We already know that WandaVision, the first big Marvel Studios show to be released on Disney+, is going to be an ambitious piece of comic book storytelling. But according to a new interview, it’s also going to be hugely ambitious on a visual level as well. In fact, one of the series’ stars has revealed that the show will have more visual effects shots than Avengers: Endgame.
And that’s not the only way this show is aiming to pull out all the stops. One of the directors says WandaVision will feature some of the biggest set pieces that Marvel has ever done – which seems pretty significant, considering the sheer number of set pieces that have appeared in the Marvel Cinematic Universe thus far.
Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, get a look at the visual effects used to create the space action of Netflix’s new drama series Away. Plus, watch as Adam Savage shows of the first ever Star Wars lightsaber prop replica he built over 25 years ago. And finally, see watch as Drew Barrymore stages a little Charlie’s Angels reunion with Cameron Diaz and Lucy Liu. Read More »
Posted on Thursday, September 10th, 2020 by Ben Pearson
Taika Waititi has learned a thing or two while working in a galaxy far, far away.
The filmmaker, who is writing and directing the highly anticipated Marvel Studios sequel Thor: Love and Thunder, will be using the same visual effects technology for the new movie as was used while making The Mandalorian, the Disney+ Star Wars series that Waititi both acted in and directed. Get the details below. Read More »
Hollywood should be labeled a danger zone this time of year: so many award nominations are flying around that if you’re walking down Sunset Boulevard and not keeping your head on a swivel, you’re liable to get clocked by one of them. There have been several nominees for various guild awards announced today alone, including the contenders for the Visual Effects Society‘s annual awards show, which “recognizes outstanding visual effects artistry and innovation worldwide in film, animation, television, commercials and video games, and the VFX supervisors, VFX producers and artists who bring this work to life.”
The Mandalorian and Game of Thrones are sitting at the top of the pile, tied with six nominations each. But Toy Story 4 and Alita: Battle Angel are nipping at their heels with five nominees each. Get the full list below.
Read More »
Leading up to Star Wars: The Rise of Skywalker, J.J. Abrams spoke a lot about his plan to incorporate Carrie Fisher‘s performance from the deleted scenes of The Force Awakens into the new movie to pay proper tribute to the late actress and Star Wars icon. Abrams promised we wouldn’t get a digital version of Leia, but if you’ve seen the movie, you know that the spirit of what he’s saying is true, there actually was some digital trickery necessary to achieve the end result.
In a new interview, a couple of visual effects supervisors from Industrial Light and Magic clarified just how Fisher’s outtakes were enhanced with CG to bring her last performance to life. Read More »
When I think of the Oscar for Best Visual Effects, I often think of the loudest and most cacophonous movies to play in a theater in a given year. But perhaps that’s unfair, because upon closer inspection, it seems that those types of films are rarely rewarded with the actual prize. So while there are a fair share of obnoxious movies on this year’s shortlist of candidates, the Academy will narrow the field soon for the actual nominees. In the meantime, let’s take a look at the 20 final contenders and see if we can use some recent history to predict the eventual winner. Read More »
Avengers: Endgame builds to a show-stopping climactic collision between good and evil, delivering full-scale comic book action the likes of which Hollywood has never seen.
Now that the film is available digitally, we took a closer look at some of the final battle’s best moments and incorporated audio from Matt Aitken, Weta Digital’s visual effects supervisor, who spills some secrets about which actors were on set on certain days, just how much work was required for that tiny Howard the Duck cameo, and more. Check out our video below, which breaks down all of the biggest and best moments from that jaw-dropping confrontation.
Read More »
I’m apparently in the minority in thinking that HBO’s Game of Thrones wrapped up in ways that, given the annoyingly increased pacing of the final seasons, I found to be largely satisfying. It’s been slightly more than two months since our last trip to Westeros, which is just enough time for the dust of the reactions to settle, the blazing hot takes to cool down, and a clear-eyed, macro-focused appraisal to become a slight possibility.
Personally, I think it’s still a bit too soon for that. But while we wait for the show’s legacy to crystalize a bit more with time, let’s check out this new Game of Thrones season 8 VFX reel which tracks the notorious destruction of King’s Landing from the series’ penultimate episode. Read More »
Cool Posts From Around the Web:
The final confrontation in Avengers: Endgame is one of the most epic scenes in comic book movie history. It’s as if a comic splash page came to life, grabbed a basketball, and windmill dunked on the airport fight in Captain America: Civil War. The Endgame battle is a fight between good and evil on a truly tremendous scale, full of the type of jaw-dropping, “holy shit” moments that make you wonder how any other film in the Marvel Cinematic Universe will ever be able to top it.
We’ll have to wait and see if that ever happens, but in the meantime, I spoke with Weta Digital’s visual effects supervisor Matt Aitken about how Endgame‘s final battle came together. Weta created the VFX for that sequence, and Aitken told me about how much the battle changed over time, which actors were present for its key moments, that applause-inducing moment when Captain America grabs Thor’s hammer, the nanotechnology in Iron Man’s suit, and much more. Read More »
Each season, we get to see new behind-the-scenes videos detailing the impressive work of the visual effects teams for HBO’s Game of Thrones and how they’re able to generate some of the most iconic images in fantasy from scratch. Take, for instance, Daenerys Targaryen’s three dragons: Drogon, Viserion, and Rhaegal. A company called Pixomondo has been in charge of bringing Dany’s “children” to life since season 2, and now they’ve revealed the unlikely inspiration for the fearsome winged creatures from our real-life animal kingdom.
Read More »