The composers provided the score for several different projects that are wildly divergent in tone, but they always bring a sense of curiosity to their work.
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O Brother, Where Art Thou? was one of the first films to be entirely color timed through a digital intermediate, and that's a bigger deal than it might sound.
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'So I assume at some point I will be putting on my tights and cloak for another outing, but I don't know when that might be.'
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Nothing's more intimidating than an enemy who's willing to fight completely naked on a lake of lava.
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Petite Maman director Céline Sciamma didn't set out to make a pandemic movie, but in many ways, she made the perfect one.
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We'll have to wait another year for Spider-Man: Across the Spider-Verse.
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The festival starts on June 8.
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The definitive origin story of Buzz Lightyear.
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Skarsgård wanted to explore Viking myths and legends from a historical and sociological perspective, and also their potential drug use.
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On today's /Film Daily, Peter and Ryan go to infinity and beyond and chat about Pixar's upcoming sci-fi film, Lightyear.
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In a recent interview, the director clarified his assertion that he wanted to make the "definitive" Viking film, spoke about how the budget ballooned, and more.
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Alexander Skarsgård says The Northman was his chance to finally put one of the great Norse sagas on the big screen.
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Visual effects supervisor Jane Yen revealed the specifics of creating a pipeline for shooting Lightyear simultaneously for IMAX.
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Jeremy Lasky, whose credits at Pixar include Wall-E, Toy Story 3, and many more, tells us about serving as the director of photography on this unusual spin-off.
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Get a taste of the bromantic Telugu movie phenomenon that is RRR with the latest song release.
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'I want people to be able to lose themselves for 90 minutes.'
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The director and producer of Pixar's new sci-fi adventure film Lightyear give us some insight into making a movie designed to be seen in theaters and more.
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Sorry, this has nothing to do with Spider-Man, so you probably won't want to watch it.
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'We're going to have so many robots you're going to get sick of robots.'
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This has to end up being better than the previous Dungeons & Dragons movie right?
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'From early on, because the voice is so iconic, you run the risk of imitation.'
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'He's a scene-stealer.'
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'Being able to put back the kiss was important to us.'
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It turns out diversity pays big bucks at the box office.
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