Posted on Monday, June 8th, 2015 by Russ Fischer
Quentin Tarantino is a standard-bearer for the preservation of film in filmmaking, from the use of celluloid rather than digital when shooting a movie to the projection of film prints at his “no digital allowed” New Beverly Theatre in Los Angeles. Tarantino shot his latest film, The Hateful Eight, in the elite 70mm format — in fact, he used an even more rare variant of the 70mm format, called Ultra Panavision 70, which results in a very wide image.
Having gone to all that effort to shoot the film in a rare format, Tarantino evidently wants to exhibit the film in the same large format. A new report says that he has helped put 70mm projectors equipped with the proper anamorphic gear into fifty theaters worldwide. Read More »