One Night in Miami will undoubtedly be a key player in the upcoming awards season. Regina King was recently nominated for Best Director at the Golden Globes, and the adapted screenplay by Kemp Powers earned a nomination from the Writers Guild of America. While we wait to see how the film fares when the Academy Awards nominations are announced next month, the film’s cast members reunited virtually to break down one of the pivotal scenes for the American Film Institute. Watch below. Read More »
After taking high school band teacher and aspiring jazz musician Joe Gardner (Jamie Foxx) through an existential crisis and on an adventure through the wild worlds of The Great Beyond and The Great Before, Pixar’s Soul gives him an appropriately happy ending. However, as co-directors and co-writers Pete Docter and Kemp Powers revealed in the publicity tour leading up to the release of Soul, there were several alternate endings that would have been much more sad. Plus, there were some ideas that would have further wrapped up the story of some other characters.
Find out about some of Pixar’s Soul alternate endings below, but beware of major spoilers. Read More »
Soul marks another step forward for Pixar into fascinating narrative storytelling that is not only meant for young children. In fact, this may be the least kid-centric movie they’ve made in quite some time.
Don’t get me wrong – the movie is very good and has plenty of the typical Pixar qualities we’ve come to expect from that studio. But a film about a middle school band teacher who finally gets his big break in music, only to quickly fall into a manhole and be whisked away to another plane of existence to learn how souls work? That’s pretty damn ambitious, and it’s yet another example of how the studio often pushes beyond the most basic version of a story when one of their films is making its way through Pixar’s rigorous process of building, breaking down, and rebuilding a movie to get it right.
A few weeks ago, we spoke with Pete Docter (director/story and screenplay by), Kemp Powers (co-director/story and screenplay by), and Dana Murray (producer) about the clash between creativity and pragmatism, Soul‘s excellent score, and the thought process behind a plot decision which temporarily sidelines the studio’s first lead Black character – a decision which I suspect will generate a lot of discussion in the days ahead. Read More »
Christmas will bring us two cinematic gifts to keep us occupied during what will probably be the weirdest and saddest holiday season that we’ve had in awhile. Wonder Woman 1984 will arrive on HBO Max the same day that it hits theaters, and Disney is releasing Pixar’s Soul on Disney+ at no extra charge. Since we’ve been seeing so much from the former recently, it’s time to get a new look at the latter with a new clip that shows off the incredible piano skills of Joe Gardner (Jamie Foxx). Read More »
Pete Docter is the chief creative officer of Pixar Animation, so he already has his hands full. Combine that with the fact that he’s directing the animation studio’s latest movie Soul, and he’s one of the busiest people in Hollywood. But thankfully, he had co-director/writer Kemp Powers, and producer Dana Murray to help him out, not to mention all the talented people at Pixar making his job a little easier.
/Film was lucky enough to be invited to speak with all three of these filmmakers to talk about the process of making Soul, including the challenges of creating a world that they couldn’t really research, some of the different story iterations that evolved throughout the development process, and a small update on the forthcoming Monsters Inc. animated series Monsters at Work that will be coming to Disney+. This interview is spoiler-free, so you can read before you’ve seen Soul and not have to worry about ruining the movie for yourself. Read More »
Pixar’s Soul is coming to Disney+ on Christmas Day, and as with any movie from the acclaimed animation studio, it’s been a long road to get there. With production lasting several years and a creative workflow that allows for constant changes to be made in order to deliver the best story possible, there were several different iterations of the movie that evolved throughout development. In fact, director Pete Docter said the movie actually started off as a heist movie.
/Film was lucky enough to chat with director Docter and co-director/writer Kemp Powers about their work on Soul, and we wanted to know about some of the major changes that the movie went through in order to give us the story you’ll see when the movie hits Disney+ later this month. Read More »
Pixar’s Soul is no longer coming to theaters in the United States. Instead, the movie is being released through Disney+ on Christmas Day. This is a real shame, because the journey that middle school band teacher and aspiring jazz musician Joe Gardner (Jamie Foxx) takes from New York City to the ethereal plane of The Great Before is full of mesmerizing and stunning animation, some of which takes Pixar in surprising new directions. And it wasn’t easy to pull off either.
Director Pete Docter, co-director/writer Kemp Powers, and the entire Pixar team were tasked with creating this world where new souls get their personalities, quirks, and interests before they go to Earth. It not only required endless imagination, but technical innovation, not to mention a stark contrast to the incredibly life-like environments of the real world. And the real world presented its own challenges too, especially when it came to animating Joe Gardner’s passion for music, which includes some meticulous, fast-paced piano-playing and other instrumental excitement.
So how did they do it? Back in September, /Film was invited to partake in some virtual presentations from the filmmakers to learn about some of the amazing work Pixar put into this movie. So let’s take a closer look at the making of Pixar’s Soul. Read More »
Back in 2015, director Pete Docter and co-director Ronnie del Carmen brought us Inside Out, introducing us to the emotions and inner-workings inside the mind of an 11-year old girl. It was a touching exploration of the trials and tribulations of growing up, and much of the movie took place in a completely imagined, ethereal environment. Now Pete Docter is telling us a new beautiful story by way of another otherworldly plane with Pixar’s Soul, and it might be one of the animation studio’s most ambitious films yet.
Back in September, Pixar invited /Film to participate in a virtual press event, which included an early look at the first 40 minutes of the movie, roughly the first act and a little bit more. And let me tell you, Soul is not only one of the more mature and bizarre stories that Pixar has told, but it has some truly enchanting animation, both in the realism of the human world and in the imaginative and unusual beauty of the soul world known as The Great Before. Read More »
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Stop me if you’ve heard this one: Muhammad Ali, Malcolm X, Jim Brown, and Sam Cooke all check into a motel room. It’s almost hard to imagine such legends sharing the same space, but of course, they did. And on the night of February 25, 1964, after Ali – who was then still known as Cassius Clay – became the Heavyweight Champion of the World after defeating Sonny Liston, the four men gathered together to celebrate. This real event was the impetus for Kemp Powers‘ play, and now Regina King‘s film One Night in Miami, a fictionalized retelling of that night that feels very real.
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Onward may have underperformed at the box office this past weekend, but Disney is already looking ahead to the release of Soul, Pixar’s second original movie of 2020. Jamie Foxx and Tina Fey lead the film’s voice cast, and after a beautiful but vague teaser trailer debuted last November, we now have a better sense of what to expect when this film arrives this summer. Check it out below. Read More »