Tony Gilroy will no longer direct the Rogue One: A Star Wars Story spin-off streaming series for Disney+. Instead, Black Mirror and Doctor Who director Toby Haynes is stepping in to take the reins behind the camera on the upcoming show, which features Diego Luna reprising his role as Rebel spy Cassian Andor. Get the details below. Read More »
The Disney+ Star Wars series Cassian Andor has locked down two new cast members, and a showrunner to boot. Genevieve O’Reilly and Denise Gough will be joining lead actor Diego Luna on the show, while Tony Gilroy, one of the writers of Rogue One: A Star Wars Story, is now in place as showrunner. O’Reilly will be reprising the role of Mon Mothma, a role she played in Star Wars: Revenge of the Sith and Rogue One.
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Tony Gilroy is heading back to a galaxy far, far away.
After being hired to reshape Lucasfilm’s 2016 prequel film Rogue One: A Star Wars Story by rewriting the script and leading the charge on the film’s extensive reshoots, Gilroy has now been hired to write the pilot for the new Cassian Andor TV series that will air on Disney+, an espionage thriller which follows the earlier adventures of Diego Luna‘s rebel spy and his droid buddy K-2SO (Alan Tudyk). Gilroy will also direct multiple episodes of the upcoming series. Read More »
Plenty of movies get changed on the way from the page to the big screen, but few perhaps as drastically (or infamously) as Rogue One: A Star Wars Story. The standalone Star Wars film went through dramatic changes in the summer of 2016, which saw significant plot points dropped and whole scenes that appeared in the trailer not show up in the finished film. We don’t know the full extent of the Rogue One changes, but Rogue One co-writer Chris Weitz is here to enlighten us on what the original film script looked like
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27 years after Tony Gilroy wrote Beirut, it’s finally reaching theaters. Long before his time on the Bourne franchise, directing Michael Clayton and Duplicity, and his work on Rogue One: A Story Wars Story, Gilroy penned a story about Mason Skiles (Jon Hamm), a troubled, grieving, and alcoholic negotiator who returns to Beruit 10 years after a personal tragedy to negotiate the freedom of a CIA agent and former friend.
When Gilroy first wrote the script for Interscope, the thriller garnered the attention of movie stars and drew some controversy, but ultimately, the expensive project went unmade. Four or five years ago, there was new interest in Beirut, so Gilroy spent a week or two revising the script before the director behind Session 9 and Transiberian, Brad Anderson, went to shoot the movie in Morocco.
Gilroy also had the chance to look back on some old writing of his, to see how his writing had changed. It was an experience the writer and director recently told us about in a wide-ranging interview about mistakes young writers make, great dialogue, writing “the best of the best” type of characters, why he doesn’t want to write true stories, and more.
Below, read our Tony Gilroy interview.
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When Oscar-winning screenwriter Tony Gilroy joined the production of Rogue One: A Star Wars Story late into Rogue One reshoots, a few eyebrows were raised. Rumors were already swirling that Disney was unhappy with the first cut of the standalone Star Wars film, and that as much as 40% of the film needed to be completely redone. And reports of Gilroy’s big paycheck didn’t help alleviate fears that Rogue One was going to be a total bust.
Rogue One ended up being a big box office and critical success. But it was suggested that much of that success was because of Gilroy’s last-minute efforts to salvage the film. We weren’t sure exactly how much of a role Gilroy played in the Rogue One reshoots — until now.
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Warner Bros. has spent years developing a film based on Methuselah, the oldest man in the Bible, and like that man himself, this project just won’t seem to die. Their most recent attempt to bring this story to life had Tom Cruise attached to star, and while it’s unclear if the 55-year-old action movie icon is still involved at this point, the project just got a significant boost: Tony Gilroy, the writer/director behind Michael Clayton, is now in talks to write the script and is also angling to direct it.
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Over the summer, one of the big topics of conversation for Star Wars fans were the reshoots for Rogue One: A Star Wars Story. An initial report indicated that Rogue One reshoots needed to be completed after Disney was unhappy with the first cut of the film, and a follow-up said that as much as 40% of the film was going to be completely redone. The urgent nature of the reshoots was debunked shortly thereafter, but it was a story that felt more like damage control by Lucasfilm than giving us the whole picture.
Now we seem to have some further indication that the extensive and expensive reshoots that were originally reported were just as drastic as originally thought. You might remember that Michael Clayton writer and director Tony Gilroy was brought in to help on the reshoots by writing some additional material (after working on the script the previous summer) and working as second unit director. But his role on the movie was reportedly far more involved, including fixing the ending of the movie.
Find out the new details on Rogue One reshoots after the jump. Read More »
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There have been a lot of details regarding the Rogue One: A Story Wars Story rehoots that will take place starting this month. The initial report indicated that Disney was unhappy with the first cut of the movie from director Gareth Edwards and was followed up with details saying the tone of the movie needed to be lightened up a bit to match with the original Star Wars from 1977. Then a more worrisome rumor indicated that 40% of the film was going to be reshot with director Christopher McQuarrie overseeing the reshoots.
There’s been a lot of information to sift through, and now some clarification arrived regarding the reported details along with new information revealing who is helping with the reshoots and how. Get the new details on the Rogue One reshoots after the jump. Read More »
No, Jon Hamm isn’t planning some network television stunt to air after the series finale of Mad Men on May 17th. Instead, High Wire Act is the name of a new political action thriller that will be led by the star of Million Dollar Arm and Bridesmaids and, yes, Mad Men. And with a script from Tony Gilroy, the writer behind The Bourne Identity franchise, this should be a project to keep an eye on. So what’s the film about? Details on the plot after the jump. Read More »