The Dan Simmons novel Hyperion, along with its companion/second-half novel The Fall of Hyperion, is one of the great modern works of science fiction. With a story of seven characters on a pilgrimage to enter a time-warped tomb, the story adopts the structure of the Canterbury Tales to weave together disparate genres, the influence of poetry by John Keats, and far-flung science fiction concepts.
Bradley Cooper has wanted to adapt Hyperion for many years; some time ago he even lobbied to get the gig writing the script. Now he, along with Graham King and Todd Phillips, is producing a Hyperion TV series for Syfy. Read More »
If you’ve been following the development of Paradise Lost, which Alex Proyas was planning to direct early next year with Bradley Cooper starring as Lucifer, and which is said to feature a few massive battles between armored airborne angels, you might have thought, “gee, that sounds really expensive.”
Turns out Disney isn’t the only company willing to put a film on hold when the budget threatens to get out of hand, as Legendary Entertainment has just benched Paradise Lost while some script changes are made that will help bring the budget down a bit. And in the meantime, hopefully Bradley Cooper can move forward with his stated intent to script a film version of Dan Simmons‘ Hyperion novels. Read More »
Are you ready for Bradley Cooper, screenwriter? We know him as an actor, but evidently he has screenwriting aspirations. And he’s looking to come out of the gate with a particularly ambitious project: an adaptation of the long-in-development novel Hyperion, by Dan Simmons. Read More »
I’m always curious to see what happens when a studio looks to prose sci-fi to establish a new film series. That’s what Sony is doing by hiring screenwriter Trevor Sands to write a film based on The Electric Church, the first in a series of novels by Jeff Somers. The novels are near-future techno-thrillers, with the first book described by Publishers Weekly as packed “with enough gunplay and explosions to satisfy a Hollywood producer.” Read More »
There’s a lot of minor news breaking today and falling in between the cushions of Slashfilm’s buttery soft couch. I’ve decided to reach in and present the tasty morsels for your enjoyment. Don’t like some of ’em? Well, your dog doesn’t discriminate and if it does, surprise, it’s a kitty.
October’s Max Payne video adaptation continues to build a curious borderline-honor roll of a cast, with Chris O’Donnell (Robin) climbing out of the Where Are They Now File to star alongside Mark Wahlberg (title role), the foxy Mila Kunis (uh, assassin love interest), Beau friggin’ Bridges (mentor) and Donal Logue (not playing Jimmy the Cab Driver). O’Donnell will play nipple-free “executive Jason Colvin.” Exciting, innit? Now, if only the film was rated R. (EW)
Javier Bardem, the biggest star in born again director Francis Ford Coppola‘s follow-up to Youth Without Youth, Tetro, has either dropped out or been replaced on a huge creative whim. Coppola will recast the role of Bardem’s mentor to Vincent Gallo’s title character with Carmen Maura, whom you may have caught in Volver. Hmmm, Coppola could have certainly used the awareness of the Oscar winner. Too bad. (HR) As we all do when a job falls through, Bardem is said to be considering a role as a respected wine critic in a film entitled The First Emperor starring naughty monkeys Helen Mirren and Hugh Grant. (DH)
The horror! Another fresh face from The O.C. has washed ashore on Crystal Lake. Amanda Rhigetti, an 8, is close to signing on as the female lead in Platinum Dunes’ Friday the 13th. How about a cameo by Adam Brody’s head? (Variety)
Latino Review sum up Sam Raimi‘s script to his upcoming Drag Me to Hell with three words: Predictable as hell. Slashfilm previously summed up the entire movie even more succinctly with: Justin Long. Obviously we’re too smart to add “as hell” to that. However, that was before we caught Long’s performance in The Sasquatch Gang (now on DVD), which was maddeningly chuckle-inducing. “Predictable as hell” it is, then.
Billy Crudup is that guy you call when your film is looking good. He’ll play J. Edgar Hoover (kinky) in Michael Mann‘s Public Enemies, which stars Johnny Depp, Christian Bale and the Dorf and has as much chance as sucking as UNC losing the Final Four. Jinx? Hardly. [Variety]
Where’s my sickly neighbor from 1988’s inhaler? Joshua Jackson says he will not be playing Fletch in the remake. Chevy Chase’s is one of my favorite Chevy Chase films. I say cast Michael Cera and let Jason Lee choke on a furball. [MTV]
The new film from Heathers writer/legend Daniel Waters opens tomorrow in select theaters. It’s called Sex and Death 101. Here’s an interview with Waters that’s so chockfull of amazingly pretentious, pseudo-intellectual name dropping it makes us realize how rarely we come across screenwriter interviews like this anymore. More Waters, please.
Hard hitter producer Graham King (The Departed, Blood Diamond) and Warner Bros. hope to bring the Hugo Award-winning sci-fi series Hyperion Cantos to life on screen via a script by relative newcomer Trevor Sands. I’m not familiar with author Dan Simmons‘s works, but the plot is said to be set on a planet called Hyperion that has lucid blue skies, “electricity-spewing trees,” and a mysterious region called the Time Tombs, where time travel evidently goes down amongst artifacts. And a very pissed off monster guards them. Ooh la la. Sands will combine the first two novels, Hyperion and The Fall of Hyperion in his script. An original, brainy sci-fi film? All for it. Any fans, please sounds off in the comments below. (HR)