The 92nd Academy Awards have come and gone and while Jordan Peele’s sophomore film Us went unrecognized — even in the Best Actress category, where Lupita Nyong’o’s versatile dual role surely deserved a nomination — horror aficionados know the real score regarding the best films of last year. So does Janelle Monae, whose opening musical number featured back-up dancers in red Us jumpsuits and white Midsommer dresses, with Monae herself being crowned the flowery May Queen and other notable snubs like Dolemite Is My Name and Queen & Slim adding to the costume flair.

Two years ago, when Peele was on the awards trail for his first feature, Get Out, he participated in a THR writers roundtable where he was asked to name one screenplay that had particularly influenced him. He gave an appropriately doppelgänger answer, citing not one, but two films based on Ira Levin novels: The Stepford Wives and Rosemary’s Baby. The 1975 film adaptation of The Stepford Wives hit theaters forty-five years ago today, and at first glance, its influence on Get Out (another improbably good February movie) is more immediate. However, Peele has identified Rosemary’s Baby as his favorite film and, like the Tethered in Us, it’s easy to see movements mirrored between his two modern horror gems and both those classic Levin adaptations.

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