Chris Pine may have found his next starring role – and hopefully it will require plenty of goofy accents.
He’ll lead Paramount’s remake/reboot of The Saint, a spy thriller about a literary character named Simon Templar, a master of disguise who serves as a Robin Hood-type figure who robs corrupt politicians or evil rich people and redistributes their ill-gotten wealth to those in need. Dexter Fletcher (Rocketman) is set to direct.
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Since 2016, Paramount Pictures has been interested in producing a new version of The Saint, which began as a series of novels before becoming a TV series starring future James Bond actor Roger Moore and then a big budget movie in 1997 starring Val Kilmer. Now Paramount has finally found its The Saint remake director: Dexter Fletcher, the filmmaker behind last year’s Elton John musical Rocketman.
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Before he became James Bond, Roger Moore graced the small screen as The Saint, aka Simon Templar, a thief and master of disguise who originated in a series of books in the 1920s and quickly expanded into the world of radio, comics, TV, and movies. Val Kilmer played the character in a film in 1997, and now, more than twenty years later, it looks like Guardians of the Galaxy star Chris Pratt will be the newest actor to get buried under loads of makeup and don a fake mustache as “the Robin Hood of modern crime.” Read More »
On February 17, 1936, Lee Falk’s comic strip hero The Phantom was introduced to the world. Over the following years—as the character reached millions of fans through an unparalleled-for-that-era level of worldwide syndication—The Phantom became an international sensation. The comic strip (clearly) excelled in many countries around the world, but perhaps none more so than Australia. So it seems fitting that, six decades later, the man who would finally bring this hero to the big screen would be an Australian himself: Simon Wincer.
To learn about how The Phantom was made, I spoke at length with Simon Wincer. But it took a little while before we even got to talking about the masked crusader. Because, frankly, there was just too much to talk about. Like how Wincer swooped into to replace the original director of Free Willy (and ended up helping to save that film). Or how he helmed an Emmy-dominant, prestige miniseries (years before such things were du jour). We spoke about all those things and much more (like the cinematic value of manure). Below is a copy of our conversation…
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Posted on Friday, June 17th, 2016 by Angie Han
In Hollywood’s ongoing quest to revive any and every existing I.P., they’ve dug down deep and come up with an 88-year-old vigilante. Paramount is reportedly developing a feature adaptation of The Saint, which Gen Xers and older Millennials might remember as that 1997 thriller starring Val Kilmer, Boomers might remember as that 1960s TV series starring Roger Moore, and their parents and grandparents might remember as a series of books by Leslie Charteris, a radio program, and/or a series of movies. Read More »