This year doesn’t mark a special anniversary for Shaun of the Dead, Hot Fuzz or The World’s End, but that’s not stopping Vice Press and artist Patrick Connan from celebrating Edgar Wright‘s series of films known as The Cornetto Trilogy. The producer of officially licensed art, posters and merchandise for various cult and mainstream movies, television shows, comics, books and games is releasing a set of three prints inspired by each film in the trilogy starring Simon Pegg and Nick Frost. In fact, it’s a pint print set. Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, find out how to make the artery clogging Paunch Burger from the series Parks and Recreation. Plus, see what VFX artists think of the visual effects used in movies like The World’s End, Charlie’s Angels: Full Throttle, 2001: A Space Odyssey, and more. And finally, watch as Conan O’Brien visits the Rock and Roll Hall of Fame in a vintage clip from Late Night with Conan O’Brien. Read More »
San Diego Comic-Con is nearly upon us, and Mondo is bringing another impressive collection of prints to the convention that will pay tribute to some of your favorite movies. We’re pleased to debut some of the Marvel prints that will be debuting at the convention. They include a couple pieces for Ant-Man and the Wasp, one honoring the Golden Age of Marvel Comics, and a sketch-style print of the Marvel Cinematic Universe’s mostly deadly villain. Check out our exclusive Mondo SDCC prints below. Read More »
A mashup of zombie horror and romantic comedy, a video-game-style depiction of millennial culture before it was called millennial culture, a post-apocalyptic dystopian thriller seen through the eyes of some Gen-X’ers, and more. These concepts all sprung from the mind of filmmaker Edgar Wright, whose features over the last 15 years have managed to all feel daring and strikingly original even as he wears his references on his metaphorical sleeves.
Wright’s first major feature film, Shaun of the Dead, wasn’t released in the United States until the fall of 2004, but its wide release in the United Kingdom was 15 years ago today. So with that milestone in mind (and with the caveat that Wright’s debut film, A Fistful of Fingers, isn’t available on Blu-ray yet, so this writer hasn’t seen it), let’s rank Wright’s films.
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When you think of the greatest film trilogies of all time, it’s easy to remember Back to the Future, Lord of the Rings, Indiana Jones, and Star Wars. But don’t you dare leave out The Cornetto Trilogy. It might be a makeshift trilogy comprised of Shaun of the Dead, Hot Fuzz and The World’s End, linked only by the fact that Simon Pegg and Nick Frost star in all of the films directed by Edgar Wright, but thematically, they are an incredible trio of stories that are hilarious, bloody, twisted, and just plain great. Now you can honor The Cornetto Trilogy with a new trio of Mondo prints by artist Johnny Dombrowski. Read More »
Christmas is right around the corner, and if you’re still struggling with what to get that movie lover in your life, a recently released batch of prints paying tribute to movies like Shaun of the Dead, Hot Fuzz, The World’s End, Indiana Jones and the Last Crusade, Blade Runner and Die Hard are available for purchase today.
Get details on each of the prints and find out where and when you can get them below. Read More »
Every director claims to be a movie geek. But there’s movie geeks, and then there’s Edgar Wright. The director, who casually drops lists of his 1000 favorite films when he’s not working, seems to view movie references as a bit of a sport. If you’re not spotting at least a dozen influences or outright homages in his movies, you probably need to rewind – and if you’re watching his earlier films like Shaun of the Dead or Hot Fuzz, just give up trying to count.
While Wright has increasingly been moving away from overt name-checks in his movies, he still manages to bury familiar score snippets, costume choices, and plot threads in all of his work. Here are just a few.
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(Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. In this edition: The World’s End is Edgar Wright’s best movie. By far.)
This week at the movies represents an oasis in the summer-movie desert, with the arrival of Edgar Wright’s latest film, Baby Driver. This new action film represents a slight change for Wright, who’s a) never made a film set and shot in America before and b) hasn’t been the sole writer of any of his past projects. He’s best known as the co-writer and director of the Cornetto Trilogy, comprising Shaun of the Dead, Hot Fuzz, and The World’s End, all genre hybrids co-starring Simon Pegg and Nick Frost.
Now that Baby Driver is headed to theaters, there will no doubt be various (justifiable) appreciations written of Edgar Wright’s films to date; as a still-young filmmaker, he’s only now made six films (including A Fistful of Fingers, which, until recently, hadn’t been released in the United States in any form, so I’m excluding it from this essay). At the top, I want to emphasize something before I delve into the Unpopular Opinion at the core of this piece: I’m a big fan of Wright’s filmography, including the delightful, exuberant, and intense Baby Driver. Each of his films is remarkably assured and confident, hybrids that all feel singular instead of like carbon copies of their forebears.
But I feel now as I felt the moment I walked out of the theater in 2013: The World’s End isn’t just the best of the Cornetto Trilogy. It’s Edgar Wright’s best film, period.
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Over a twenty-three year career spanning TV and film, Edgar Wright has honed his craft to become one of the most inventive, exciting filmmakers working today. With his genre-bending screwball comedies, Wright has developed an instantly recognizable style, culled from filmmakers before him, like Sam Raimi, Martin Scorsese, the Coen Brothers and more, and given his own unique twist. With rapid-fire montages and close-up cutaways, Wright fully embraces the visual aspect of the visual medium of film (something a shocking number of modern filmmakers seem to overlook). With Wright’s latest film Baby Driver speeding into theaters this week, it’s time to look a selection of the best scenes from his film career.
Spoilers for Wright’s films follow.
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In 2005, I watched a new horror comedy titled Shaun of the Dead. I had not heard of Edgar Wright, Simon Pegg, or anyone involved with this quirky little piece of entertainment. And something struck me big time about this movie: the incredible editing and music choices. And since Shaun‘s release, Wright has proven that he is a master at mixing cinema with the energy of a music video, all the while not losing his grip on the story.
In Wright’s latest movie, Baby Driver, music plays a key role within both the story and structure of the movie. And if you know Wright’s filmography, you know that he has been honing his music video talents for years to create a film like this. So in celebration of Baby Driver‘s release, let’s take a look at the greatest music-driven sequences in Wright’s movies.
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