Summer is upon us, and July is right around the corner. Which means it’s time for a whole new slew of movies and TV shows on Netflix. Next month, you can stream Jurassic Park, We Own the Night, Blue Valentine, Her, Scream 4 and many more. Check out the best new TV shows and movies coming to Netflix in July 2018.
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Not too long ago, we highlighted a video that was bold enough to pick the best opening credits sequences from movies. They left out some that could have easily made the list without any argument, but it was never going to be an easy task.
This time, we have a video that tries to accomplish the seemingly easier task of picking the best end credits sequences in movies. We’re not talking about credits scenes or teases like Marvel Studios does but rather credits sequences that both give credit to the cast and crew but also do something stylish and/or fun to end the movie.
So what are the best end credits sequences in movies? Find out below. Read More »
With his adaptation of M. L. Stedman‘s bestselling novel, writer-director Derek Cianfrance wanted to make The Light Between Oceans a cross between a John Cassavettes movie and a Dean Lean film, a personal tale told against an epic backdrop. Cianfrance, both in his films and in person, proudly wears his influences on his sleeves, but The Light Between Oceans still features staples we’re now coming to expect from the filmmaker behind Blue Valentine and The Place Beyond the Pines.
Like the relationships in Cianfrance’s two previous dramas, Tom Sherbourne (Michael Fassbender) and Isabel Graysmark’s (Alicia Vikander) intense love for each other is tangible, intimate and often painful. When Isabel first enters a room, Tom’s face is lit up as if a miracle is unfolding before him. As Cianfrance tells us, he wants these seemingly minor moments to feel grand — but that’s not all we talk about with the filmmaker.
Below, read our Derek Cianfrance interview, in which he discusses with us the themes that tie his body of work together, his dreams of longevity as a director, the 209 hours of footage he shot for The Light Between Oceans, and more.
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This week, Dave, Devindra, and Adam wonder what’s happened to the careers of Trey Parker and Matt Stone, take sides over Blue Valentine, praise the combination of Werner Herzog and 3D, and discuss the appropriateness of Hunger Games casting. Special guest Tasha Robinson joins us from AV Club. You can no longer listen to the Book of Mormon soundtrack, but you can purchase it on iTunes.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, May 22nd at Slashfilm’s live page where we’ll be discussing Pirates of the Caribbean: On Stranger Tides.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
If you’re lucky, you won’t be able to identify with Blue Valentine. If you’re less lucky, it will remind you a great deal of your parents, siblings or friends. Pray though, that it doesn’t remind you of yourself. There’s nothing more miserable than being proven the futility and fleeting nature of romantic love, unless of course it perfectly encapsulates your biggest life decisions. This film is an all-too-real snapshot of both the best and worst parts of a relationship, which is really just another way of saying the beginning and end of one. It’s half Before Sunrise and half Revolutionary Road, slammed right up against each other to juxtapose the beauty and ultimate folly of one of life’s most fundamental goals: to fall in love and spend your life with someone. Many people will probably take sides while watching Blue Valentine, accusing the wife of being cold and distant or blaming the husband for being immature and without ambition. But that would be missing the point. These are two people, flawed but well-meaning, who made the choices they made and must live with them. They would like things to be different — and they would like each other to be different — but they’re not, and that’s just the way life is. It’s easy to point fingers, but not everything is somebody’s fault. Sometimes people just grow apart, and it takes time (and the mounting conflict that time permits) for them to accept it. Blue Valentine captures this aspect of life better than almost any film I’ve seen. It’s raw and devastatingly real, written and directed with an almost invisible hand by Derek Cianfrance, and acted with incredible earnestness by Ryan Gosling and Michelle Williams. It won’t leave you smiling, but it will get you thinking about your own relationships — past, present and future — and will hopefully help someone out there to think twice before making the same mistakes.
Available on Blu-ray? Yes.
Notable Extras: DVD & Blu-ray – Deleted Scenes, Making of Blue Valentine, Commentary, and Home Movies.
|BEST DVD PRICE
|Amazon – $16.99
|BEST BLU-RAY PRICE
|Amazon – $18.99
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Our friends the Fine Brothers have filed the latest episode of their popular “Spoiler” series — 50 Movie Spoilers of 2010 in 3 Minutes, in one take. You might remember that we’ve featured their videos 50 Christmas Movie Spoilers in 3 Minutes, 100 Movie Spoilers in 4 minutes, Spoiling Every Best Picture Winner in Oscar History, 50 spoilers of 2009 in 4 minutes, 100 Horror Movie Spoilers in 5 Minutes, 50 Disney Spoilers in 3 Minutes and 50 Comedy Spoilers in 3 Minutes. Hit the jump to watch their latest. And if it isn’t completely obvious already, please be warned that the following video contains spoilers.
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 32 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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As the year comes to an end, anybody and everybody are posting their best of the year lists. Most of these lists contain variations of the same 15 or 20 films. To break the mold, some are even posting lists of the best films of the year that you probably haven’t seen. I find that even these lists are filled with the same movies. And if you’re a film geek reading a site like /Film, chances are you know about most of the movies on these lists.
I wanted to do something different and compile a list of the best films of the year that you’ve never heard of. The selections should be movies that (for the most part) none of your family or friends have heard of, and you might even have to do some extra legwork to get your hands on.
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Cool Posts From Around the Web:
As the end of the year nears, Rotten Tomatoes have released the tallies for the best reviewed movies of 2010. I thought we’d compare the list with the other movie review compilation site Metacritic.
Both sites have their advantages. Rotten Tomatoes includes a larger sample of reviews, while Metacritic features a smaller more-selected grouping of film critics. Rotten Tomatoes calculates critic scores using a positive or negative score for each review. One movie could be 100% fresh with all the critics giving the movie a 7/10 grade. Metacritic attempts to gauge the score of each critic’s review (not just a positive or negative, but a number 0 to 100) averaged together, giving you a better indication of what the response is to any given film, and not just a percentage of positive reviews.
For example, How To Train Youyr Dragon is ranked #2 for the year on Rotten Tomatoes with a 98% fresh rating based on 146 reviews. But on Metacritic, Dragon has a 74% average with 33 reviews. Honestly, I like how Metacritic calculates the numbers, but their refusal to incorporate a larger sample of film critics puts them behind Rotten Tomatoes in my mind.
Hit the jump to find out what films ranked in the best reviewed films of the year.
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The undeservedly controversial Sundance smash romance Blue Valentine, starring Ryan Gosling, Michelle Williams and directed by Derek Cianfrance, was originally set to open on December 31. Deadline is reporting that the film will now open December 29 in New York and Los Angeles. After that it’ll add one more screen in New York on the 31st then move to 10 markets on January 7.
If you can see it, you really should. It’s a beautiful, painful movie. A real gem.