This Week in Trailers

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising?

This week, we take true crime a little less seriously, remember what it was like to be 16, wait longingly for our lover, get force-fed more dystopian, young adult nonsense from the guy who gave us Divergent, and work through some issues at a shiva.
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the human voice review

In his 40-year career, Pedro Almodóvar was never tempted by the allure of the Hollywood lights to direct an English-language film, like so many of his international compatriots. The Spanish auteur’s unique brand of candy-colored kitsch, of bold colors and even bolder emotions, would only be neutered under a Hollywood studio, which Almodóvar was probably well aware of. So it’s fitting that he would only cross the language barrier under his own terms, in isolation, with the short film The Human Voice, anchored by a blazing performance from Tilda Swinton.

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