In 1997, Hong Kong filmmaker John Woo made his third Hollywood feature film, a ludicrously entertaining action flick called Face/Off. In it, an FBI agent (John Travolta) and a psychotic killer (Nicolas Cage) literally had their faces surgically removed and swapped to adopt the other character’s identity. It’s a totally bonkers movie that’s very much a product of its time, a shining example of the type of off-kilter, idiosyncratic film that would be incredibly difficult to remake with any creative success today.
Now a new report says Paramount Pictures is developing a Face/Off remake. Dust off your Nic Cage impression and read on for the details.
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We’re coming up on the end of 2018, which means there’s one more purge of Netflix titles before the new year begins. Thankfully, the list of titles leaving before 2019 isn’t nearly as big as it used to be, so you should have plenty of time to check these movies out before they leave the streaming service forever (or maybe just a few months, since that’s what happens with a lot of these titles).
Below we run through the best TV shows and movies leaving Netflix in January 2019. Read More »
Face/Off is one of those movies that is so batshit crazy that you can’t help but love it. What else are you supposed to do with a movie that features John Travolta and Nicolas Cage swapping faces (but not worrying about their bodies) all so they can destroy each other?
Now Honest Trailers has gotten around to tackling the movie from director John Woo, and it’s a satisfying skewering of the movie that was originally supposed to star Arnold Schwarzenegger and Sylvester Stallone. So sit back, eat a peach, and watch the Face Off Honest Trailer below. Read More »
“I am tired of myself tonight. I should like to be somebody else.” — Oscar Wilde, The Picture of Dorian Gray
We are hardwired to see faces. Through the phenomenon of pareidolia, we’re able to glimpse a collection of shapes in a rock, or a cloud, or an oil spill, and imagine we can spot a face within. Our brains are always searching for something to identify; something to relate to. We judge emotions through the facial features of others – we see entire worlds of possibilities in the raising of an eyebrow, or the downturning of a mouth.
Our own faces remain out of sight, save for when we catch them reflected in a mirror, or in a selfie, or ghost-like and shadowy in the screens of cellphones and laptops. Yet even when we’re not looking at our own faces, we tend to have an image in our minds of how we look. It may be idealized or depreciated, but it’s there. Our faces reflect who we are – without them, we might lose our identity. What might happen then if we gazed into a mirror and discovered a completely different person staring back at us. Worse than that – what if it was the reflection of someone we despised. Someone who had caused us irreparable harm. The face of a mortal enemy.
That’s the premise of Face/Off, John Woo’s glorious and deranged action film from 1997. It was not the first Hollywood movie Woo would direct, but it would ultimately be the best, the only film during the filmmakers’ sojourn in America that truly captured his unmatched style.
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