Talk about impossible: somehow, Mission: Impossible has blossomed into the best modern-day action franchise. Since 1996, Tom Cruise has been inviting audiences along as he defies the odds, risks his life, runs like hell, and delivers increasingly entertaining adventures. Unlike most franchises, Mission: Impossible has generally improved with each subsequent entry. Now, Mission: Impossible – Fallout is ready to draw us in once again.
Before the film arrives, we’ve decided to accept the most dangerous mission of all: a journey through the entire Mission: Impossible franchise in an attempt to learn what makes it tick.
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John Woo returns to big, loud action filmmaking with Manhunt, which arrives on Netflix this week. It’s a silly yet entertaining thriller that finds the filmmaker embracing his trademarks and delivering a film overflowing with non-stop action. Watch the Manhunt trailer below.
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The Killer was not John Woo’s first movie, but it was the movie that put the director and his instantly recognizable flavor of Hong Kong action on the international map. American action films have spent the past 30 years shamelessly cribbing from Woo’s filmography, so a Hollywood remake of this bonafide classic was inevitable. The news that this is finally happening is not surprising.
What is surprising is that Woo himself is returning to direct and that Oscar-winner Lupita Nyong’o will star, gender-swapping the role originally played by Chow Yun-Fat. And like that, I’m suddenly interested in a The Killer remake.
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John Woo made a career creating operatic, ultra-violent crime films peppered with shoot-outs, stand-offs, morally ambiguous characters, and lots and lots of slow-motion doves. Woo eventually made the leap from Hong Kong cinema to Hollywood and created one of the greatest action movies of all time, Face/Off. But Woo’s Hollywood adventure was never truly able to rise above the joys of that film, and the filmmaker returned to Hong Kong.
Woo’s latest film, the Chinese-Hong Kong production Manhunt, is being heralded (by people who are paid to promote the film) as a return to form, supposedly recalling his classics like A Better Tomorrow and The Killer. Well, don’t believe the hype.
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Action movie guru John Woo finally makes a return to the cop thriller genre with Manhunt, a remake of a classic 1976 Japanese action film. Sadly, his once-frequent collaborator Chow Yun-Fat won’t be joining him.
Starring acclaimed Chinese actor Zhang Hanyu as a prosecutor who is wrongfully framed for robbery, rape, and murder, the Manhunt trailer looks like a throwback to Woo’s classic stylistic flairs: over-the-top action! Endless ammo! Slow-mo! It’s great to see Woo back in his element.
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“I am tired of myself tonight. I should like to be somebody else.” — Oscar Wilde, The Picture of Dorian Gray
We are hardwired to see faces. Through the phenomenon of pareidolia, we’re able to glimpse a collection of shapes in a rock, or a cloud, or an oil spill, and imagine we can spot a face within. Our brains are always searching for something to identify; something to relate to. We judge emotions through the facial features of others – we see entire worlds of possibilities in the raising of an eyebrow, or the downturning of a mouth.
Our own faces remain out of sight, save for when we catch them reflected in a mirror, or in a selfie, or ghost-like and shadowy in the screens of cellphones and laptops. Yet even when we’re not looking at our own faces, we tend to have an image in our minds of how we look. It may be idealized or depreciated, but it’s there. Our faces reflect who we are – without them, we might lose our identity. What might happen then if we gazed into a mirror and discovered a completely different person staring back at us. Worse than that – what if it was the reflection of someone we despised. Someone who had caused us irreparable harm. The face of a mortal enemy.
That’s the premise of Face/Off, John Woo’s glorious and deranged action film from 1997. It was not the first Hollywood movie Woo would direct, but it would ultimately be the best, the only film during the filmmakers’ sojourn in America that truly captured his unmatched style.
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Posted on Wednesday, October 28th, 2015 by Angie Han
John Woo has been wanting to remake his own classic The Killer for a while now, and he has not forgotten about those plans. The filmmaker says his next project is Manhunt, described as a hard-boiled actioner that recalls his earlier work, but after that, he’s finally getting around to that English-language The Killer remake. Read his comments after the jump. Read More »
In case you hadn’t heard, Face/Off and Red Cliff director John Woo is set to be at the helm of a remake of the 1976 Japanese thriller Manhunt. The news first surfaced back in March, though it somehow slipped through the cracks on our end. But thankfully, Woo was recently interviewed briefly about the remake, and the director talked about why he decided to take on the remake, and how it’s taking him back to his roots. More details on the Manhunt remake below! Read More »
Cutting movies in half is very hip these days. Twilight, Harry Potter, The Hunger Games and now…John Woo? Yes, the director of Hard Boiled, The Killer and Face/Off made a two-parter in 2008 with Red Cliff, and he’s doing it again this year with The Crossing. An epic romance set against the tragedy of a capsized ferry in 1949, it stars Zhang Ziyi and was written by Melody Wang, who wrote Crouching Tiger, Hidden Dragon.
Now, that might sound like it’s John Woo’s Titanic, but it’s much bigger than that. The Crossing is a romance, a disaster film, a war film and more all rolled into one. It truly looks epic.
In China, The Crossing Part 1 opens in December and The Crossing Part 2 opens May 2015. There’s no U.S. release date yet. But, based on this trailer, I hope it gets one soon. Read More »
After years away from the big screen, John Woo is back this year — at least in China — with The Crossing. The first installment of the two-part film hits China in December. The movie is set in 1949 and will tell the stories of three couples whose lives intersect on the doomed Taiping steamer. The ship was carrying many hundreds of passengers from China and the last days of the communist-dominated Civil War, to new lives in Taiwan. All aboard were doomed, and the ship has been called the “Chinese Titanic” as a result. This first Crossing trailer introduces many of the people on board, albeit without subtitles. Check out the footage below. Read More »