One of the defining traits of a mother is her unconditional love. No matter how rotten a child can be, a mother’s love can be undying and never waiver through troubled waters. It is both a blessing and a curse – this endless devotion and sacrifice that comes with being a parent. But just how far does that love go? How much can one parent give and risk in order to help a child that is seemingly hopeless?
In her sophomore feature Pelican Blood, writer/director Katrin Gebbe captures the immense dedication that mothers can exude despite the most defiant and dangerous kids they try to nurture and protect.
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Like many time periods preceding it, the fall film festival circuit of 2019 has been a mixed bag of results for female filmmakers. The Venice Film Festival spared a measly two slots in its competition for films directed by women and, as if to thumb their nose at those decrying their regressive attitudes, awarded their Best Director prize to convicted rapist Roman Polanski. All this from a festival that signed the 50/50 by 2020 pledge for gender parity just last year, to boot. As Katrin Gebbe, director of Pelican Blood told me, “In the past few years, we’ve started to put our finger into the wound.”
Meanwhile, at the 2019 Toronto International Film Festival (TIFF), the programmers paid more than lip service to their commitment on equality. Female directors comprised 36% of this year’s selection at TIFF, with percentages even higher in sections like Contemporary World Cinema and the high-profile Galas. Look beyond the numbers, too, and it’s clear that quantity did not come at the expense of quality.
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The Toronto International Film Festival (TIFF) gained international prominence over the last few decades by billing itself as the “Festival of Festivals.” That distinction means, in essence, that if you go to TIFF, you won’t need to go to another festival all year. With more than 300 titles hailing from across the globe, one can only dip their toe into the riches of Toronto’s lineup even with wall-to-wall screenings over its 11-day duration.
By the time the oft-Oscar prognostication People’s Choice Award winner is announced on Sunday, September 15, two of TIFF’s biggest premieres – The Goldfinch and Hustlers – will be playing across North America. But let’s say you don’t want to wait until then to get in on the Toronto viewing? Here are ten curated titles that you can program as a streaming festival adjacent to Toronto. That way, once these titles hit theaters over the next year, you’ll have a leg up on some of the past work of cinema’s coming vanguard.
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