The new Anaconda reboot is a full-on PG-13 comedy, and while it may not be quite as sharp as other movies of its kind, it's still delightfully dumb and funny.
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Amanda Seyfried gives the performance of her career in Mona Fastvold's gloriously unique musical The Testament of Ann Lee. Here's our review.
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Bradley Cooper's Is This Thing On? works magnificently thanks to the chemistry between Will Arnett and Laura Dern. Here's our review.
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Sydney Sweeney and Amanda Seyfried face off in Paul Feig's wicked, twist-filled adaptation of The Housemaid. Here's our review.
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Avatar: Fire and Ash is a visual and aural feast, and anyone looking for a big, knockout blockbuster to close out 2025 with will be far from disappointed.
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With the rise of home video and cable, the '80s were a watershed decade for horror films. From beloved classics to obscure indies, these are the 35 best.
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With Ella McCay, James L. Brooks' commitment to old-fashioned screwball melodrama in an irony-poisoned world feels commendable. Here's our review.
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Incredible animatronics and well-placed jump scares can't save Five Nights at Freddy’s 2, which plays like a movie written by Reddit fan theories.
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Timothée Chalamet has never been better than he is in Josh Safdie's wonderfully chaotic Marty Supreme. Here's our review.
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Terrifier 2 is a vast improvement over the first film.
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Zootopia 2 is the rare example of a follow-up film that can live up to the high bar set by the first movie. Here's our review.
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Jessie Buckley gives an emotionally devastating performance in Chloé Zhao's Shakespearean tragedy Hamnet. Here's our review.
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Rian Johnson's latest Knives Out mystery gives Benoit Blanc a smaller part to play as Josh O'Connor's conflicted priest takes center stage. Here's our review.
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The beautiful, elegiac Train Dreams, which starts streaming on Netflix this week, is one of this year's best films. Here's our review.
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While not as successful as the first film, Wicked: For Good remedies many of the musical's second act shortcomings through emotional power. Here's our review.
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Keeper, the mysterious new horror movie from Longlegs filmmaker Osgood Perkins, might be the director's most ambitious movie yet. Here's our review.
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The mysterious youth of Jesus gets the horror movie treatment with the surprisingly creepy The Carpenter's Son, starring Nicolas Cage. Here's our review.
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Edgar Wright struggles with his adaptation of Stephen King's The Running Man, even though Glen Powell is trying to make it all work. Here's our review.
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Jennifer Lawrence gives a raw, feral, and brilliant performance in Lynne Ramsay's disturbing (and darkly funny) Die My Love. Here's our review.
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Dan Trachtenberg's Predator: Badlands is easily the funniest, most heartfelt, and boldest Predator movie of them all. Here's our review.
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Springsteen: Deliver Me From Nowhere is frequently too formulaic, but Jeremy Allen White's performance as the Boss is incredible. Here's our review.
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Guillermo del Toro's Frankenstein is a beautiful blend of horror and gothic romance, with a stunning performance from Jacob Elordi. Here's our review.
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Yorgos Lanthimos and Emma Stone reunite yet again for Bugonia, a cynical dark comedy with a trio of memorable performances. Here's our review.
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Scarlet is being sold as an anime reimagining of Hamlet, but don't expect a full-blown adaptation of the classic play. Here's our review.
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Tron: Ares has little imagination, a boring lead actor, and wastes the talents of Greta Lee. Great Nine Inch Nails soundtrack, though! Here's our review.
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Julia Roberts and Ayo Edebiri are excellent in Luca Guadagnino's deliberately ambiguous thriller-drama After the Hunt. Here's our review.
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Kathryn Bigelow returns with A House of Dynamite, a well-crafted nerve-shredding thriller about impending nuclear war. Here's our review.
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