There are times when you look at visual effects in a movie and you just know that they don’t look good. However, it can be hard to specifically explain why certain visual effects don’t look good when you don’t know the many tools, terms and work that goes into creating them. That’s where Corridor Crew‘s recent series of videos comes into play.
In a series of videos, a group of VFX artists react to various shots with visual effects of varying quality. In their latest video, they laugh at the poorly created presidential plane from the ending of Air Force One, stare in awe of an incredibly composed mirror shot in Contact, laugh at a missing frame of visual effects in X-Men: Apocalypse, break down a Star Wars: The Force Awakens sequence, and explain plenty of details about all of these scenes and more. Check it out below. Read More »
(Welcome to Now Stream This, a column dedicated to the best movies streaming on Netflix, Amazon, Hulu, and every other streaming service out there.)
I’m at the Toronto International Film Festival this week, seeing a plethora of fantastic films. If you’re unable to attend TIFF, don’t worry – there are plenty of great movies you can watch from the comfort of your own living room. Unlike me, you won’t have to board a rickety plane and grasp the armrests for dear life as you fly through turbulence! Instead, you can kick back on your couch and stream some of the best films available at the push of a button. In this edition of Now Stream This, we have an animated short film masterpiece; one of the best movies of the 21st century; a Stephen King classic; a horror anthology and more! So let’s get streaming.
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Posted on Tuesday, January 24th, 2017 by Jacob Hall
If you have a Netflix subscription (and of course you have a Netflix subscription), you’re in luck: a lot of good stuff is arriving on the streaming service in February. Here’s what you should find time to watch.
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This year the sci-fi drama Arrival has been receiving all sorts of praise. Thanks to the emotional core that ties character drama to grounded science fiction, the film from Denis Villeneuve has been compared to a similar film: Robert Zemeckis‘ adaptation of Carl Sagan’s novel Contact.
Contact is a little more visceral and unbelievable than Arrival, but it’s still one of the better sci-fi movies to come out of the 1990s. And much like Arrival had some incredible visual effects that were not easily spotted by even the most avid of movie watchers, Contact had some impressive, state-of-the-art visual effects work done at the time. But there’s one particular shot that you probably didn’t even know was a visual effect.
Find out which scene we’re talking about after the jump. Read More »
We’ve previously featured videos taking a look at some of the most beautiful opening shots on film, not to mention the importance of opening shots in cinema, but this next video is going to stir up some debate. CineFix has rounded up what they believe to be the Top 10 Opening Shots of All Time. On the list you’ll find shots from Martin Scorsese, Francis Ford Coppola and more. Check out the full list of the best opening shots after the jump! Read More »
This weekend brings the true story of The Walk to theaters everywhere after an exclusive IMAX 3D engagement began last week. Director Robert Zemeckis has finally figured out a way to use 3D to his advantage, and without hollow, haunting motion capture characters , by crafting one of the most breathtaking, suspenseful sequences that film has seen in a long time.
So as the tale of wire walker Philipe Petit’s daring stunt between the Twin Towers gets a wide release this weekend, it’s the perfect time to look back at the films of Robert Zemeckis. Beginning with his first feature film in 1978 and running through this year’s The Walk, we have all of the Robert Zemeckis films ranked. Which one made #1? Read More »
Think of all the ridiculous, crazy things you’ve ever seen in science fiction movies: X-Wing Fighters flying through trenches, aliens bleeding acid blood, giant robots that transform into cars. Take all of those things into consideration and then realize this. NASA has named Roland Emmerich‘s film 2012 the least plausible science fiction movie ever made. They also made an inverse list, naming Andrew Niccol‘s Gattaca as the most plausible science fiction movie ever made. Want to know what else is on each list? You’ve gotta hit the jump. Read More »
IO9 has created a handy chart which shows which space movies feature the most common scientific mistakes. It might come as a surprise that Michael Bay’s Armageddon actually fares better than the Star Wars of Alien films. And it comes as no surprise that Apollo 13 and The Right Stuff have been graded a clean bill of accuracy. Hit the jump to see the entire chart.
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In this episode of the /Filmcast, Dave Chen, Devindra Hardawar and Adam Quigley discuss their interpretations of the ending of Contact, lament the length of the Funny People trailer, ponder the greatness of Chris Klein’s career, and discuss their Oscar reflections. Special guest Laremy Legel joins us from Film.com, and Myles McNutt drops by from Cultural Learnings to share his thoughts on the Oscars.
Join us next Tuesday night at 9 PM EST / 6 PM PST on Slashfilm’s live page as we review Rachel Getting Married.
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