Miguel Ferrer, probably best known for his roles in RoboCop, Twin Peaks, and NCIS: Los Angeles has passed away after a battle with cancer. He was 61. There are many actors who feel like they’re in every single movie you see, but it really does feel like Ferrer was in everything. And most importantly, I was always happy to see him.
Posted on Tuesday, October 18th, 2016 by Jacob Hall
I won’t be convinced that Twin Peaks season 3 actually exists until the closing credits roll on the first episode sometime next year. Until that happens, the return of one of television’s most beloved and most frustrating shows is purely theoretical. Not even this new featurette, which features members of the original cast and a few newcomers discussing what it’s like to return to that bizarre small town, has me certain about this.
Posted on Friday, November 6th, 2015 by Jacob Hall
We’ve reached the point where things you used to love back in the day getting a big second chance have become commonplace. Oh, a Star Wars movie that seems to evoke the original trilogy? That’s nice. Six new hours of The X-Files? That’s good. Nothing is ever dead anymore – it’s just taking a little nap before it’s roused from its slumber, given a new coat of paint, and asked to win over the fans and attract new admirers. With all of that said: holy crap, Showtime is releasing a new season of Twin Peaks and David Lynch is directing it and everything! How’d that happen?
Anyway, the latest news to emerge from the ultra-secretive Twin Peaks camp is that Miguel Ferrer, who played FBI Agent Albert Rosenfeld in the original series, is set to return for the new batch of a episodes.
For more on the Twin Peaks Miguel Ferrer casting, hit the jump.
Posted on Friday, January 3rd, 2014 by Russ Fischer
On the Air, the second show from Twin Peaks creators Mark Frost and David Lynch, barely registered in the public consciousness when it premiered on ABC in 1992. The show’s seven episodes are now available on YouTube, and did the rounds at the very end of last year.
There’s a reason the show had little post-broadcast life and is all but forgotten: it isn’t very good. An attempt to create a zany behind-the-scenes look at live TV comedy in the late ’50s, On the Air is a bit like David Lynch doing 30 Rock. While the show did have the input of Twin Peaks creators Frost and Lynch, it stalled quickly, sliding into repetition and stale gags. Seven episodes were shot, but only three aired.
But wait! I didn’t write this piece just to say “here’s a thing, it’ kinda sucks.” In fact the pilot, written by Frost and Lynch and directed by Lynch, is actually pretty terrific. (In 1997 it was ranked squarely in the middle of a list of the 100 best TV episodes ever made.)
Now, Twin Peaks is in the ether again. David Lynch is evidently shooting something Peaks-related next week, which is probably a web-bound promo for the complete box set we know to be coming later this year. So it’s a good time to revisit On the Air. Because whatever intentions Frost and Lynch may have had, that first episode is like one long dream sequence that reconfigures and laughs at the whole experience of creating Twin Peaks. Read More »
In a previous edition of Big Directors Small Films, we took a look at Paul Thomas Anderson‘s first film, a 1988 short fictional documentary that inspired Boogie Nights titled The Dirk Diggler Story. From there, Paul went on to attend New York University, but quit after only two days of classes. He became a production assistant on a bunch of made for television movies, television game shows and independent film projects. In this time he developed his second serious short film project made up of five vignettes set in a diner with Philip Baker Hall (who later went on to become a PTA regular) and Miguel Ferrer among the cast.
Cigarettes & Coffee premiered at the 1993 Sundance Film Festival, where he gained the attention needed to be accepted into the Sundance Institute’s filmmaker workshop program where he developed, adapted, and expanded the idea into his first feature film — Hard Eight. In this short you can see the early inspiration of Robert Altman, with Anderson cutting between three stories which somehow intersect. Many thanks to /Film reader Kendrick T who submitted the Vimo link over the weekend.