A potential adaptation of Joe Hill and Gabriel Rodriguez‘s acclaimed horror comic Locke & Key shuffled from one Hollywood location to the next over the years. Eventually, the project ended up at Hulu. And then…Hulu passed on it. But all was not lost: Netflix decided to give the series a shot, and now, they’re making it official. The streaming service announced they have ordered 10 episodes of the Locke & Key series.
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As things pick up for Wonder Woman in one realm, they’re shutting down elsewhere. While Zack Snyder’s Man of Steel sequel will introduce the first big screen incarnation of Wonder Woman, played by Gal Gadot, the character won’t get new life on the small screen after all. Read More »
Posted on Thursday, May 16th, 2013 by Angie Han
Wonder Woman has had an absurdly difficult time making it to the screen, but as long as she remains a pop culture icon there will always be someone, somewhere, trying to make it happen. Right now, that someone is The CW.
Last year, the network began developing Amazon, a Smallville-style origin story around the DC heroine. While the first script, by Allan Heinberg, didn’t pass muster with network brass, The CW is now taking another shot with Heroes writer Aron Eli Coleite. Hopefully this will be the guy who succeeds where so, so many others have failed. Hit the jump for more details.
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Posted on Thursday, August 2nd, 2012 by Angie Han
Three years after making her directorial debut with the well-received Whip It, Drew Barrymore is preparing to get behind the camera again. The actress-turned-filmmaker has just finalized a deal to helm The End, a modestly budgeted apocalypse drama for Warner Bros.
Common as end-of-the-world flicks are, this one seems to stand apart for its tone. Where most dramas of the type tend to have a sad or scary tone — y’know, because they end with everyone dying — The End will aim for an “uplifting and humanistic” feel, opting to focus on life rather than death. More details after the jump.
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Posted on Monday, December 12th, 2011 by Angie Han
Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.
It should be noted that the headline is somewhat misleading — some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends. Finally, as Leonard reminds us each time, “The Black List is not a ‘best of’ list. It is, at best, a ‘most liked’ list.”
Regardless, we can always rely on the Black List to stir up conversation among both industry insiders and outside spectators alike, so without further ado, hit the jump for the complete 2011 list.
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