Greig Fraser, the cinematographer behind movies like Let Me In, Killing Them Softly, Foxcatcher, and Zero Dark Thirty, is heading from one space epic to another: he’s the man behind the camera for director Denis Villeneuve‘s highly-anticipated adaptation of Frank Herbert’s seminal sci-fi story Dune. Fraser was the director of photography for both Rogue One: A Star Wars Story and The Mandalorian, but in a new interview, he spoke about having to “forget a lot of Star Wars” when embarking on the Dune experience, and he promises that the first movie in Villeneuve’s two-movie vision for Dune is “a fully standalone epic”. Read some of his quotes below. Read More »
Much like the Dark Knight himself, so much of The Batman has been shrouded in mystery. We know Matt Reeves is directing. We know Robert Pattinson is the new Caped Crusader. But beyond that, we have mostly rumors to go on. So it’s kind of a big deal when we get some concrete news! Like this: Greig Fraser, the DOP of Rogue One: A Star Wars Story and the upcoming Dune, has been hired as The Batman cinematographer.
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The two most recent entries in the James Bond franchise have benefitted from the work of two of the best cinematographers in the business: Roger Deakins (The Shawshank Redemption, Fargo) shot Skyfall, and Hoyte Van Hoytema (Interstellar, Let the Right One In) shot Spectre. Now the franchise is zeroing in on a collaborator for director Cary Joji Fukunaga: the Bond 25 cinematographer is reportedly La La Land and American Hustle‘s Linus Sandgren.
Meanwhile, Lion and Rogue One: A Star Wars Story cinematographer Greig Fraser is lined up to shoot Denis Villeneuve’s new take on Dune. See some examples of their work below. Read More »
Star Wars has long been a film series that helped push technology forward, beginning with the original 1977 film. That movie was a pioneer in visual effects, with the first large-scale use of motion-control camera systems, and also helped push Dolby Stereo into theaters. But one of the new Star Wars films might be using a fusion of old and new gear to create its own spectacle.
There are reports that Star Wars: Rogue One will be using the same anamorphic Ultra Panavision 70 lenses that Quentin Tarantino and Robert Richardson used on The Hateful Eight, lenses which prior to that movie hadn’t been used in decades. Rogue One probably won’t use 65mm film, as Tarantino’s movie did, but a union of those lenses and the new Arri Alexa 65mm digital camera to create the widest Star Wars spectacle we’ve yet seen. Read More »
There’s too much important stuff in this edition of Star Wars Bits to waste time. Read about the following:
- Star Wars Episode VIII will shoot on 35mm film.
- Star Wars Anthology: Rogue One will shoot partially with a 6K camera and new Panavision lenses.
- Daisy Ridley drops a hint about Rey’s lineage in Star Wars: The Force Awakens.
- See the covers of three new Star Wars novels.
- Jurassic World director Colin Trevorrow talks Star Wars films.
- Anthony Daniels is voicing C-3PO in Star Wars Battlefront.
- Find out about a never published Star Wars novel called “Heart of the Jedi.”
- Billie Lourd strikes down another Star Wars: The Force Awakens rumor.
- Star Wars may once again film on Skellig Michael in Ireland.
- Read an interview with the stunt double who played Kylo Ren.
- Peter Mayhew definitively puts the “Han Shot First” debate to rest.
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We don’t know what the Star Wars spinoff directed by Gareth Edwards (Godzilla) is about, and in fact we don’t know much, beyond the release date — the current date for the film is December 16, 2016 — and fact that Gary Whitta (The Book of Eli) is writing, But now we know who is shooting the movie. The first Star Wars spinoff cinematographer is Greig Fraser. He shot Foxcatcher and Zero Dark Thirty, and will now oversee the camera department for Edwards. Read More »
There’s a lot to be said for timing when it comes to film awards, and in that respect things couldn’t have worked out better for Kathryn Bigelow‘s Zero Dark Thirty. While most audiences won’t even have a chance to see the film until early next year, the first screenings of the movie have drawn rave reviews. And now it has picked up what will likely be the first of many awards.
Today the New York Film Critics Circle voted on awards for 2012, and Zero Dark Thirty and Lincoln were the big winners, with nothing scored by The Master, Django Unchained, Les Miserables, or other potential awards faves. Kathryn Bigelow took Best Director and her movie won Best Film, which is the same dual wins the filmmaker enjoyed in 2009 before The Hurt Locker went on to Oscar success. Get the full list of recipients below. Read More »