It’s hard to imagine the remake of A Star Is Born without the gruff voice of Bradley Cooper behind the country rocker Jackson Maine, especially when it comes to the memorable line, “I just wanted to take another look at you.” But early in the development of the movie, the actor, who also directed the film, didn’t have himself in the lead role. Instead, Bradley Cooper had his eyes on a real musician to take the role.
In a recent profile of Lady Gaga, an entirely different version of the movie is nonchalantly mentioned. Before Lady Gaga came on to star in the movie, Bradley Cooper wanted singer and songwriter Jack White in A Star Is Born. So why didn’t it happen? Read More »
Earlier this month, Saturday Night Live closed out a trio of shows with a bang thanks to the comedic talents of former cast member Bill Hader taking on hosting duties for a second time. But next month, one of SNL’s former writers who was never officially a cast member will be taking the stage as host, which is a very rare occurrence in Studio 8H.
John Mulaney, who has a new stand-up special coming to Netflix in May, will make a return to Saturday Night Live to host for the first time. Funnily enough, Mulaney just made an appearance on SNL when Bill Hader brought back Stefon to Weekend Update, a character they both created during their tenure on the sketch series. Read More »
Posted on Friday, December 14th, 2012 by Angie Han
The full-length trailer for Gore Verbinski‘s The Lone Ranger released this week promised plenty of good stuff from the film: sweeping Western vistas, death-defying stunts, massive explosions, a banged-up Armie Hammer, and a weirdo Johnny Depp. One thing we won’t be getting, however, is a score from Jack White.
The former White Stripes frontman signed on this spring for what would have been his first full movie score, but has since exited the project. Stepping into White’s place now is Oscar-winning composer Hans Zimmer. More details after the jump.
There’s some big movie score news today. Earlier this afternoon Moby was announced as the choice to score The Necessary Death of Charlie Countryman, which has Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Melissa Leo and Til Schweiger lined up to star in a story about a guy (LaBeouf) who falls for a girl (Wood) in Europe, only to run afoul of her mobster boyfriend (Mikkelsen) even as his dead mother (Leo) occasionally offers him advice.
It’s Moby’s first job scoring an entire film, which seems fairly surprising given the degree to which film scores have had an impact on his own work. Then again, Moby isn’t someone whose career I’ve followed all that closely, so it’s possible that I’ve missed other flirtations with full scores. But this quirky, noirish story might be a good fit for him.
The news of Moby’s score is eclipsed, however, by Disney’s announcement that Jack White will score The Lone Ranger, which Gore Verbinski is directing with stars Johnny Depp and Armie Hammer. Details on that are below. Read More »
I’m a child of the 20th century, so the electric guitar, an instrument with a vast range of expressive potential, is the voice of my life. Whether it’s the simple, rhythmic lines of John Lee Hooker or the dense, almost formless drones of Sunn O))), the guitar is the thing. So It Might Get Loud, the documentary that explores the history of the electric guitar through interviews with and performances by Jimmy Page, Jack White and The Edge, is something I very much want to see. In August, Sony Pictures Classics will oblige. For now, there’s a trailer. Read More »
One of the many things I loved about Casino Royale was the kick ass opening sequence featuring Chris Cornell’s “You Know My Name”. Coupled with the film’s brutal black and white first scene, Cornell’s song helped introduce Daniel Craig’s grittier Bond to audiences with style to spare. Now we finally have a glimpse at the follow up song for Quantum of Solace, “Another Way to Die”, featuring Alicia Keys and Jack White—and honestly, I’m a bit disappointed.
It’s not a terrible song (see Madonna’s for Die Another Day for a good example of that), but it certainly doesn’t feel like anything new for the series. It seems as if it tries to do way too much, and the song ends up feeling overstuffed in the process. It could be redeemed by a virtuoso opening sequence, but even then only by so much.
Give it a listen below via imeem. Quantum of Solace opens Friday, November 14, 2008.