This is just a sweet way to spend a few minutes. Karen O of the Yeah Yeah Yeahs sang “The Moon Song” for the Spike Jonze film Her, and today on KCRW the two spent an hour or so chatting to the radio station’s hosts and listeners. Part of their sit-in at the station was an intimate performance of “The Moon Song” with Jonze playing guitar along with production designer KK Bennet as Karen O sang. Watch a video of the performance below. Read More »
Jackass 3D is a mere week away and it’s like everywhere you go, Johnny Knoxville and the gang are right in your face with a huge high five. We’ve seen some awesome advertising, the cast of Jersey Shore give their two cents seemingly every MTV commercial break, a huge reaction after the footage showed at Comic Con and the whole gang in the music video of the Weezer song “Memories.” Well, another song from the film has come online – this one by Karen O of the Yeah Yeah Yeah’s. It’s a cover of the appropriated titled Roger Allan Wade song “If You’re Gonna Be Dumb, You Gotta Be Tough.” Hit the jump to listen to the track which totally feels like an end credit song. Read More »
Griping about the arbitration of those Oscar folk at the Academy of Motion Picture Arts and Sciences seems to be a rather popular sport, and one in full season right now. For some reason, the most frequent complaints seem to revolve around the terms of admission to the music categories.
You may recall the hubbub when Johnny Greenwood’s music for There Will Be Blood was denied eligibility, or when the song Falling Slowly from Once was challenged. The song was ultimately allowed to compete after AMPAS deemed it had been initially conceived for the film despite appearing elsewhere before the film was completed. This year’s victims would appear to be Karen O, T Bone Burnett and Brian Eno. What do all of these people have in common? They’re from the world of pop music, not specifically film composition. Surely somebody will cry “Prejudice!”?
Of course, it’s not that simple because the scores for the latest Harry Potter, The Blind Side, Bruno and Funny People have also been scratched off the list this year – though I suppose the involvement of sometime pop musician Jason Scwhartzman in the Funny People score wouldn’t go unnoticed.
As viewers and the media gear up for next month’s release of Spike Jonze‘s Where the Wild Things Are, we expect to read more articles and essays waxing on the film’s relevance and meaning in pop culture. To me, the project already represents the ideal and inevitable amalgamation of two of the more important, influential, and cynic-exhausted youth subcultures of the aughts: the geeks (as ushered in by Ain’t It Cool) and the hipsters (as ushered in by Vice magazine). As the pioneers and personalities behind these still-crystallizing cultures enter their 30s and 40s, parenthood awaits and so does the desire to help shape the next generation in style, curated nostalgia, and matters of refined taste.
Realizing that members of ’00s bands like the Yeah Yeah Yeahs and Liars have left art-damaged fingerprints on what is possibly one of the definitive and more magical family films (of all time?) is both a secure and wild sign of the future. Another unlikely, lesser known contributor to WTWTA (and friend of Liars) is Sonny Gerasimowicz, a street artist off Hollywood’s radar who was hired by Jonze to bring Maurice Sendak‘s Things to the screen.
I was just about to go drown myself in Pabst and orange juice when a tipster sent me an email with the words “Hunter, What Do You Think?” and a link to the following vid. I can’t believe what I just watched. It appears to be a clip from Spike Jonze‘s Where the Wild Things Are, and while the visual effects for the Wild Thing’s face are off, as is the voice work (thinkShowbiz Pizza: The Movie), this would go along with the reasons we’ve heard for the film being pushed back to 2009. As for the child actor playing the character of Max in the clip, is this the same young actor, Max Records (real name), that we’ve seen in the official still from the film? It’s hard to say, but my gang of Gchatters from coast to coast, including Peter, say it doesn’t look like him. I agree.
So, is the clip a fake? And if so, who would make such a precise fake, clearly as an inside joke, as there is little doubt that most of this was shot on film? A friend in New York says he heard last night that The Kid America Club, a ragtag group of New York hipster party animals who utilize similar wild thing-ish costumes and have considerable resources, may be behind this. What the hell? I don’t buy it, but if it’s fake, those maniacal hipsters are prime suspects as they knowingly operate in the same concentric circles as Jonze (and purportedly had talks with Showtime for their own show a few years ago).
The clip has a voyeuristic, sun-spotted quality and there is an inherent weirdness present that would go along with what sneak preview audiences have reported. The first few seconds even contain music that sounds like it’s taken from Beck’s Odelay, another Jonze bud. I am at once bothered by how unfinished this is and totally digging it. Throw some Karen O on the creative pyre, and I’m beginning to think that Jonze and Dave Eggers, who wrote the screenplay, may have quite a bit of deranged magic in store for us, much to Hollywood’s chagrin. And after There Will Be Blood, this is the only children’s movie suitable for Paul Dano.
But if this clip is ersatz: Greatest Hipster Prank of All Time!