This one’s too good to hide after the break, so let’s begin this roundup of sequel news with a killer quote from Nicolas Cage. The actor often seems to go off the deep end with respect to movie roles, and one of his crazier ones in recent memory is the Neil LaBute remake of The Wicker Man. There’s no way to sum up the madness of the film; if you haven’t seen it, get that sucker now.
During a recent web chat with Empire, Cage was asked about revisiting old characters, and he said
I would like to hook up with one of the great Japanese filmmakers, like the master that made ‘Ringu,’ and I would like to take ‘The Wicker Man’ to Japan, except this time he’s a ghost.
Hideo Nakata is the director of whom he speaks, and it took me a couple extra seconds to call his name to memory as my mind was busy exploding. Was Cage serious? Hard to tell of late, given the other films he’s been doing. But I would watch that Ringu Man movie, whatever it turned out to be, without thinking twice.
After the break lurks a variety of news about an incredibly disparate collection of films: the theoretical follow-up to Before Sunset; Grown Ups 2; a possible R.I.P.D. sequel, and Riddick. Read More »
The first weekend has finally hit at the 2010 Cannes Film Festival, which means bigger crowds, longer lines, and more hub-bub about the star studded premieres on the red carpet. It also means that some of the more anticipated films of the festival have begun to premiere. The photo above shows the crowd of people waiting to get into the new Woody Allen film, as taken from the top of the red carpet stairs. Over the last 48 hours, I’ve screened new films from Oliver Stone, Woody Allen, Mike Leigh and Hideo Nakata. I wish I could rave about any of these films, but so far I’ve been unimpressed.
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A few new photos which have popped up in the last 24 hours, all of which are worth sharing. The photos include a high resolution look at Josh Brolin in Jonah Hex,the first photo from Ringu and The Ring Two helmer Hideo Nakata‘s The Chatroom, and photos from the set of Green Lantern.
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There’s been a pair of stories in Screen Daily that tell us of two different films to have just cast Imogen Poots in lead roles. There’s Chatroom, an internet inspired thriller from Hideo Nakata, director of the Ring films, and there’s also Cordelia, a spin-off from Shakespeare’s King Lear that revolves around the life of Lear’s daughter after her exile to France.
Chatroom‘s origins are also theatrical, in fact, having been adapted by Enda Walsh from his stage play of the same name. Walsh also scripted Hunger, Steve McQueen’s much loved film about the hunger striker Bobby Sands. One scene in that film is realized as an unbroken shot of around seventeen minutes, providing essentially an extended dialogue from a single camera position. You might be forgiven for wondering if Walsh can break his theatrical style, or if he’d want to.
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