We know the CIA has used “enhanced interrogation techniques” like playing songs at loud volume to torture detainees, but has a judge ever ordered a prisoner to repeatedly watch a movie as a form of punishment? I guess there’s a first time for everything, because Lawrence County Judge Robert George ordered a convicted deer poacher to watch the Walt Disney Animation movie Bambi as part of his sentence – and the prisoner has to watch it more than once. Get the details below.
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Mothers are incredible creatures, that’s a given. From your own to those of a fictional existence, all of the moms of the world each play a critical role in the story of our lives, or in the tales of our favorite pieces of media. They inspire the hero, teach them the fundamental building blocks of life, and energize them to continue on their own personal journeys – all the while being their own special brand of magical, smart individuals (or being terrifying villains of the horror sort, but that’s for another list.)
So with a certain mother themed holiday having just passed, along with the momma-positive flicks Life of the Party and Breaking In now in theaters, it is definitely time to celebrate some of the best moms in cinematic history. There will be some obvious choices for sure, but there are also some underrated ladies that need their moment to shine. Whether you would put them on your own list, or choose a different movie mom to recognize, there is no denying the importance these women have within their stories, and for the legacy of moms on film as a whole. So grab your bouquet of flowers – its time to pay the 10 best movie moms some respect! Read More »
(Welcome to The Disney Discourse, a recurring feature where Josh Spiegel discusses the latest in Disney news. He goes deep on everything from the animated classics to the theme parks to live-action franchises. In this edition: why Disney movies shouldn’t be afraid of death.)
Few moments in American cinema stick with people from their youth through adulthood as much as the death of Bambi’s mother midway through the 1942 Disney animated classic Bambi. (Her death was the focal point of one of the truly great entries in Gary Larson’s dearly departed The Far Side comic strip.) This murder, caused by an offscreen hunter, is handled as carefully and artfully as possible. We don’t see anything, not even a hint of the gruesome aftermath, just the echoing sound of shotgun shells. Then, the young Bambi is gruffly told by his largely absent father, the Great Prince of the Forest, that “Your mother can’t be with you anymore” as snow falls over the young deer’s furry face. This is a standout sequence in Disney animation not just because it’s emotional or beautifully rendered. It depicts something that almost never actually happens in the Disney canon: death.
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UPDATE: A few more posters from the show have been revealed and we’ve added them to the gallery below.
Last month, Mondo and Cyclops Print Works revealed a new gallery show and it’s a doozy. As its name implies, Never Grow Up: A Disney Art Show is an art show dedicated to Disney classics, with an all-star roster of talent offering gorgeous takes on some of the best and most famous animated movies ever made.
Today, we’re pleased to debut two posters that will be available at the show when doors open later this week: Laurent Durieux‘s Bambi and Becky Cloonan‘s Fantasia.
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Posted on Tuesday, August 27th, 2013 by Angie Han
Even casual Disney fans have likely noticed that the studio’s various animated features often contain subtle nods at each other. Rapunzel from Tangled has Disney fairy tale books in her collection, Nani from Lilo & Stitch has a Mulan poster, et cetera. But what if these aren’t mere sight gags from playful animators. What if, instead, they’re hard evidence that all of these movies take place in the same universe?
In an homage of sorts to Jon Negroni’s The Pixar Theory, Josh Butler posits that 30 of Disney’s animated features share a world. His thesis requires some suspension of disbelief — for one thing, it involves a lot of magic and time travel — but it’s fun to think about nonetheless. Hit the jump to see how Butler’s theory shakes out.
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In 1988, the National Film Preservation Act create the National Film Registry, which selects a couple dozen films each year for preservation in the Library of Congress. Up to 25 films are selected annually as “culturally, historically, or aesthetically significant films.” These have to be at least ten years old, can be feature, short experimental or ‘other’ — anything that is film, really — and are chosen from a list of films nominated by the public.
This year, 2228 films were nominated by the public and twenty-five were selected for preservation. Among those are the big Oscar winner The Silence of the Lambs, everyone’s favorite autistic history hero Forrest Gump, Charlie Chaplin‘s The Kid and one of the greatest (and earliest) train movies ever made, John Ford‘s The Iron Horse.
We’ve got a more complete list below. Read More »
In honor of Walt Disney Animation releasing it’s 50th full length film Tangled, our friends the Fine Brothers have filed the latest episode of their popular “Spoiler” series. You might remember that we’ve featured their videos 100 Movie Spoilers in 4 minutes, Spoiling Every Best Picture Winner in Oscar History, 50 spoilers of 2009 in 4 minutes, and 100 Horror Movie Spoilers in 5 Minutes. Hit the jump to watch their latest. And if it isn’t completely obvious already, please be warned that the following video contains spoilers.
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On December 23, 1935, Walt Disney wrote an eight page letter to a gentleman named Don Graham at the Chouinard Art Institute (now Cal Arts) asking him to help train new, and improve old, Disney animators. Walt felt that many of the men he employed weren’t working up to their potential and that by focusing on a few simple things, the studio’s output would improve exponentially. Well, after this letter, the studio released – in order – Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo and Bambi. So, it seemed to have worked.
The letter is a fascinating look into the genius mind of Walt Disney, as it details the unique way he looked at movies, humor, drawing, running a company and much more. He details the minutia – such as body type and rhythm of movement – of animation and implores animators not to ignore these incredibly important things. Animators, or just fans of Disney, should really enjoy this. Check out scans of the letter and link to the full transcript after the break. Read More »