world. The show features work from over 100 artists interpreting a wide variety of cult films and, in this final (and biggest yet) preview for the show you’ll see Max Dalton‘s Monty Python and the Holy Grail inspired piece, Fight Club through the eyes of Joshua Budich, Brandon Schaefer‘s take on The Evil Dead and other art based on movies like Being John Malkovich, Buffalo 66, The Karate Kid, Mulholland Dr., A Clockwork Orange, The Hudsucker Proxy and more. There are over twenty new pieces below the jump.
This Friday, Gallery 1988 in Los Angeles will hold the fifth Crazy 4 Cult art show, an annual exhibition which I’ve called the super bowl of pop culture art. The great guys at G1988 have given me a bunch of art from the show to premiere on the site. We posted part one here and part two here.
After the jump you will find part two of our preview, which includes JoeBot’s follow-up to the popular Fireflies record album — a record design for Dr. Horrible, Casey Weldon’s Pee-Wee’s Big Adventure poster, /Film favorite Scott C’s tribute to Easy Rider, and more. So what are you waiting for?
Posted on Monday, January 24th, 2011 by Peter Sciretta
UK graphic artist Tom Muller has created an awesome infographic connecting the dots of reoccurring actors in the movies of Coen Bothers. Hit the jump to see the graphic.