Jorma Taccone branches out from his usual comedic style with the bloody, twisted Over Your Dead Body, but he really had to prove he could tackle the material.
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/Film spoke with Charlize Theron and Taron Egerton about their Netflix thriller Apex, calling in a Mindhunter writer to kill the tropes in the script, and more.
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David Lowery, the director of A24's Mother Mary, tells us about creating the film's striking tableaus, the influence of Renaissance artwork, and much more.
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During an interview with filmmaker Lee Cronin, the director told us why he utilized so many split diopter shots in his nasty new spin on The Mummy.
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The Pitt's director of photography Johanna Coelho reveals Season 2's most challenging scene to shoot, and it definitely took us by surprise.
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The DP of The Pitt tells us all about the show's complex lighting setup, how they approach blocking, how those cool transitions work, and much more.
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Lee Cronin and James Wan, the director and producer, respectively, of Lee Cronin's The Mummy, tell us why audiences are still drawn to mummy stories.
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According to the director of photography of The Pitt, here's what Noah Wyle brings to the show when he steps behind the camera.
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We don't see The Empire in Star Wars: Maul — Shadow Lord until the final moments of the fourth episode. Here's why the show waited so long to do that.
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Jason Segel starred in and co-wrote The Muppets movie from 2011, but did you know he also had the honor of puppeteering some of Jim Henson's beloved characters?
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There's no denying it: movies and TV shows are visually darker now. But why? It's all because of an incredibly complex combination of factors.
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Colby Minifie, who plays Ashley on The Boys, shares her feelings about her character not appearing in the comic on which the show is based.
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The Boys' Antony Starr and Eric Kripke are very aware of the Homelander memes you've been making, and tell us that attention is a 'wonderful thing.'
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Susan Heyward, who plays Sister Sage on The Boys, tells us the stakes are higher than ever and shares what makes season 5 different for her character.
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The new Faces of Death isn't really a remake of the infamous mondo video from the 1970s. It's something with a lot more on its mind.
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We spoke with The Boys season 5 actor Jensen Ackles about the fan reaction to his Soldier Boy character and how he feels about it.
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We spoke with Mike & Nick & Nick & Alice writer/director BenDavid Grabinski about that opening scene, the technical challenges of making this film, and more.
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We spoke with the director of They Will Kill You, who tells us about an Easter egg that could help some viewers see the film through a new lens.
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We spoke with the directors of Ready or Not 2: Here I Come about their new sequel, the lesson they learned from Scream 6, directing ensemble casts, and more.
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The HBO series DTF St. Louis was originally going to be based on a true story. Showrunner Steven Conrad tells us why his plan changed.
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Pillion, A24's dom/sub relationship drama, features many intimate acts, but star Harry Melling and director Harry Lighton explain one you don't see on screen.
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Roy Lee, a producer of the horror thriller Psycho Killer, tells us that the film's grossest scene could have been even more excessive.
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The writer/directors of the sci-fi indie film Redux Redux tell us how Marvel Studios inadvertently helped give them an assist with their screenplay.
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Season 3 of Tell Me Lies concludes in a fittingly dramatic fashion, and showrunner Meaghan Oppenheimer had a blast writing its final scene.
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Director Gore Verbinski tells us about his approach to his AI villain in Good Luck, Have Fun, Don't Die, his first feature film in ten years.
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In our interview, the director of the new Charli XCX movie The Moment explains the hidden layers of meaning to ending the film with that specific song choice.
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Filmmaker S. S. Rajamouli told us about some of the inspirations for his new epic Varanasi, including how a surprising IMAX screening informed his vision.
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