Wes Anderson‘s 2014 film The Grand Budapest Hotel is finally joining the Criterion Collection, and with it come a slew of special features befitting the whimsical caper. One of the most exciting features is a set of storyboard animatics narrated by Anderson, turning The Grand Budapest Hotel into a bonafide animated movie.
Read More »
Hello, everyone still stuck at home! Are you in search of new forms of entertainment to free your mind from existential dread? Well, you’ve come to the right place. These are the new Blu-ray releases (and digital releases, too) you should check out this week.
Read More »
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, run through over 80 Easter eggs and comic references from the first episode of HBO’s new Watchmen series. Plus, watch a video tribute to 25 years of films from the arthouse distributor Fox Searchlight, and listen as Kevin Smith partakes in Rolling Stone‘s “First Time” questionnaire, answering questions about the first time he Read More »
As loyal cinephiles, we love the work of Wes Anderson. While you’d be hard-pressed to say that Wes Anderson has grown as a filmmaker throughout his career, you can’t deny that he has a style all his own that has connected with a particular audience. You can call them hipsters, or you can call them craft beer enthusiasts, or whatever you want, but we’re note going to judge anyone’s love of Wes Anderson.
Now the director behind movies such as The Royal Tenenbaums, Moonrise Kingdom and The Grand Budapest Hotel is taking some jabs from the folks at Honest Trailers. And just as we said before, Wes Anderson hasn’t really evolved much as a director, and that’s why this edition of Honest Trailers takes aim at all of the filmmaker’s movies. Read More »
While this weekend brings Mass Hysteria 2 to Gallery 1988 with some outstanding new pieces from 100% Soft, next weekend brings another sophomore show from one of our favorite artists. Anthony Petrie is known for his details maps and charts artwork, and he rounded up a bunch of them for his first art show last year. Simply called Charts, the show features incredible pieces paying tribute to Jaws, Raiders of the Lost Ark, Jurassic Park, Ghostbusters and more. And now he’s back with more.
Charts 2 brings Anthony Petrie back to Gallery 1988 with a whole new batch of artwork inspired by films such as Up, Godzilla, Rocky, Ferris Bueller’s Day Off, The Grand Budapest Hotel and even television shows such as The Walking Dead. We have all those pieces available for you to check out after the jump, a couple of which haven’t been seen anywhere else until today. Read More »
We’ve previously featured a video essay that dove into the history of aspect ratios in cinema and how they’ve changed in the relatively short history of filmmaking. But beyond the technical changes and differences, varying aspect ratios are now used to not only change the aesthetic of any given film, or even a specific scene or sequence, but to also create a different emotional effect within the viewer.
A new aspect ratio video essay takes a look at some of the different thematic effects that come from changes in aspect ratio, illustrating how they are used to invoke certain feelings or perspectives. This ranges from transporting viewers back in time to a more old fashioned way of life in The Grand Budapest Hotel to glamorizing a memory in (500) Days of Summer to giving an epic scope to action happening on screen in Interstellar. Read More »
At first, you might think that directors Wes Anderson and Stanley Kubrick don’t have much in common. Their films couldn’t be on more opposite ends of the spectrum. However, Steve Ramsden used the similarity in the way Anderson and Kubrick frame shots as a reference point to create The Grand Overlook Hotel, a truly incredible mash-up of The Shining and The Grand Budapest Hotel.
Watch The Grand Overlook Hotel after the jump! Read More »
I was watching Gone Girl for the fourth time and admiring how David Fincher (and his cinematographer Jeff Cronenweth) majestically shot Ben Affleck‘s character Nick Dunne’s cat and I began to wonder about the cat’s true role in the story. The cat is featured too prominently to be just a background prop. What did the cat mean?
As I thought about this I began to realize that there had been a lot of big screen kitties this year. The New York Times notes in their review that “cats are the new dogs,” and judging from the list of animals in this article, they might be right. But as I started to think about it more, it wasn’t just cats but dogs and some actually amazing performances by other animals in this past year of film. So the list of best animal performances of 2014 grew and grew. After the jump you will find my examination of why 2014 was the year of animal movie performances and what it all means. Read More »
Cool Posts From Around the Web:
The Director’s Guild of America released its nominations today for awards that will recognize achievement in feature film directing from 2014. The list features two biopics, The Imitation Game and American Sniper, and one film, Boyhood, that was made under circumstances that all but turn it into a biopic of its cast and director, Richard Linklater. But the biopic love ends there, and the DGA has no nomination to spare for Ava DuVernay and Selma. The full 2015 DGA nominations list is below. Read More »
We’re in full awards season swing, as gross as that process can be. (Just see the attempts to tear down Selma for a good example of the nasty part of this season.) But the guild nominations and awards are always somewhat interesting, if only because they represent the efforts of a focused group to recognize achievements by their direct fellows and colleagues. We saw the writer’s guild awards this morning, and the American Society of Cinematographers has also chimed in with the 2015 ASC award nominations.
Even when trying to approach this from a positive position, there’s always as much to be said about what got left out as what is nominated. And so while Roger Deakins is (of course) nominated for Unbroken, there’s nothing for Robert Elswit, who shot Inherent Vice and Nightcrawler. Check out the full nomination list below. Read More »