2012 was an incredibly good year at the movies. Looking back at the almost 200 films I saw that were released this calendar year, many were in contention for this list. But in the end, there can be only 10. These ten films, ranked in reverse order, are the ones that most stuck with me during 2012 and will continue to do so in 2013 and beyond. Some were pure jolts of entertainment. Others nestled their way into my brain and made me think for weeks on end. But either way, like most top 10 lists, mine is extremely personal and exceedingly different. From Jump Street to Neo Seoul, check it out below. Read More »
Posted on Friday, December 28th, 2012 by Angie Han
The Alamo Drafthouse brand is beloved among moviegoers for their plush theaters, but it’s revered for their impeccable taste in movies. Whether programming a film festival or picking up indies for distribution, they’ve demonstrated an eye for films that aren’t just good, but unique.
With 2012 on its way out, the company has just released its list of their ten favorite movies from the year. Some of the titles were as successful at the box office as they were with critics, while others are more off the beaten track, but all are well worth checking out. Read their picks after the jump.
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Around this time every year, for as far back as I can remember, I pick and write about the ten movies I’m most looking forward in the coming year. Here on /Film I did it for the movies of 2011 as well as the movies of 2012 and, in the coming days, I’ll do it for 2013.
Before that, though, we thought it would be fun to look back at the films I chose as my ten anticipated for this year and see how well I did. Did any of these films make my top ten of the year? Did they at least meet expectations? Check out some of my embarrassing, and not so embarrassing, picks after the jump. Read More »
This morning Megan Fox, Ed Helms, and Jessica Alba announced the nominations for the 2013 Golden Globes. The Hollywood Foreign Press Association, the organization behind the event, is famous for nominating films and performances simply based on their star factor — if there’s an actor that members of the HFPA want to hang out with, they’re sure to get a nomination.
But the HFPA is great at putting on a show, and so the Golden Globes generate a lot of attention every year. And, as the NY Times points out, with the Globes nominations coming just days before Oscar nomination voting starts, there’s a possibility that nominations here could affect Oscar voting. The Best Picture nomination set includes what is already becoming a standard set of awards favorites, such as Lincoln, Silver Linings Playbook, and Zero Dark Thirty, but there are also nominations for Salmon Fishing in the Yemen, and Django Unchained. Salmon Fishing in the Yemen picked up a few nominations, actually, which was one of the big surprises.
The Golden Globes will air on January 13, 2013, hosted by Amy Poehler and Tina Fey. The full nomination list is below. Read More »
Men jumping off a boat. Freddie with a gun. Even at a healthy two hours plus, Paul Thomas Anderson‘s The Master was noticeably missing some distinctive shots from its earlier trailers. We can now confirm they’ll be on the DVD, edited together in about a 20 minute pastiche of the entire film, echoing its themes through deleted and extended takes.
The filmmaker was on hand to present a pair of films that heavily influenced his latest work as part of An Evening With Paul Thomas Anderson, presented by Film Independent at LACMA. The evening began with screenings of two John Huston documentaries filmed during World War II, San Pietro and Let There Be Light, the latter of which is a direct influence of the beginning of The Master (and a must see for fans). Anderson then talked about Huston’s work and those two films, followed by the footage.
After the jump, we have a detailed rundown of the footage including how it relates to the movie in theaters. Read More »
People tend to put filmmakers and film fans into strict categories; someone might be a comedy guy, a drama person, a horror fan or a superhero admirer. For example, no one would expect a filmmaker like Lars Von Trier to be a huge fanboy for Disney movies. He probably isn’t of course, but it’s just an extreme, hypothetical example of how we tend to presume peoples tastes.
Writer/director Paul Thomas Anderson makes difficult movies. Some more so than others, but he’s never played to the audience with simple, happy endings or huge action set pieces. Raw emotion, language and tense situations are constantly on display and these are things many people don’t want when they go to the movies. Those people want Christopher Nolan films. Huge action, sweeping spectacle, but with just enough thematic resonance to feel like they’re more than some run of the mill action movie. On the surface, one would think these two filmmakers occupy opposite sides of the spectrum.
That might be the case, but while promoting his latest film, The Master, Anderson was revealed that he’s a huge fan of Christopher Nolan’s Dark Knight Trilogy. Read his quotes after the jump. Read More »
In this bonus episode, Dave, Devindra, and Adam try to review one of the year’s most challenging and rewarding(?) films. Tasha Robinson joins us from AV Club.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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It’s a good time for anyone who has wanted to see the shroud of mystery lifted from some film directors. The Wachowskis, once pegged as incredibly reclusive, are doing interviews left and right. And Paul Thomas Anderson, not quite such an enigma, but not known for being outgoing in the media, has recently done multiple TV interviews to promote The Master.
Last night Anderson was on The Daily Show, and today he hit CBS This Morning to discuss his new film. The Daily Show interview is a lot of fun, because it’s easy to see that Jon Stewart is excited to have Anderson as a guest. Over at CBS, however, the writer/director discussed the inspiration of Scientology on The Master, which might be a subject many are eager to hear PTA discuss. He also gets into the film’s reception and some other issues that are a bit deeper than what Stewart gets to. Both interviews are recommended, and can be found below. Read More »
Cool Posts From Around the Web:
After seeing Paul Thomas Anderson‘s The Master, I was happy to realize that much of the footage seen in clips released before the film hit theaters was not in the final film.
And while The Master has been in theaters for almost two weeks, The Weinstein Company, along with Anderson, has released a new long trailer that combines some of that previously released clip footage with other shots that didn’t make the movie. Some shots are different visions of scenes that are in the film; others are totally new.
That should be enough for anyone interested in continued discussion about the film to devote four and a half minutes to the trailer below. Read More »
I have nothing but respect for Armond White, but to say his opinions are unpopular is like saying the Sun will rise. It’s a foregone conclusion, and two of his most recent posts fit that bill and then some. In one post, he argues that Indiana Jones and the Kingdom of the Crystal Skull is better than Raiders of the Lost Ark and in another he says Paul W.S. Anderson is a better filmmaker than both Martin Scorsese and Paul Thomas Anderson, comparing Resident Evil: Retribution and The Master. (That one is a few weeks old but we hadn’t written about it yet.)
The scary thing is, White is such a talented, smart writer and has such confidence in his outlandish arguments you almost want to believe them. Can he convince you? Read some excerts and link to the full articles after the jump. Read More »