While many fans have started looking ahead to the summer of 2015, we have a full summer of blockbusters to watch before that. 2014 will provide new movies from well-known franchises and characters like Spider-Man, X-Men, Transformers, Fast and Furious, as well as Planet of the Apes. Lots of familiar properties to go around for everyone.
Then on July 25, 2014 comes a film with no precursor. It has no built-in franchise awareness and, at this point, very few clues to its nature are available. That movie is Jupiter Ascending, the latest film from the groundbreaking Andy and Lana Wachowski. The wholly original sci-fi action film stars Mila Kunis as “a cleaning woman who, unbeknownst to her, shares a genetic makeup with the Queen of the Universe. The Queen isn’t all that happy about the existence of a potential rival, and sends a character played Channing Tatum to track her down.”
In a new interview, Tatum revealed that he’s playing a half-wolf, half-human in the film and said the Wachowskis are “doing stuff that’s never been done.” Read More »
Bryan Singer and the Wachowskis are back behind cameras this week as their new films, X-Men: Days of Future Past and Jupiter Ascending, have begun shooting. Singer announced the start his production with a tweet featuring Patrick Stewart as Professor X. Warner Bros. issued a press release about the Wachowskis’ sci-fi film, which stars Channing Tatum and Mila Kunis. Both films will be released in July 2014. Read More »
Posted on Friday, March 15th, 2013 by Angie Han
Warner Bros. has taken a bit of time to shift around its release schedule, and there’s both good news and bad news for film fans. On the plus side, the studio has set Andy and Lana Wachowski‘s Jupiter Ascending for a coveted summer 2014 release date, which reads as a vote of confidence in the film.
Not looking so hot, however, is the Sylvester Stallone–Robert De Niro team-up Grudge Match, which has been pushed from a respectable fall 2013 slot to a less auspicious January 2014 one. Hit the jump to read more.
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Posted on Friday, December 28th, 2012 by Angie Han
The Alamo Drafthouse brand is beloved among moviegoers for their plush theaters, but it’s revered for their impeccable taste in movies. Whether programming a film festival or picking up indies for distribution, they’ve demonstrated an eye for films that aren’t just good, but unique.
With 2012 on its way out, the company has just released its list of their ten favorite movies from the year. Some of the titles were as successful at the box office as they were with critics, while others are more off the beaten track, but all are well worth checking out. Read their picks after the jump.
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For my money, Eddie Redmayne has been in two of the best movies released in the past two years – My Week With Marilyn and Les Miserables – and yet he’s still a bit of an unknown. That’s slowly beginning to change.
The actor has been up for a few major superhero roles in the past few weeks and now he’s in talks to join Channing Tatum and Mila Kunis in Jupiter Ascending, a 3D IMAX film from The Wachowskis. Read more after the jump. Read More »
Editor’s Note: This is the fourth and final part of /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Read part one here, part two here and part three here. The full interview will be published tomorrow, the day the film opens.
All of the major actors in Cloud Atlas play at least four roles. A few play as many as six. Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Doona Bae, Hugh Grant, James D’Arcy and Keith David all have multiple personalities to portray. Some significant, others less so, and they’re not always the same race or sex as the actor in the role.
So in the film, you’ll get to see Halle Berry as an Asian man and a white German woman. Hugo Weaving is a hulking female nurse; Jim Sturgess is a Korean crime fighter; and Ben Whishaw is a loving wife. In doing this, co-writers and directors Andy Wachowski, Lana Wachowski and Tom Tykwer were able to visually display the movement and evolution of the human soul across eternity and also play against segregated acting conventions Hollywood has employed for years. They believe actors should not be pidgeonholed by their race or sex and, after the jump, the three filmmakers discuss not only that, but how the process was liberating for their actors.
After the jump, read the fourth part of my interview with the team behind Cloud Atlas. Read More »
Editor’s Note: This is the third of a four part series breaking down /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Look for a new part each day leading up to the film’s release October 26. Read part one here and part two here.
When Cloud Atlas opens this Friday, it’s going to be very divisive. Some, like myself, will be transfixed by the way the film takes you on a journey across time, enlightening the audience to the evolution and connections of the human soul via multiple genres, tones and more. Others might find it confusing, overly long and distracting. Directors Andy Wachowski, Lana Wachowski and Tom Tykwer are aware of this and, in the third part of my interview with the co-writers and directors of this incredible film, they discuss those difficulties and how they were an obstacle from the very beginning of the process.
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Editor’s Note: This is the second of a four part series breaking down /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Look for a new part each day leading up to the film’s release October 26. Read part one here.
With six stories, three directors and actors playing multiple parts across totally different stories, there’s a lot going on in Cloud Atlas. One of the film’s pleasures is how art, and a love of art, is always part of the story. Whether it’s one character reading a book, listening to a piece of music, or watching a movie, art is always at the center of Cloud Atlas helping to sew all of its seemingly random threads together. This is a fact that’s not lost on the film’s directors, all art lovers themselves.
In the second part of our interview with the writers and directors of Cloud Atlas, Andy Wachowski, Lana Wachowski and Tom Tykwer, we discuss this particular reading of the film and how art is truly a way to link us all.
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Editor’s Note: This is the first of a four part series in /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Look for a new part each day leading up to the film’s release October 26.
Film fans would be hard-pressed to find two more perfect late nineties movies than The Matrix and Run Lola Run. Both were groundbreaking, visually stunning and instantly memorable. Each officially announced its director(s) as a force to be reckoned with. Those directors, of course, are Andy Wachowski, Lana Wachowski and Tom Tykwer. Since then, each director has made several solid films (Heaven and Perfume for Tykwer, Speed Racer and the Matrix sequels for the Wachowskis) but none have quite lived up to the insurmountable heights of those signature films.
That changes with Cloud Atlas, a sweeping, epic film that challenges the way stories are told all together. Based on a novel by David Mitchell, Tykwer and the Wachowskis took six radically different but related stories and rearraged them to be digested as one fluid story. The film jumps from one timeline to another, with each scene informing and enlightening the previous one, even though they’re set in totally different periods and genres. Actors portray upwards of six roles, each giving the viewer a hint of how these beings relate to each other, and how they affect the others – and human history – in radical and exciting ways.
How is a film of that magnitude possible? Here, in the first part of our interview, the directors talk about the difficulties of shooting a three-hour movie with six separate stories simultaneously in different parts of the world and then putting it all together into one cohesive story. Check back later this week for the rest of the interview.
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As fantastic a film as Cloud Atlas is, one of the best things about this new film is that fans are finally getting to hear from two of its directors, Andy and Lana Wachowski. Formerly the Wachowski Brothers, the siblings exploded onto the scene in 1999 with the seminal sci-fi action film The Matrix, which was then followed by two sequels, The Matrix Reloaded and The Matrix Revolutions. All three were massive commercial successes, but the sequels were far from revered by fans. Unfortunately, since the Wachowskis chose to maintain their privacy during this time, few got to discuss those films with them.
So now there’s Cloud Atlas and the Wachowskis are being incredibly generous with their time to discuss the film. I had 25 minutes to talk to them and while I had a few Matrix themed questions prepped, we delved so deep into Cloud Atlas we never got around to the subject of their other films. (That interview will be up soon.) One journalist did talk about The Matrix, though, and was fortunate enough to do it on camera. In the video, Lana Wachowkski talks about their intentions with the films, focusing on how the trilogy evolved into more than just a straight action vehicle. Watch it below. Read More »