For over a year now, many of us have been stuck in the same location: doing remote work, going out and traveling less, living like cloistered movie monks. Everyone has their own personal quarantine stream and we’ve already seen the Zoom-based horror film Host explore a confined, coronavirus-adjacent narrative. Even before the pandemic, however, there was a robust tradition of filmmakers shooting one-location features on a low budget. Often, these were first-time directors striving for innovations amid limitations. The claustrophobic setting was perhaps their best chance to get a movie made and be in control of all the variables involved. Fewer locations, fewer setups, fewer chances for things to go wrong.
This last week alone has seen the release of no less than four single-location movies. On Netflix, there’s Oxygen, which seals Melanie Laurent inside a cryogenic pod, and The Woman in the Window, which has Amy Adams playing a homebound agoraphobic. On VOD, there’s The Djinn, which traps a mute boy in his apartment with an evil genie. In theaters, there’s Profile, which uses Screenlife as the basis for a terrorist thriller. If any of these flicks put you in the mood for the cinematic equivalent of a chamber play, here are 10 more titles that deserve an immediate spot on your to-view list.
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Posted on Monday, October 26th, 2015 by Angie Han
The English-language The Raid remake may have run into the kind of trouble that no amount of gunplay or fisticuffs can solve. According to a new report, the project has just lost director Patrick Hughes, studio Screen Gems, and star Taylor Kitsch. Frank Grillo, as far as we know, remains on board. Read about The Raid remake below. Read More »
Really, there’s not a better pairing of artist and movie than Jock and The Raid. Jock, the comic book artist who helped define Judge Dredd and create The Losers, is well-known for his hyper-realisitc, action-packed style. Then there’s The Raid: Redemption, a critically acclaimed Indonesian action film by Gareth Evans (on Blu-ray Tuesday) that’s also hyper-realistic and action-packed. So it makes perfect sense that Mondo would commission Jock, who recently made a Dark Knight Rises poster for them, to tackle The Raid: Redemption. The result is a, literal, towering achievement. Check it out below. Read More »
Imitation is the most sincere form of flattery, and that suggests that some people working on the new TMNT film really, really like Gareth Evans‘ film The Raid. The Indonesian martial-arts action picture is built on fight scenes that draw on pencak silat, the collective martial arts style of Indonesia. Choreographed by Iko Uwais and Yayan Ruhian, The Raid features some of the best fight scenes since Ong Bak, with fast, joint-shattering and face-breaking violence.
Looks like that movie is one of the ones that have influence on Paramount and Platinum Dunes’ delayed Ninja Turtles. In a very long video interview, TMNT co-creator Kevin Eastman says the fight scenes in the new film will be inspired by The Raid, as well as Fist of Legend. Read More »
Odds are, if the insanely excellent action film The Raid: Redemption isn’t yet playing in a theater near you, that’ll change on Friday. Sony Pictures Classics is opening the film in almost 700 theaters this week enabling fans from all over to see a film that reminds us what action films can be.
Directed by Gareth Evans, The Raid: Redemption is a non-stop roller coaster of chaos following an elite squad of police who enter a drug dealer’s sky rise strong hold. Adding to the visceral feel of the movie are the live-action stunts performed on set and, in this /Film exclusive featurette, Evans and his co-composers Mike Shinoda discuss one of the most memorable. Check it out after the jump. Read More »
This week, Dave, Devindra, and Adam discuss the pleasures of texting in a theater, praise the wonders of Clone High and The Raid: Redemption, and compare Battle Royale to The Hunger Games (because nobody’s ever mentioned their similarities ever!). Tasha Robinson joins us from AV Club.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll most likely be reviewing Goon next week. /Filmcast live broadcasts won’t be regular the next few months, but follow Dave on Twitter to see when we’ll be broadcasting next!
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Enthusiasm for Gareth Evans‘ film The Raid, about a police assault on a tenement building held and fortified by a drug/crime lord, shows no sign of abating. The film has been earning fans in droves since premiering at TIFF last year. It just played SXSW where it converted more fans.
The Raid opens in the US as The Raid: Redemption, on March 23. (Some markets will have to wait a week or two; Atlanta, for example, gets it on April 6.) But we’ve known that Evans has at least one sequel in mind, and at SXSW he talked a bit about his plans, expanding what we already knew. Read More »
For action film fans, there’s a healthy amount of excitement for Gareth Evans‘ movie The Raid: Redemption (or simply The Raid in many territories), which will be released on March 23 in the US. Last week we saw the first domestic trailer for the film, and got word of that title change, as well as confirmation that the film’s new US title is meant to lay the ground for a small series of movies.
Now we’ve got a 13-minute behind the scenes featurette which goes into detail about the training that went into making the film, and the general approach to creating the action scenes that power the movie. Watch that, and read comments from the director about the US title change, after the break. Read More »
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Earlier today we showed you the first Sony Pictures Classics trailer for Gareth Evans‘ award-winning action film The Raid. But there was a slight twist: in the US, the first film will go out under the title The Raid: Redemption.
We know that Evans plans to shoot a sequel to The Raid later this year, and that he has envisioned a trilogy of films set in the same world. Popular speculation earlier today was that the US title change is to help set up a title pattern for the trilogy. That is in fact the case. Read More »