The filmmakers behind Pixar’s Toy Story 4 are completely aware that you’re wary about another sequel after the third film’s tear-jerking conclusion. “We felt the exact same way,” director Josh Cooley told us in a recent interview. “Even the idea of Toy Story 4, five years ago, we were like, ‘Wait, it’s over, though. Why are we even talking about this?'”
But one man convinced Cooley and his team that the story wasn’t over yet: Andrew Stanton, the director of Wall-E and Finding Nemo and one of the primary creative forces behind all three previous Toy Story movies. Learn about Stanton’s pitch for the fourth film below, and see what these filmmakers have to say about the possibility of a Toy Story 5. Read More »
Here’s something we didn’t see coming: Pixar’s chief creative officer John Lasseter – who directed the first two movies in the Toy Story franchise – just revealed that he is no longer directing Toy Story 4. Read on to find out the latest about Pixar’s departed Toy Story 4 director.
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Pete Docter has been making movies for almost thirty years. In that time, he’s directed three features. Two of those have been produced by Jonas Rivera. One of those films won the Oscar for Best Animated Film. The latest one might do the same.
That latest film is Inside Out, Pixar’s 15th creation, which is now in theaters. Co-written and directed by Doctor and produced by Rivera, it follows five emotions inside the mind of an 11-year-old girl. As a follow up to both Monsters Inc., Docter’s first film, and Up, Rivera and Docter’s first team-up, Inside Out already has a ton to live up to. Then there’s the fact it’s the first Pixar movie since 2013, and the first original property since 2012. That’s a ton of expectations on top of the already-high bar Pixar has set in the past 20 years.
Speaking with Docter and Rivera, we talked about those expectations. We also talked about how large the movie got before focusing it down, developing the story, animation challenges, Saturday Night Live, Michael Giacchino and theme parks. It’s a wide spreading conversation, which you can now read below. Read More »
Bill Hader has yet to make a bad move. After crushing Saturday Night Live for years, he started with small parts in memorable movies like Forgetting Sarah Marshall, Superbad, Tropic Thunder and Men in Black 3. He graduated to lead voice work with Cloudy With a Chance of Meatballs, then went against type in the dramatic The Skeleton Twins. Later this summer, gets his first romantic lead in Trainwreck. He’s also both a credited writer and voice in Pixar’s Inside Out, his second film with the studio and will follow that up with some more voice work and a role in Steven Spielberg’s The BFG. Not a bad run.
In Inside Out, Hader plays Fear, one of Riley’s five emotions that helps her get through the day. Earlier versions of the film had Fear as one of the two leads, but that didn’t end up happening. We asked Hader about that change, how he picks projects, working with Spielberg as well as the place he thinks Pixar holds in film history. Read our full Bill Hader Inside Out interview below. Read More »
“We’ve done outer space, we’ve done the ocean, but the biggest set we’ve ever created is inside the mind of an 11 year old girl.” That’s Pete Docter, the co-writer and director of Inside Out, the latest film from Pixar. As Docter says, the film is set in the mind of an 11-year-old girl, giving the filmmakers an infinite canvas to work on, which was both a blessing and a curse. The blessing is the absolute creative freedom. The curse is there’s so much freedom, it’s hard to keep things focused, and one small change can affect the entire movie.
Over the course of the better part of a decade, Inside Out took many forms before the final version that hits theaters this weekend. And below, Docter, along with producer Jonas Rivera and star Bill Hader, told us about some ideas they had for the film, but then never made it in. Read about the alternate Inside Out ideas below. Read More »
This weekend, when you sit down to see Inside Out, you’ll probably be a little too blown away to get up once the credits start to roll. And if you stay for the credits, you’ll notice Lorne Michaels and Saturday Night Live are given special thanks. Speaking to director Pete Docter and producer Jonas Rivera, I asked why that was. The Inside Out team spent a week on the set of the show learning how seemingly spontaneous entertainment works for a specific sequence in the film. Read more about the Inside Out Saturday Night Live connection below. Read More »
The only thing that takes longer to make than a Pixar movie is the subsequent ride at Disney World. In the past, rides have been developed in tandem with films. These days, the people who create the rides – Imagineers – wait to see if a film becomes important or successful enough before plans move ahead for a permanent place in the theme park. But that doesn’t stop the filmmakers from thinking about it.
According to Inside Out director Pete Docter and producer Jonas Rivera, 45 minutes after first pitching their film, they were on the phone with Imagineering telling them about the idea. While there’s nothing yet confirmed about an Inside Out presence in the parks, the duo told us about their dream integration for Inside Out into Disney parks, which includes an idea that was cut out of the film. Read the Inside Out theme park talk below. Read More »
Filmmaking often comes down to one thing: guiding the audience. What do we see, and when, and why? With Pixar, which has the power to create all its images from nothing, there’s always a process of guiding the audience eye to settle on one particular part of the image, no matter how many appealing details may color the margins.
That image control is part of storytelling guidance, too, and often a cover for the real heart of the matter. Pixar’s films use big concepts — toys that have their own lives we never see, a rat who loves to cook, an adventure in a flying house — as a portal to concepts that are much more difficult to capture in a single image or marketing push.
Inside Out has had a very specifically guided path. We know the film is about the five emotions, Joy, Anger, Sadness, Disgust, and Fear, who guide the responses a young girl named Riley has to her changing world. We know Joy is in the lead, but trailers for the film already show us that the core of the movie has Joy and Sadness literally going to the center of their own world — Riley’s mind — on a journey of discovery.
Six weeks ago I went up to Pixar’s campus in Emeryville, CA, to join a few other editors to sit in on sessions with department heads who worked on Inside Out. Our last session was with director Pete Docter and producer Jonas Rivera. The pair discussed the creation of the film, but Read More »
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In life, we all strive to be happy. Other emotions pop up to take control of our consciousness when happiness isn’t available. So it makes sense that Joy is the main character of Pixar’s June 2015 release Inside Out. Directed by Pete Docter (Monsters Inc., Up), the film takes place in the mind of a young girl named Riley Anderson, and dramatizes the way her five primary emotions – Joy, Sadness, Anger, Fear and Disgust – help inform who she is as a person. After a very happy childhood in the suburbs, Riley and her family move to San Francisco. There, Joy and Sadness get lost in deep in Riley’s mind. As that pair explores the mind, Anger, Fear and Disgust try keep Riley on track, but they can’t.
At the Director’s Guild in Hollywood, CA Docter, and producer Jonas Rivera, presented the first five minutes of Inside Out, an additional scene, and tons of other details. With one year remaining until release, the film had just completed 50% of its animation. So there’s still plenty of work to be done. But it was very obvious, even at this very early stage, that Docter’s latest film is on track to be something very special.
Below, watch a video blog discussing the evening and learn a bit more about the plot, characters and locations of Inside Out. Read More »
Today at the Walt Disney Studios presentation at the D23 Expo, Disney announced two new movies from Pixar Animation Studios. Both films, yet to be officially titled, will be released in the slots following the announced Monsters Inc prequel Monsters University, which hits theaters on June 21st 2013. We just posted about the first of the projects, which involves dinosaurs — read that here. The second project is directed by Monsters Inc/Up helmer Pete Docter, and is set inside the mind. Read more about it, after the jump.
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