The Irishman brings together Robert De Niro, Al Pacino, and Joe Pesci with director Martin Scorsese for the first (and probably last?) time, and that’s a big deal. These guys are all legends, and they’re also all well into their twilight years. The prospect of them coming together for one last hurrah is exciting, and it helps that The Irishman is one of the year’s best movies, too. A new The Irishman featurette highlights how crazy and cool it is to have all these actors together in a new Scorsese epic.
Read More »
Martin Scorsese’s sprawling new mob epic, The Irishman, opens with a tracking shot through a nursing home. We’re a long way from the Copacabana in Goodfellas, but that nightclub, too, makes an appearance later, and the shot in question here is still soundtracked by a golden oldie. “In the Still of the Night” takes the place of “Then He Kissed Me.” The camera glides past senior citizens with cane walkers to a place where a white-haired old man in tinted glasses sits, looking like a shadow of his former Casino self.
Scorsese’s nine-time feature film collaborator, Robert De Niro, plays Frank Sheeran, a war veteran turned trucker turned labor union official turned nostalgic wheelchair occupant who paints himself as a Mafia assassin in flashbacks. That’s not the only “painting” we’ll see him do, either. “When I was young, I thought house painters painted houses,” Sheeran says at the top of his voiceover. Hearing these words in this context, it’s not hard to think of Henry Hill in Goodfellas, narrating, “As far back as I can remember, I wanted to be a gangster.” In Sheeran’s world, it turns out painting houses entails splattering their walls red with people’s blood.
Without delving into spoilers beyond the opening shot, it’s enough to say that cinephiles versed in the visual language of Scorsese’s films will be able to pinpoint many such callbacks when The Irishman hits Netflix on November 27 (it’s playing in limited theatrical release right now). Among other things, the movie serves as the summation of cinema’s greatest director-and-actor collaboration. Critics have described it in almost oxymoronic terms, calling it “a bold and shattering epic of old age.” Beyond the hype lies a film about human frailty, with one foot in the grave and one foot in the almighty past.
Read More »
So far, the footage released for The Irishman, Martin Scorsese‘s crime epic starring Robert De Niro, Al Pacino, Joe Pesci, has played up the film’s macabre sense of humor. And it’s true: The Irishman is often very funny. But it’s also a surprisingly melancholy, somber affair – and that’s what this latest trailer is trying to convey. It’s a much slower burn, playing up the darkness and regret that plagues many of the characters. Watch the latest The Irishman trailer below.
Read More »
Zombieland: Double Tap is in theaters now, bringing back Woody Harrelson, Jessie Eisenberg, Emma Stone and Abigail Breslin for more zombie apocalypse action. It’s been 10 years since the original movie hit theaters, but writers Rhett Reese and Paul Wernick (the duo behind the Deadpool franchise) were hired almost immediately to write the sequel. Since it took a decade to finally get this movie finished, the script went through plenty of changes as time passed, and one of those changes resulted in nixing a hilarious but tragic scene that would have given us a Ghostbusters reunion.
Beware, in order to discuss this scene in question, we’re providing a spoiler alert for a certain cameo made in the sequel. But if you saw the most recent theatrical trailer for Zombieland: Double Tap, then you already know what we’re talking about. Either way, you’ve been warned. Read More »
Digital de-aging is either the scourge of cinema or an exciting new tool for filmmakers, depending on whom you ask. But the effects in Martin Scorsese‘s new gangster epic The Irishman lie somewhere in between. This conversation comes on the heels of the technology’s busiest year yet, with studios smoothing out the faces of their stars in Captain Marvel, It Chapter 2, and Ang Lee’s upcoming Gemini Man. In each of the aforementioned films apart from Captain Marvel (thanks to Marvel Studios having almost perfected the tech), the de-aging has been roundly criticized, though perhaps not nearly as much as the effects in The Irishman.
When the first trailers for The Irishman were released by Netflix, the grumblings over Robert De Niro, Al Pacino, and Joe Pesci‘s silky-smooth skin and uncanny valley faces began, and were amplified when the streaming giant released stills of De Niro looking like a PS2-era video game character. But rest assured, the de-aging effects in The Irishman (mostly) work. At the very least, there is no other way that Scorsese could have made his latest masterwork.
Read More »
The Irishman opens with a long, one-take tracking shot that feels familiar. One of the most famous film moments of director Martin Scorsese‘s acclaimed career involves the long, one-take tracking shot in Goodfellas, following gangster Henry Hill and girlfriend Karen as they descend through a series of backrooms and basements to work their up way into the Copacabana.
That scene is breathtaking – bustling with electric energy, scored to the Crystals enthusiastically singing the bouncy “Then He Kissed Me.” But when Scorsese returns to a similar set-up for The Irishman, things have slowed down. The camera glides at a much more languid pace, taking its time, as The Five Stains croon the measured, somber “In the Still of the Night.” If Goodfellas is a young man’s film, loaded with manic, coked-up life, then The Irishman is the film of a man slowing down, confronting the inevitability of mortality. This is not Goodfellas. This is not Casino. This is Scorsese at his most reflective, crafting a masterwork that finds the filmmaker reflecting on everything he’s done, and what it’s all amounted to. The results are breathtaking, and one of Martin Scorsese’s very best films.
Read More »
Martin Scorsese returns to organized crime in a big way with his first Netflix movie, the three and a half hour drama The Irishman. The film is playing at the New York Film Festival this week, so a new trailer has arrived to showcase the movie starring Robert De Niro. And in case you somehow didn’t know, this isn’t just an old De Niro, but also a much younger De Niro brought back to the big screen thanks to digital de-aging technology. Watch the latest The Irishman trailer below. Read More »
Just last week, we heard Netflix and a couple major movie theater chains were struggling to work out a deal for the theatrical release Martin Scorsese‘s upcoming mob drama The Irishman. Movie theaters wanted a more traditional three month window in which the movie could play in theaters before it was added to Netflix’s library, but the streaming service didn’t want it to be in theaters for more than a few weeks. We’re not sure how those negotiations turned out, but The Irishman release date, both in theaters and on Netflix, has officially been announced. Read More »
Cool Posts From Around the Web:
Martin Scorsese, Robert De Niro, and Joe Pesci are together again in the first trailer for The Irishman. This highly-anticipated crime epic finds Scorsese returning to the gangster lifestyle for the first time in years and bringing two of his most famous collaborators with him. And as if that weren’t enough, Al Pacino is involved as well, marking the first time the actor has worked with Scorsese. Based on the (allegedly) true story of mob hitman Frank “The Irishman” Sheeran, the story spans decades and includes a glimpse into the underbelly of history. Watch The Irishman trailer below.
Read More »
Update: Representatives from The Irishman have reached out and let us know that the reports of the film opening this November are inaccurate. While it’s entirely possible for the film to open during that window, nothing has been set in stone and we will let you know when and if we hear more. Our original article follows below.
The Irishman is a movie long in the making. After months of hearing not a peep from distributor Netflix — apart from one cryptic teaser — the highly anticipated Martin Scorsese crime epic finally has a release date window, and it’s something to be truly thankful for.
Read More »