Whether or not you like the original Red Dawn, a product of Walter Sobchak inspiration and notable Hollywood conservative John Milius, it at least has a specific ideology beyond the basic concept of “blow shit up real good.” (Part of that ideology is a strong anti-gun control sentiment, as invading forces use firearm purchase records to find potential resistance, and of course the Wolverines triumph in part because they have weapons.)
Looking at the first trailer for the remake, which was shot a couple years ago but shelved in part because of MGM’s once-dire financial situation, I can’t tell if this wants to be anything but a crass commercial enterprise that trades on patriotism (an argument levied at the original, to be fair) or a subversive comedy masquerading as action movie.
Whatever this Red Dawn is, it features Chris Hemsworth in his pre-Thor days, as well as Josh Peck, Josh Hutcherson, Adrianne Palicki, Isabel Lucas, Connor Cruise (the younger Cruise, if you’re wondering), and Jeffrey Dean Morgan, most of whom band together to form a guerilla resistance group called the Wolverines, the better to fight off that North Korean invasion that no one has ever been afraid of. Read More »
Posted on Wednesday, February 8th, 2012 by Angie Han
After taking a hiatus for the birth of her son, Natalie Portman is gearing up to get back to work. Portman, who won Best Actress at last year’s Academy Awards, has found her first post-Oscar roles in two upcoming Terrence Malick films, Knight of Cups and Lawless. Details on the two films are still scarce, but given the combination of Malick, Portman, and her co-stars on the two projects, I’m pretty excited all the same. More details after the jump.
Read More »
Posted on Wednesday, November 23rd, 2011 by Angie Han
As we head into Thanksgiving weekend and gear up to watch what feels like a dozen new releases this weekend, FilmDistrict and Sony have quietly announced new release dates for a few of their projects.
That long-delayed Red Dawn remake that FilmDistrict picked up earlier this fall is now scheduled to drop next fall, while Sony’s Pixels and Singularity have both set dates for 2013. Meanwhile, we finally have a set date for that Kathryn Bigelow project about Osama bin Laden. More details after the jump.
Read More »
I don’t know what meds Terrence Malick started taking last year, but I like the result. From 1973 to 2011, the director released only five films. Now he has another four in the pipeline. Malick took years finishing The Tree of Life and is still reportedly working on the IMAX doc Voyage of Time. That latter film is new project number one.
He has already shot a film that may or may not be called The Burial, which features Ben Affleck, Rachel McAdams, Javier Bardem and Rachel Weisz. That’s number two. And he has been prepping a movie with Christian Bale and newcomer Haley Bennett, which shot partially at the Austin City Limits fest in mid-September. That’s number three, and the title has been revealed as Lawless.
In addition to those, he has a fourth film on the docket, also with Bale: Knight of Cups. Details on both of those last two films are after the break. Read More »
FilmDistrict is turning into the distributor of odd orphans. It grabbed the former Miramax project Don’t Be Afraid of the Dark, and is now reportedly about to pick up the Red Dawn remake directed by Bourne second-unit shooter Dan Bradley. MGM financed and shot the film in 2009 before undergoing bankruptcy and reorganization. The movie made news early this year when we became aware that the Chinese enemies were being digitally altered into North Korean adversaries, hopefully to avoid pissing off the rapidly expanding Chinese movie market.
We thought we might see the movie via Sony, but that deal never went through. Now FilmDistrict, riding a Drive-fueled high, is stepping in. Read More »
Here’s the third trailer for Tarsem‘s stylishly violent Immortals. (See the first and second ones if you haven’t already.)
I like this trailer a lot more than either of the previous ones; there’s a good voiceover that explains the background and early plot beats, and helps contextualize some of the pretty shots we’ve been seeing in previous trailers and clips. A few new shots offer additional eye-candy, too. While I remain unconvinced that this will really work as a piece of storytelling (it still looks a bit like a Dune/Clash of the Titans mashup) I can at least get a much better idea of what Tarsem is looking to accomplish. Check it out below. Read More »
A second trailer for Tarsem‘s Immortals — aka his Fight Club + Caravaggio + Clash of the Titans + 300 — has arrived. There isn’t a lot of new footage within, but there is a much greater focus on story this time out. If you watched the first trailer and wondered what the hell the movie is about, this one might help you understand. Read More »
The official release of the trailer for Tarsem‘s Immortals is now out. Now you can see just what Tarsem meant when he said he was going for a sort of “Caravaggio meets Fight Club” approach — really, it looks more or less like established Tarsem style as seen in The Cell and The Fall, filtered through 300. There is some real beauty in this trailer, but as has been the case with the director’s movies in the past, it’s probably too early to make a call about whether the movie will be more than a great slideshow or not. Read More »
Cool Posts From Around the Web:
Tarsem Singh‘s Immortals had its coming out party at WonderCon in San Francisco this weekend. On Friday they revealed the first character posters for the film, and at the panel on Saturday they screened the first teaser trailer for the film. Find out the details after the jump.
Read More »
There are five new character posters for Tarsem‘s Immortals, which tells a very Clash of the Titans-style story. These images dramatically play up the sort of imagery that became the accepted mainstream way of envisioning burly ancient warriors thanks to 300, but if you look at the actual stills for the film you’ll see the style is a lot more restrained. Tarsem’s strength has always been his visual sense — even when he was egregiously borrowing from other artists, so I’m hoping these posters are merely a ploy to capture the attention of an audience the studio thinks is attuned to 300. Read More »