War is hell but it sometimes provides the backdrop for great movies. The recent Blu-ray release of 1917, followed by the 50th anniversary, this week, of the Oscar-winning Patton, starring George C. Scott, is as good an excuse as any for cinephiles to hunker down in the trenches of an impromptu war movie marathon (especially if you’re stuck at home right now due to the ongoing coronavirus pandemic).
With that in mind, here’s a mission for you, soldier: work your way through this chronological list of the best war movies of the last fifty years. “Best” is ultra-subjective, of course, but when you’re Alamo-ed up in a fort of pillows in your living room and there’s nothing good on television, few of these movies should disappoint.
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If Quentin Tarantino stays true to his plan, there’s only one more movie that the writer and director wants to make before he retires. Of course, Steven Soderbergh talked about retirement for years, and we all saw how that went, so maybe there’s nothing to worry about. But while we wait for the eventual 10th (and potentially) final film from Quentin Tarantino, why not look back at every single film he’s directed through the lens of Honest Trailers. And yes, there’s plenty of feet in the video to go around. Read More »
(Welcome to Now Stream This, a column dedicated to the best movies streaming on Netflix, Amazon, Hulu, and every other streaming service out there.)
If you’re in the need of something to watch on the many streaming services out there, you’ve come to the right place. As I do every other week, I’ve gathered together some great movies that you can stream right now and laid out what makes them so special. These are the best movies streaming right now. Let’s get streaming!
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this special Once Upon a Time in Hollywood edition, run through a video that points out the various connections the movie has to other Quentin Tarantino movies. Plus, watch as Leonardo DiCaprio helps the director break down his character of Rick Dalton from the movie, and learn about stunt coordinator and Death Proof star Zoë Bell and the work she did on the set of Tarantino’s latest film. Read More »
When a character in Inglorious Basterds looks down at the camera and says, “I think this just might be my masterpiece,” it’s clear that writer-director Quentin Tarantino is carving a self-congratulatory blurb for his own World War II film. Maybe he’s earned the right to gloat. As a viewer, when I think of Tarantino, I think of chapterized revenge. The revenge in Inglorious Basterds is of a historically revisionist nature. It unfolds in five chapters, which collectively serve as a five-point-palm exploder on the moviegoer’s chest. As Once Upon a Time in Hollywood hits theaters this Friday, we can hazard a guess that it might take a similar revisionist approach to its treatment of the Manson murders.
Tarantino was the quintessential filmmaker of the 1990s and he’s never made a movie that was as culturally significant as Pulp Fiction. That kind of era-defining success only comes once in a career. There are cinephiles who prefer Jackie Brown—a like-minded exercise in restraint that consciously appeals to an older audience. These two entries are linked in Tarantino’s directorial filmography in that they’re the only instances where he’s shared a writing credit with someone else. Roger Avary helped conceive the story for Pulp Fiction and Jackie Brown is based on an Elmore Leonard novel.
As great as those movies are, it’s the exuberance and unpredictability of his more original screenplays that made me a fan of Tarantino’s work. In Inglourious Basterds, these elements come into play in a film that is perhaps the truest expression of Tarantino’s style, which is simultaneously cartoonish and craftsmanlike. Tempering some (but not all) of his excesses, he distilled his ideas for a TV miniseries down into a punchy script with sections that play like short stories. Don’t let the title fool you: the results were glorious.
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Summer is here, bringing with it hot weather, insects, fireworks, and sunburns. Also: new stuff to watch on Netflix. July has several offerings worth checking out, and you won’t have to face the summer heat to sit through them. Check out the best new TV shows and movies coming to Netflix in July 2019.
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Every week in /Answers, we attempt to answer a new pop culture-related question. Tying in with absolutely nothing going in the headlines this past week, no sir, not at all, this week’s edition asks “What is your favorite movie scene where a Nazi gets what’s coming to him?”
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August is a precarious month for the film industry; nestled between the blockbuster summer schedule and the advantageous awards season of fall, it’s a quiet time for big budget fare. Though not quite the dumping ground of, say, February, it’s mostly a breather month – a calm before the prestige storm, and where studios can test their less-trusted properties.
It may evade easy categorization, but August can be a stellar month for film. It’s the season of R-rated comedies, violent road movies, and experiments. Some of the best mainstream films of the last 25 years came out in Leo season. We chose 15 of our favorite August releases, films that exceeded expectations – some economically, some critically, and some that linger on for less discernible reasons.
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Cool Posts From Around the Web:
The blockbuster summer will kick off in a couple weeks, giving audiences plenty of reasons to leave their house and head to the multiplex. But Netflix has plenty of new content to keep you at home if you’re not feeling like braving the crowds on opening weekend. In addition to some great new movies, there are also a few new seasons of television that you’re going to want to seek out.
Below, find the best TV shows and movies coming to Netflix in May 2017. Read More »
If you’re a Quentin Tarantino fan, then you know that there are tiny connections that link all of his movies together so that they all exist in the same universe. Tarantino actually clarified how these connections work earlier this year after The Hateful Eight was in wide release:
“There are actually two separate universes. There’s the realer than real universe, and all the characters inhabit that one. Then there’s this “movie” universe, so From Dusk Till Dawn and Kill Bill take place in this special movie universe. Basically, when the characters from Reservoir Dogs or Pulp Fiction go to the movies, Kill Bill and From Dusk Till Dawn is what they go see.”
Now a stylish new video illustrates perfectly and entertainingly how all these movies are connected by jumping back and forth between them. There are even some of the more subtle references that you may have never picked up on, including some stuff from one of Tarantino’s “lost” movies.
Watch the Quentin Tarantino universe video after the jump! Read More »