Texas is known for being flat, minimalistic but still incredibly beautiful and that’s certainly the theme of the posters for the 2011 Rolling Roadshow. This year, instead of going all across the country, the Alamo Drafthouse is keeping things close to home as they’ll travel across the Lone Star State and show Texas films set in Texas. Films such as Blood Simple, The Texas Chainsaw Massacre, The Searchers, Red River and more. The posters premiered on Apple.com and, much like happened last year with Olly Moss, this year they were all done by one artist: Jason Munn. We’ve got all the images and schedule after the jump. Read More »

Feel like watching some of the biggest American films under the big skies of Texas? (I know Montana is the Big Sky state, but I’m briefly re-purposing the phrase.) For several years the Alamo Drafthouse has done a series of free, first come first seated screenings of famous films in locations featured in or related to the movies. There have been events like Close Encounters of the Third Kind at Devil’s Tower (pictured above), Deliverance in the North Georgia mountains, and The Warriors on Coney Island, complete with a scavenger hunt.

This year the Roadshow is targeting Texas in June, with ten screenings of Texas-appropriate films like Giant, No Country For Old Men, The Texas Chainsaw Massacre and more. The full schedule is after the break. As is often the case with Rolling Roadshow screenings, most of these are taking place well outside major metro areas, so you might have to make a trip just for the film. But that’s part of the point, right? Read More »

UK graphic artist Tom Muller has created an awesome infographic connecting the dots of reoccurring actors in the movies of Coen Bothers. Hit the jump to see the graphic.

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The United States of Movies Map

Subtonix decided to create a map of the United States by pinpointing the movies which best represent each of the 50 states. For example, New Jersey is Clerks and Kansas is The Wizard of Oz. There will likely be some debate over some of these choices (is Fast Times at Ridgemont High the ultimate representation of California?) but it is an interesting concept none the less. It’s also interesting to note that more Coen Brothers films appear on the map than any other filmmaker. Hit the jump to see the whole map, and click to enlarge.

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VOTD: Ambiguous Endings Resolved

Lost in Translation

We love movies with ambiguous endings, but sometimes you just want to see a definite conclusion. The guys at CollegeHumor have decided to resolve some of the biggest movie and television endings in history, including: The Wrestler, Lost in Translation, No Country For Old Men, The Graduate and The Sopranos. Watch the video after the jump.

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The /Filmcast: After Dark is a recording of what happens right after The /Filmcast is over, when the kids have gone to bed and the guys feel free to speak whatever is on their minds. In other words, it’s the leftover and disorganized ramblings, mindfarts, and brain diarrhea from The /Filmcast, all in one convenient audio file. In this episode, Dave, Devindra, and Adam discuss some of their Oscar thoughts, good uses of slow motion, and their approach to books that have been adapted into films. Elisabeth Rappe joins us from MTV Movies Blog and Cinematical.

Feel free to e-mail us or call us and leave a voicemail at (781) 583-1993. Join us Monday night at 9 PM EST / 6 PM PST as we review Towelhead with actor Stephen Tobolowsky.

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In this episode of the /Filmcast, Dave, Devindra and Adam discuss Darren Aronofsky’s latest project, Noah, assess Fox’s terrible summer movie season, and try to determine where Burn After Reading fits in the Coen brother’s filmography. Eric D. Snider joins in to review the film as well.

Have any questions, comments, concerns, feedback, or praise? E-mail us at slashfilmcast@gmail.com or call and leave a voicemail at 781-583-1993 . Join us next Monday as we review Lakeview Terrace with Dan Trachtenberg from the Totally Rad Show.

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Movie Playlist: Nanette Burstein

Welcome to another edition of Movie Playlist, where we talk to the writers, directors, and stars about their favorite films. I’ve always found the celebrity playlists on iTunes to be interesting. Most everyone in the film business moved to Hollywood after discovering their love of films. And I’ve always love talking to people about their favorite films. So talking to the people who make the movies about their favorite films just seemed like a natural idea.

Nanette Burstein is the Academy Award nominated documentary filmmaker behind On The Ropes and The Kid Stays in the Picture. Her latest film American Teen follows five high school students through their senior year. I hate to oversell the movie, but it’s literally one of my favorite films of the year.

Nanette Burstein: There are certain directors whose films, I could just watch them endlessly. Alexander Paine, I’m a huge fan of.

Peter Sciretta: You know, I saw a lot of like Election in American Teen…

Nanette Burstein: Yes, Election definitely influenced this film… Like the shots of the kids when you hear their voiceovers and they’re on the bed, I totally took that from Election. There was the night before election where there’s all these dolly shots into all the main characters and their thoughts and like they’re all crane…

Peter Sciretta: It was like those crane shots.

Nanette Burstein: Yeah, those shots are amazing, and that’s what inspired me to do that.

Nanette Burstein: There’s definitely different homages in this film, like Garden State which I love there’s this scene when Hannah goes to the party and she’s alienated and the way I cut that scene was completely influenced by that scene in Garden State where he’s alienated at the party.

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I Drink Your Milkshake on SNL

I Drink You Your Milkshake

Saturday Night Live ran a parody of There Will Be Blood last night. Daniel Plainview hosts a Food TV program called “I Drink Your Milkshake”. It looks like Milkshake has now gone mainstream. Anton from No Country for Old Men and our favorite pregnant 15-year old make appearances. Thanks to Derek for bringing us to our attention. Watch the clip below.

Cool Posts From Around the Web:

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“Anton who?”

When it comes to the showdown, Peter and I will both be there with news on which film wins Best Picture this Sunday evening. However, right now we are both in agreement that Paul Thomas Anderson‘s There Will Be Blood is a better film than the Coen BrothersNo Country For Old Men. There is no question: It deserves to win the Oscar for 2007’s Best Picture. Will it? We’ll discuss that later.

I hope to further explain my opinion on this subject in a bit, but until then, tell us why you agree or disagree. And if you think Juno or Michael Clayton is superior to one or both of these modern classics, stay out of this forum or watch out for a braining bowling pin. Oh, and everyone, watch out massive spoilers, obviously. Bring your A-game to the comments.

Discuss one of the coolest Oscar showdowns in years: There Will Be Blood vs. No Country For Old Men.