Here’s the first trailer for James White, which marks the feature directorial debut of Josh Mond, who produced Martha Marcy May Marlene and Simon Killer. The film was a source of constant conversation at Sundance this year, where we all sadly missed every screening.
Much of the talk about the film centered on the lead performance from Christopher Abbott (Girls), and the first image we see of him in this trailer is of a guy who has been beaten up, but is still kicking. There’s more than a minor suggestion here that James White gets at least some of his problems under control, but not before we get to see Abbott display an impressive range of energy in the movie. Read More »
The image you see above is the first look at Amber Heard as she appears in the Robert Rodriguez film Machete Kills. The movie is, as you likely know, the sequel to 2009’s Machete, which was itself an expansion of the very entertaining “fake” trailer that appeared in the Rodriguez/Tarantino effort Grindhouse.
After the break, we’ve got more info on Machete Kills, as well as:
- Tyler Perry will get another film as Alex Cross,
- Warner Bros. sends a new corporate overseer down to keep tabs on Mad Max: Fury Road,
- Keith Richards is ready for Pirates of the Caribbean 5,
- and, in news that totally fits with everything mentioned above, Cynthia Nixon doesn’t want to do more Sex and the City.
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From the moment I heard about Rampart the movie placed high on my ‘must-see’ list. The Messenger director Oren Moverman reunites with Woody Harrelson and Ben Foster to tell a story about the LAPD’s disgraced Rampart division, with a script originally written by LA crime master James Ellroy. Ice Cube is a good cop and Ned Beatty is in the movie, as are Sigourney Weaver and Steve Buscemi.
The movie has hit some festivals and I’m already hearing so much about how good Harrelson is in the film that I’ve just had to shut down all of the chatter until I get a chance to see the film. Rampart is scheduled for a limited Oscar-qualifying run in New York and LA starting next week, but most of us won’t get a chance to see it until January 2012.
There is a trailer right now, however, so you can get a taste of Harrelson’s performance as “the most corrupt cop you’ve ever seen on screen.” Watch it below. Read More »
Oren Moverman‘s Rampart is one of the films I’m most excited about that hasn’t been shot yet. Why? Because Moverman wrote and directed a fantastic picture in The Messenger, and then you team him up with James Ellroy and Ellroy’s long-standing interest in the Los Angeles Police Department. Mix in Moverman’s leads from The Messenger, Woody Harrelson and Ben Foster, and then the rest of the cast, and this might be a winner.
Who’s the rest of the cast? Just like the headline says: new names include Steve Buscemi, Sigourney Weaver and Robin Wright. Read More »
There a bunch of stories that broke tonight in the Hollywood trade newspapers, and I just don’t have time to cover them at length, so I thought I’d do a quick trade news run-down.
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At every film festival, I try to pack in as many screenings as humanly possible (At TIFF this year, I’ve been rather unsuccessful…). This leads to seeing a lot of films you wouldn’t normally watch just because it fits nicely on the schedule between two other films. I call these movies the “nothing better to see movies”.
I’ve had a lot of conversations over the years about the value of a movie critic’s opinion. What many people don’t understand is that a working critic sees a lot of movies he isn’t normally interested in. I believe one of the reasons the divide between mainstream opinion and critical opinion is the fact that the average moviegoer usually only sees movies you’re excited to see. Going in with that excitement is an investment. And chances are, more times than not, the average moviegoer will leave the theater satisfied. I’m not saying this is the sole reason for the critical/mainstream divide, but it accounts for some of it.
Now most of these “nothing better to see movies” end up being average or poor. I don’t enter into a film festival without having done my share of research. And what that means is that I usually have a pretty good idea about which movies are worth seeing. But every once in a while one of these “nothing better” movies becomes a pleasant surprise. And this year at the Toronto International Film Festival, that movie is Lymelife.
Toronto is a much different film festival than Sundance. It is filled with the type of films that will be vying for award consideration over the next few months. My personal tastes lean toward the type of films you usually find in Sundance’s dramatic competition. I hate to call Sundance a genre, but to me it really is. Lymelife feels like a Sundance movie, and it isn’t a coincidence. The project was developed during the 2001 Sundance Filmmakers lab, and has taken 7 years to become a reality. Emile Hirsch, Ryan Gosling, and Jennifer Jason Leigh were also attached to the film in its early stages.
Lymelife tells the story of the Bartletts, a dysfunctional family living in the late 1970’s. Scott (Rory Culkin) is fifteen years old. His parents haven’t had sex in a long time, probably because his father (Alec Baldwin) is having an affair. Scott’s mother (Jill Hennessy) spends most of her time trying to pretend she has no idea and worrying about the little details of life. Scott’s older brother Jimmy (Kieran Culkin) returns from the army to the mess he purposely left. But the story is really a coming of age journey about divorce and first love. Emma Roberts plays Adrianna Bragg, a girl Scott has had a crush on for many years. Her family pretty much mirrors the Bartletts. In fact, her mother (Cynthia Nixon) is the one having an affair with Scott’s father. Adrianna’s father, who contracted lyme disease, is too busy hiding in the basement while everyone thinks he’s in the city looking for work. The aforementioned storyline and ending sequence are probably my only gripes.
Filled with good performances across the board and a wonderful coming-of-age story, Lymelife is like Squid and the Whale but in a more relatable, less quirky, suburban setting. Derick Martini’s film is semi-autobiographical, based loosely on the Martini’s own childhood. I can certainly see why the screenplay attracted such a-grade talent over the years. It’s also worth noting that Martin Scorsese executive produced the film.
The finished film does suffer from some minor editing and continuity problems, but that can easily be forgiven considering the film was shot on a low budget over the course of three weeks. The film is filled with references from the era. If you grew up in the late 70’s /early 80’s, you’ll probably relate to the many Star Wars references. The soundtrack is also notable, like that of most films set in the 70’s.
Lymelife is the kind of film that could easily be overlooked, and sent directly to DVD. I encourage all of you to seek Lymelife out when it becomes available either theatrically or on home video.
/Film Rating: 7.5 out of 10