The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, an animated short runs through 80 years of Superman, started with his comic origins and soaring through his most recent big screen adaptation. Plus, a video essay takes a closer look at the toxic masculinity in the films of Paul Thomas Anderson, and a movie trailer parody imagines what it might be like if Matt Damon bought Jurassic Park. Read More »
On February 2, 2014, Philip Seymour Hoffman passed away at the age of 46. The actor left behind a singular body of work that has garnered him lasting praise for his dedication to craft. In the January 2018 issue of Vogue, his longtime partner, Mimi O’Donnell, reflected on the personal loss of him as a collaborator and as the father of her three children. Even for those of us who never met the man in real life, there is a loss that is felt, but the nature of Hoffman’s work as a film actor is such that he continues to live on on-screen.
What’s the greatest Philip Seymour Hoffman performance? Everyone probably has a different answer to that question. The film of his that hits me the hardest happens to be one of his last. It’s a film that is deep and devastating, made with his frequent collaborator, Paul Thomas Anderson. Hoffman plays a character named Lancaster Dodd and to this day, just thinking about the film calls up heavy emotions for me, because it came at a time in my life when I had just moved, didn’t know a lot of people outside of work, wasn’t in a relationship, and was cut off from family and friends, who had all just become Skype faces seen from half a world away.
In a weird way, these living circumstances may have primed me to receive the film and its themes on a more empathetic level than I would have otherwise. This is all a roundabout way of saying: Dodd is God. That is my reading of The Master.
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Paul Thomas Anderson‘s Phantom Thread is now playing in select cities, and pretty soon, it’ll be everywhere. In anticipation of the film’s release, Anderson sat down with The Ringer podcast and took a journey through his career and his approach to filmmaking in general. In the revealing interview, Anderson dishes on his thoughts on trailers, working with actors like Tom Cruise and Adam Sandler, and sets the record straight on some Boogie Nights urban legends..
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Two movies. That’s all it took for every single Paul Thomas Anderson movie to become an event. His first film, Hard Eight, opened with relatively little fanfare. His second, Boogie Nights, announced to the world that Anderson would be a filmmaker to celebrate. One whose work we would anticipate, possibly revere. With each subsequent film, film fans everywhere have salivated to find out what Anderson has in store for us next.
The latest event, Inherent Vice, opens in limited release this weekend. It’s both a huge departure for the director in that it’s the first film of his directly based on someone else’s work (the inspiration for There Will Be Blood was very different from the final film), but somehow it also perfectly fits into his career. Like most of his movies, it’s a film set in and around California and tells a story about its history. Anderson loves California, and that interest shows in almost every one of his movies. And while exploring that running theme, each of his seven movies gets more confident and daring. There has yet to be a single misstep.
Still, there has to be some kind of hierarchy, right? Some kind of almost impossible deathmatch in which these seven glorious works are pitted against one another, to see which triumphs.
Below, read our ranking of the best Paul Thomas Anderson movies. Read More »
Cool Posts From Around the Web:
The passing of Philip Seymour Hoffman shook the film community and audiences everywhere, and we’re still processing the loss of one of the greatest acting talents our generation is likely to see. Amy Adams, who co-starred with Hoffman in Doubt (above) and The Master, appeared last night on Inside the Actor’s Studio, and the subject of Hoffman’s death was broached. Adams’ response was so deeply-felt as to be difficult to watch, but it speaks to the depth of the connection that Philip Seymour Hoffman created with other actors. Part of her touching tribute is below. Read More »
Oscar nominees might have a gut-wrenching experience waiting to hear their name called (or not) during the Academy Awards but at least they don’t have posters to buy. For the second year in a row, Mondo has announced they’ll be selling posters by multiple artists for different Oscar-nominees. The first three have just been revealed and, with them, you’ll see this series is not just limited to Best Picture nominees. After the jump check out:
- Les Miserables by Olly Moss
- The Master by Laurent Durieux
- Paranorman by DKNG
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Posted on Friday, January 4th, 2013 by Angie Han
With just days to go until Oscar nominations are announced, the Writers Guild of America has unveiled its list of nominees for their top screenplay awards. As expected, many of these are films that have picked up plenty of accolades already. It’ll surprise no one to see that Zero Dark Thirty, Moonrise Kingdom, and Lincoln are among the contenders. But they’ve made room for some more offbeat choices as well, including Looper, Perks of Being a Wallflower, and The Master. (Jason Reitman should be pleased.) Hit the jump to see the list.
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2012 was an incredibly good year at the movies. Looking back at the almost 200 films I saw that were released this calendar year, many were in contention for this list. But in the end, there can be only 10. These ten films, ranked in reverse order, are the ones that most stuck with me during 2012 and will continue to do so in 2013 and beyond. Some were pure jolts of entertainment. Others nestled their way into my brain and made me think for weeks on end. But either way, like most top 10 lists, mine is extremely personal and exceedingly different. From Jump Street to Neo Seoul, check it out below. Read More »
Posted on Friday, December 28th, 2012 by Angie Han
The Alamo Drafthouse brand is beloved among moviegoers for their plush theaters, but it’s revered for their impeccable taste in movies. Whether programming a film festival or picking up indies for distribution, they’ve demonstrated an eye for films that aren’t just good, but unique.
With 2012 on its way out, the company has just released its list of their ten favorite movies from the year. Some of the titles were as successful at the box office as they were with critics, while others are more off the beaten track, but all are well worth checking out. Read their picks after the jump.
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Around this time every year, for as far back as I can remember, I pick and write about the ten movies I’m most looking forward in the coming year. Here on /Film I did it for the movies of 2011 as well as the movies of 2012 and, in the coming days, I’ll do it for 2013.
Before that, though, we thought it would be fun to look back at the films I chose as my ten anticipated for this year and see how well I did. Did any of these films make my top ten of the year? Did they at least meet expectations? Check out some of my embarrassing, and not so embarrassing, picks after the jump. Read More »