These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »
Our friends at Gallery 1988 in Venice, CA have a new art exhibition, “The Road To Shermer, a tribute to John Hughes”. The show opening on February 11th and runs until March 4th, 2011. As you know, John Hughes is the writer/director responsible for some of our most beloved teen films of the 1980s: National Lampoon’s Vacation, Sixteen Candles, Mr. Mom, The Breakfast Club, Weird Science, Plaines Trains & Automobiles, The Great Outdoors, Christmas Vacation, Home Alone, Dutch, Ferris Bueller’s Day Off and many others.
After the jump you can find a gallery of the best artwork from the show (in my opinion).
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 46 (!?!) different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Pajiba has edited another wonderful montage of movie clips, this time compiling the 100 greatest movie insults of all time in under 10 minutes. Watch the video now embedded after the jump.
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Cool Posts From Around the Web:
“They only met once, but it changed their lives forever.” Michele Rosenthal‘s “The Breakfast Club” art print is a tribute to one of the greatest teen movies of all time. Available as a digital print on heavy paper, 11.5″ x 7.5″, signed by the artist on the reverse, for only $10. Check out the full digital painting in higher resolution, after the jump. Head on over to TheMustStash to get yours.
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We’ve featured some of Dutch Southern’s t-shirts in past editions of Cool Stuff. Their latest tee is called Shermer, IL and was designed by Evanimal. Film geeks will recognize the name of the town as the fictional suburban location of many of John Hughes’ teen comedies. And you may have guessed it, the t-shirt design is a tribute to John Hughes and some of his characters, printed on a white American Apparel tee.
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If you follow the Alamo Drafthouse’s Mondo Tees shop on Twitter (@MondoNews) you might have seen a mention recently that the shop would be selling some John Hughes posters. Now they’re in and on sale to internet shoppers as of now. Jay Ryan has created two images, one for The Breakfast Club and one for Sixteen Candles. Read More »
Since it’s premiere at the 2008 Sundance Film Festival, movie critics have been comparing this year’s best film (so far) American Teen to John Hughes’ 80’s teen classic The Breakfast Club. Paramount Vantage has decided to run with this idea, and curb the marketing for the film (or at least the poster) around the idea of a modern day real life Breakfast Club. I’ve been more apt to compare it to Fast Times at Ridgemont High, but the Breakfast Club comparison works just as well because of the social class system of the characters followed.
My good friend Neil at Film School Rejects was able to get his hands on the poster art for the July 25th release. Click on the image below to enlarge.
“Did he make a comeback yet?”
In a recent interview with the L.A. Times, Kevin Smith called ’80s director/’00s recluse John Hughes his “generation’s J.D. Salinger.” I’m not going to get into that comparison, no way, but it’s worth mentioning that Salinger hasn’t written anything in 40 years, whereas Hughes hasn’t done much movie-wise in a decade. He has more in common with Terrence Malick (20 years between
Badlands Days of Heaven and The Thin Red Line) than the completely AWOL Salinger.
Recently, Hughes received a credit under an alias for his, albeit old, story idea for Drillbit Taylor. Sure that film flopped hard, but its release has given the media reason to put out a Hughes APB and it’s hit the Internet pretty hard. Driving home on Monday, I heard a report on NPR about race and the unflappable popularity of Hughes’s character Long Duk Dong from Sixteen Candles. It’s clear that audiences still want the real deal to return, especially during this current hunger for the ’80s and LOL comedy.
As the Times points out, Hughes still maintains select ties to showbiz folk, notably producer and friend Tom Jacobson, and he met with Vince Vaughn a few years ago. I know, big deal, but he’s not exactly chain smoking, shooting guns in his house and sleeping in his bowling alley. Will the man who perfected the affable white goofball in beloved, classic films like Weird Science, Planes, Trains & Automobiles and The Breakfast Club really never write/direct another movie? Ever? You really think so? Even with comedy’s ring leader and producer of Drillbit, Judd Apatow, offering gushers like…
“John Hughes wrote some of the great outsider characters of all time,” says Apatow. “It’s pretty ridiculous to hear people talk about the movies we’ve been doing, with outrageous humor and sweetness all combined, as if they were an original idea. I mean, it was all there first in John Hughes’ films. Whether it’s ‘Freaks and Geeks’ or ‘Superbad,’ the whole idea of having outsiders as the lead characters, that all started with Hughes.”
Apatow uses the same kind words for director Harold Ramis (Caddyshack, Vacation, which Hughes wrote) and now he’s producing Ramis’s arguable comeback film, 2009’s anticipated Year One. So you have to wonder, with all of Apatow’s conecs and influence, has he not mentioned an official return to comedy to one of his biggest inspirations? Jus’ sayin’.
Discuss: Would you like to see John Hughes return, as long as it’s not Curly Sue Squared? Moreover, what are the odds we’ll see it happen?
McG protege and music video helmer Anna Mastro has signed on to direct Bumped, a modern-day version of The Breakfast Club, from a script by Lizzy Weiss. The plot is described as:
“A comedy-drama revolving around five twentysomethings — including a corporate go-getter, a musician and a flirt — who normally wouldn’t be friends but who get to know one another when they’re bumped from a flight and wind up stranded at Chicago’s O’Hare Airport.”
Discuss: Do we really need a modern-day remake ofÂ The Breaakfast Club? And if so, do we really want a protege of McG to direct it?