The Mandalorian‘s new “Stagecraft” technology, which uses a rear-projected LED screen to create a reactive environment, is considered the most groundbreaking new film technology since the green screen. So it’s no wonder that Disney+ plans to use it for one of its most anticipated Star Wars series. The Obi-Wan Kenobi TV series will use the same technology as that pioneered by The Mandalorian, according to star Ewan McGregor, who shared vague new details about the yet-untitled series.
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After Moulin Rouge, it seemed a real shame that Ewan McGregor didn’t instantly become the musical movie heartthrob he seemed destined to be. In fact, the only way McGregor performs in musicals these days is from the recording booth, voicing beloved Disney animated characters in new remakes. First he put on a French accent to play the flirtatious candelabra Lumière in Disney’s live-action Beauty and the Beast and now McGregor will follow that up by playing everyone’s favorite moral compass, Jiminy Cricket, in Guillermo del Toro‘s stop-motion animated film Pinocchio.
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Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a movie bursting with personality. It’s poppy and gritty, slapstick-y and visceral, and most striking of all, it doesn’t confine itself to as many boxes or rules as most comic book movies do. It’s a rare comic book movie with an actual sense of freedom and spontaneity. Behind the boisterous vision is filmmaker Cathy Yan.
Before Yan was writing and directing films, she was already sharpening her skills as a storyteller. A graduate from Princetown University and the New York University Tisch School of the Arts, Yan was a journalist for the Wall Street Journal, based in Beijing, Hong Kong, and New York. She was one of the youngest writers in Wall Street Journal history. After her time as a journalist, she went on to direct more shorts and her feature directorial debut, Dead Pigs, which impressed Birds of Prey‘s star and producer, Margot Robbie.
Recently, we spoke to Yan about the set pieces in the movie, paying homage to Jackie Chan and Orson Welles, and more.
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This week sees the release of Birds of Prey, a spin-off of Suicide Squad that brings back Margot Robbie as Harley Quinn. But this time, she’s not desperate to get back in the arms of The Joker. Instead. she’s just broken up with the madman, and that has some of Gotham’s deadliest criminals after her, including none other than Roman Sionis, aka Black Mask (Ewan McGregor). Now she must team up with Black Canary (Jurnee Smollett-Bell), Cassandra Cain (Ella Jay Basco), Renee Montoya (Rosie Perez) and Huntress (Mary Elizabeth Winstead) in order to survive.
And we’ve got a new batch of Birds of Prey clips and a featurette to hold you over until the movie arrives this weekend. Read More »
After rumblings last week made many fans think that trouble was brewing at the upcoming Obi-Wan Kenobi series on Disney+, last night brought news about what’s been happening behind the scenes. The scripts turned in were not up to snuff, so Lucasfilm is starting from scratch with a new yet-to-be-named writer, and production has been pushed back until they get new scripts. However, from Ewan McGregor‘s perspective, the scripts are apparently good? Read More »
Since Star Wars: The Rise of Skywalker is wrapping up the Skywalker saga, it’s pretty much the last time for some key characters to make a significant appearance in the long-running sci-fi saga. And since it’s the end of an era in a galaxy far, far away, there are plenty of people who wanted to get in on the last chapter of the story that began all the way back in 1977.
That’s why there are plenty of cameos to behold in The Rise of Skywalker, some in the form of new characters, others being characters from previous installments of Star Wars. We’ve got a list of all the Star Wars: The Rise of Skywalker cameos that we know of so far, but beware of major spoilers as we name them. Read More »
Harley Quinn is back in Birds of Prey, the latest entry in the increasingly quirky DC movie film canon. Margot Robbie returns to the role she played in Suicide Squad, and this time, it looks like she’s working with much better material. Birds of Prey teams Robbie’s Harley with Black Canary (Jurnee Smollett-Bell), Huntress (Mary Elizabeth Winstead), and Renee Montoya (Rosie Perez), as the ass-kicking women band together to save Cassandra Cain (Ella Jay Basco) from the evil Roman Sionis, aka Black Mask (Ewan McGregor), and Victor Zsasz (Chris Messina). Watch the Birds of Prey trailer below.
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Baby Yoda could have some competition in the sci-fi moppet department. A new casting rumor has sprung up around the yet-untitled Obi-Wan Kenobi TV series in development at Disney+. The series, which is set to star Ewan McGregor reprising his role as the Jedi Master, is reportedly looking for an actor to play a young Luke Skywalker living on Tatooine.
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Disney and Lucasfilm will be releasing the first live-action Star Wars series, The Mandalorian, when Disney+ launches in just a couple days on November 12. But they’re already hard at work on the next round of Star Wars content that will be coming to the streaming service, and that includes a six episode series focusing on Ewan McGregor as Obi-Wan Kenobi eight years after the events of Revenge of the Sith. Originally, this story was going to be a feature film, but it’s been retooled into a series, and writer Hossein Amini is happy to take more time to explore the state of things, both in Obi-Wan’s life and the galaxy at large. Find out what he had to say about the forthcoming series below. Read More »
For all of the horrors he’s conjured up over the decades, Stephen King is really a big softie. Yes, he’s written stories about horrible, nightmarish things happening to innocent souls. But in the end, King is a writer who believes in humanity. He believes in hope. He believes in redemption. Which is probably why he was so damn furious when Stanley Kubrick adapted his novel The Shining into a film in 1980. Kubrick, brilliant artist that he was, was also the complete opposite of King. It’s unfair to claim – though many have – that Kubrick was a misanthrope with a disdain for humanity. But it’s fair to say that Stanley Kubrick’s movies were, all in all, unsentimental – an attitude that King has never ascribed to.
With all of this in mind, Mike Flanagan was facing an uphill battle when it came to adapting Doctor Sleep, King’s own sequel to The Shining, published in 2013. King’s Shining and Kubrick’s Shining share a basic framework, and several similar elements. But they’re vastly different works. And King’s Doctor Sleep is a sequel to his novel – not Kubrick’s film. What was Flanagan to do? Ignore one of the most talked-about horror movies of all time and stick with King’s text? Jettison King’s prose to remain true to Kubrick? Or find some sort of middle ground? With Doctor Sleep, Flanagan has opted for the third option. But can the diametrically opposed viewpoints of King and Kubrick truly inhabit the same space?
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