Incredible animatronics and well-placed jump scares can't save Five Nights at Freddy’s 2, which plays like a movie written by Reddit fan theories.
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Timothée Chalamet has never been better than he is in Josh Safdie's wonderfully chaotic Marty Supreme. Here's our review.
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Terrifier 2 is a vast improvement over the first film.
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Zootopia 2 is the rare example of a follow-up film that can live up to the high bar set by the first movie. Here's our review.
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Jessie Buckley gives an emotionally devastating performance in Chloé Zhao's Shakespearean tragedy Hamnet. Here's our review.
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Rian Johnson's latest Knives Out mystery gives Benoit Blanc a smaller part to play as Josh O'Connor's conflicted priest takes center stage. Here's our review.
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The beautiful, elegiac Train Dreams, which starts streaming on Netflix this week, is one of this year's best films. Here's our review.
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While not as successful as the first film, Wicked: For Good remedies many of the musical's second act shortcomings through emotional power. Here's our review.
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Keeper, the mysterious new horror movie from Longlegs filmmaker Osgood Perkins, might be the director's most ambitious movie yet. Here's our review.
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The mysterious youth of Jesus gets the horror movie treatment with the surprisingly creepy The Carpenter's Son, starring Nicolas Cage. Here's our review.
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Edgar Wright struggles with his adaptation of Stephen King's The Running Man, even though Glen Powell is trying to make it all work. Here's our review.
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Jennifer Lawrence gives a raw, feral, and brilliant performance in Lynne Ramsay's disturbing (and darkly funny) Die My Love. Here's our review.
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Dan Trachtenberg's Predator: Badlands is easily the funniest, most heartfelt, and boldest Predator movie of them all. Here's our review.
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Springsteen: Deliver Me From Nowhere is frequently too formulaic, but Jeremy Allen White's performance as the Boss is incredible. Here's our review.
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Guillermo del Toro's Frankenstein is a beautiful blend of horror and gothic romance, with a stunning performance from Jacob Elordi. Here's our review.
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Yorgos Lanthimos and Emma Stone reunite yet again for Bugonia, a cynical dark comedy with a trio of memorable performances. Here's our review.
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Scarlet is being sold as an anime reimagining of Hamlet, but don't expect a full-blown adaptation of the classic play. Here's our review.
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Tron: Ares has little imagination, a boring lead actor, and wastes the talents of Greta Lee. Great Nine Inch Nails soundtrack, though! Here's our review.
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Julia Roberts and Ayo Edebiri are excellent in Luca Guadagnino's deliberately ambiguous thriller-drama After the Hunt. Here's our review.
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Kathryn Bigelow returns with A House of Dynamite, a well-crafted nerve-shredding thriller about impending nuclear war. Here's our review.
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Good Boy proves you can teach an old subgenre new tricks by telling a haunted house story from the POV of a very good dog. Here's our review.
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While Anemone doesn't make for the most energetic or thematically coherent of directorial debuts, it does mark an incredible return for Daniel Day-Lewis.
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After far too long of a break, director Gore Verbinski is back with the sci-fi oddity Good Luck, Have Fun, Don't Die. Here's our review.
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Park Chan-wook's new must-see dark comedy satire No Other Choice is the funniest feel-bad movie in ages. Here's our review.
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The remake of infamous Christmas slasher Silent Night, Deadly Night finds a way to both pay tribute to the original while forging a new, bloody path.
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Benny Safdie's The Smashing Machine is a surprisingly tender sports film with an excellent dramatic turn from Dwayne Johnson. Here's our review.
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Black Phone 2 avoids retreading the first movie, pivoting to an awesome Dream Warriors-esque story that turns The Grabber into an undead nightmare.
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